Diversity, Equity & Inclusion

Why organisations work with Vicky Pryce She has operated on both sides of the policy-commercial divide: as the senior government official responsible for UK productivity strategy at the Government Economic Service, and as Chief Economist and strategic adviser at KPMG and FTI Consulting. That combination is rare and difficult to replicate from outside it. Her book Women vs Capitalism (Hurst, 2019) makes a specifically economic case (not a social one) that gender inequality is a structural market failure with direct consequences for productivity and growth. It reframes inclusion as a strategic performance issue, supported by empirical evidence rather than advocacy. Her current position at CEBR means her economic analysis is grounded in live forecasting and modelling – not retrospective commentary or academic abstraction. She co-founded GoodCorporation, an advisory firm on corporate social responsibility and business ethics, giving her a rare combination of macro-economic credibility and applied governance insight. As the first woman to serve as Chief Economic Adviser at what is now the Department for Business, she brings direct experience of where the gap between policy intention and commercial impact typically opens: a perspective shaped by being inside the room when the policy was being made. Biography highlights Chief Economic Adviser and board member, Centre for Economics and Business Research (CEBR) Former Joint Head of the UK Government Economic Service and Director General for Economics, Department for Business, Innovation and Skills First woman appointed Chief Economic Adviser at the Department for Trade and Industry (2002) Former Partner and Chief Economist, KPMG; Senior Managing Director, FTI Consulting; earlier career roles at Williams & Glyn’s Bank (RBS) and Exxon Europe Author of seven books including Women vs Capitalism (Hurst Publishers, 2019) and How to be a Successful Economist (Oxford University Press, 2022) Visiting Professor, Birmingham City University and King’s College London; Fellow, UK Academy for Social Sciences; Companion, British Academy of Management Co-founder, GoodCorporation (corporate social responsibility and business ethics advisory) Senior Member, British Chambers of Commerce Economic Advisory Council; Advisory Board member, OMFIF (central banking think-tank) Biography UK productivity has been the central puzzle of British economic policy for three decades. Vicky Pryce worked on it from the inside, first as the first female Chief Economic Adviser at what is now the Department for Business, then as Joint Head of the Government Economic Service, overseeing economic analysis and evidence across Whitehall from 2007 to 2010. That insider perspective shapes how she reads the policy landscape now. At KPMG, where she served as Partner and Chief Economist, and at FTI Consulting as Senior Managing Director, she translated government intent into commercial implication, helping large organisations understand what regulatory and fiscal shifts meant for their strategic position. Her current role as Chief Economic Adviser and board member at the Centre for Economics and Business Research (CEBR) keeps that analytical work live, grounded in ongoing economic modelling and forecasting. Her book Women vs Capitalism (Hurst, 2019) makes an argument that separates her from most economics commentators: gender inequality is not a social problem the market will eventually correct, but a structural market failure with direct consequences for productivity and growth. The case is economic and evidential. Greekonomics (Biteback, 2012), which was shortlisted for the Spear’s best business book award, applied the same forensic clarity to the eurozone crisis, and led to her appearing as an expert witness before the House of Lords cross-party subcommittee on economic and financial affairs. Pryce also co-founded GoodCorporation, advising organisations on corporate social responsibility and ethics. She is Visiting Professor at Birmingham City University and King’s College London, a Fellow of the UK Academy for Social Sciences, and a Senior Member of the British Chambers of Commerce Economic Advisory Council. Key speaking topics UK and global economic outlook Economic policy, fiscal strategy, and government reform Productivity, competitiveness, and long-term growth Political and regulatory risk for business Gender economics and labour market policy Corporate ethics and responsible business practice Manufacturing, industrial policy, and economic rebalancing Ideal for CFOs, strategy directors, and board executives navigating policy-driven economic risk Financial services, professional services, and public affairs organisations requiring independent economic analysis HR and talent leaders seeking an evidence-based, economic case for gender inclusion Senior leadership conferences with a UK or European economic policy dimension Audience outcomes A framework for distinguishing short-term economic fluctuation from structural policy shifts that require a strategic response Clearer understanding of how the UK’s persistent productivity challenge affects their sector and what policy instruments are actually in play An economic – not ideological – argument for why gender inclusion is a business performance issue, grounded in market failure analysis and labour market evidence Sharper contextual understanding of the regulatory and fiscal environment shaping their planning horizon Practical basis for scenario planning under conditions of domestic and international economic uncertainty

Why organisations work with Tracy Edwards A first-hand account of leading a crew that the sailing establishment, the press, and most sponsors had publicly written off, and bringing them home with two leg wins and a second in class. Specific decision-making material from a multi-month operation where every choice carried a real risk, useful for leadership audiences who normally talk about pressure in the abstract. A founder’s perspective on building The Maiden Factor Foundation, a working girls’ education charity with an active global tour, not a one-off cause attached to a speaking career. The subject of the Sony Pictures Classics documentary Maiden, which gives audiences shared visual reference points before the talk begins and lifts the room’s engagement from the first minute. A lived view of what gender exclusion does to a team’s operating conditions, drawn from inside a male-dominated sport in the late 1980s rather than from policy commentary. Biography highlights Skipper of Maiden, the first all-female entry in the Whitbread Round the World Yacht Race, 1989-90, second in class with two leg wins. First woman to win the Yachtsman of the Year Trophy in its 34-year history. Appointed MBE in 1990. Founder of The Maiden Factor Foundation, supporting community education programmes for girls globally. Subject of Maiden, the 2018 Alex Holmes documentary distributed by Sony Pictures Classics, 98 percent on Rotten Tomatoes. Author of Living Every Second, autobiography published by Hodder and Stoughton. Biography The 1989 Whitbread Round the World Race was supposed to settle a long-running argument in offshore sailing: whether women could complete one of the hardest endurance races in any sport. The Maiden crew, twelve women on a second-hand 58-foot yacht, finished second in class and won two of the six legs. The skipper, who had mortgaged her house to put the campaign together, was 26. The interest for senior leadership audiences is not the romance of that achievement but its operating reality. Sponsors had refused the project for two years. Sailing media openly predicted the crew would not finish the first leg. Tracy Edwards led a team that had to perform under the assumption it would fail, with finance, equipment, and reputation all running against it. The lessons translate cleanly to leaders running underdog projects inside large organisations. After the race, Edwards was appointed MBE and became the first woman in a 34-year history to receive the Yachtsman of the Year Trophy. She published the autobiography Living Every Second in 2001 and later founded The Maiden Factor Foundation, which uses the restored yacht as a working platform for girls’ education campaigns, with a focus on STEM access in developing countries. The 2018 documentary Maiden, directed by Alex Holmes and released by Sony Pictures Classics, brought the story back into the public conversation and gave a new generation of corporate audiences a shared reference point. The talk works because the underlying material is concrete: a crew, a boat, a race, a set of decisions taken under conditions most boardrooms will never see. Key speaking topics Leadership under pressure and resource constraint Building and holding a team that the market has written off Decision-making with limited information and irreversible consequences Inclusion and access in environments structurally hostile to outsiders Endurance and recovery across long-cycle projects Founding and running a mission-led organisation Risk and accountability in operational leadership Ideal for CEO and senior leadership offsites focused on resilience and team performance under sustained pressure Conferences for women in leadership, particularly in male-dominated sectors Organisations running underdog or turnaround projects that need a credible outside voice on holding morale through public scepticism After-dinner and main-stage slots where the brief is leadership content with narrative weight Audience outcomes A specific, non-corporate reference case for leadership decisions taken under genuine consequence Sharper questions about how a team holds together when external belief in the project is low A clearer view of what inclusion means as an operating condition, not a policy statement Renewed conviction that ambitious goals can be reached without conventional resources or backing

Why organisations work with Tania de Jong A working body of evidence that creativity is buildable inside an organisation, drawn from six businesses and four charities she has founded, including Creative Universe, Creativity Australia and The Song Room. Co-founder of Mind Medicine Australia, the organisation behind Australia’s 2023 rescheduling of psilocybin and MDMA for treatment-resistant depression and PTSD, the first national framework of its kind in the world. A keynote format that pairs argument with live performance, used at Thinkers50 European Business Forum in Denmark and the International Forum on Consciousness in the United States, and tested across more than 40 countries. Eight editions of the Creative Innovation Asia Pacific Global Forum, awarded Corporate Event of the Year at the global Eventex Awards, giving her direct exposure to how international leaders are framing innovation, AI, wellbeing and the future of work. A position on social inclusion through the With One Voice programme that is grounded in operating practice, not theory, having reached thousands of participants across community choirs in Australia. Biography highlights Member of the Order of Australia (AM), 2008, for service to the arts and to music and arts enrichment programmes in schools and communities. Co-founder of Mind Medicine Australia, the organisation behind the world-first 2023 rescheduling of psilocybin and MDMA in Australia for treatment-resistant depression and PTSD. Founder of Creativity Australia, Creative Universe, Creative Innovation Global, The Song Room, MTA Entertainment & Events, Dimension5 and Pot-Pourri. TEDxMelbourne speaker, “How singing together changes the brain”. Keynote speaker, Thinkers50 European Business Forum, Denmark, 2018, and the International Forum on Consciousness, United States, 2019. Ernst and Young Australian Social Entrepreneur of the Year; Churchill Fellow; AGSE Entrepreneurs Hall of Fame, Swinburne University; Bachelor of Law (Honours), University of Melbourne. Biography Australia became the first country in the world to reschedule psilocybin and MDMA for the treatment of depression and PTSD in 2023. Mind Medicine Australia, co-founded by Tania de Jong and Peter Hunt, did the regulatory and clinical groundwork that made it possible. That outcome is the clearest statement of how de Jong tends to work: a long-running campaign to change a system that most assume cannot be moved. The same pattern runs through the rest of her record. Six businesses and four charities, including Creative Universe, Creativity Australia, The Song Room and Creative Innovation Global, each built around a specific argument about creativity, inclusion or social repair. The Song Room alone has reached over a million Australian students through music programmes in schools that would not otherwise access them. Her speaking work is unusual in form. She is a classically trained soprano who has performed in over 40 countries, and her keynotes weave argument with live singing. Thinkers50 invited her to keynote its European Business Forum in 2018. Her TEDxMelbourne talk on the neuroscience of group singing has been viewed widely and is often cited in workplace wellbeing literature. The substantive claim underneath all of it is that creativity and collective purpose are operating disciplines. The Creative Innovation Asia Pacific Global Forum, which she has run eight times and which won Corporate Event of the Year at the Eventex Awards, is the working venue for that argument across AI, leadership, wellbeing and the future of work. Key speaking topics Creativity as a strategic discipline Innovation culture and the future of work Entrepreneurship and social enterprise Mental health, wellbeing and the neuroscience of connection Diversity, inclusion and collective purpose Leadership in disruption and reinvention Storytelling and performance in business communication Ideal for CHROs and culture leads designing engagement, wellbeing and inclusion programmes that need to land beyond the slide deck. Innovation leads, transformation directors and strategy teams looking to move creativity from training programme to operating practice. CEOs and boards in sectors facing structural reinvention, where the soft conditions of change are as material as the hard ones. Conference organisers seeking a keynote that combines argument with live performance and high audience engagement. Audience outcomes A specific case for treating creativity as a leadership capability, not a workshop output. A working view of how social inclusion and collective practice change individual and team performance, drawn from the With One Voice programme and supporting neuroscience. An updated read on the global innovation agenda, informed by eight editions of the Creative Innovation Asia Pacific Forum. Exposure to one of the few global voices arguing for psychedelic-assisted therapy as a serious instrument of mental health policy, with evidence from the Australian rescheduling. A keynote experience that uses live performance to shift the energy of a room, useful for conferences that need a tonal lift alongside content.

Why organisations work with Suzy Walton Triple-chartered credentials (Chartered Director, Chartered Occupational Psychologist, Chartered Scientist) that few governance speakers in the UK can match, paired with active board service across more than fifteen organisations. Direct Whitehall experience, including the Ministry of Defence, the Cabinet Office, the Prime Minister’s Strategy Unit, and a 2025 Cabinet Office policy appointment by the Prime Minister. Operational military psychology background, including PhD research on suicide within the Armed Forces and lecturing at NATO events on terrorist profiling and behaviour under extreme stress. Nearly a decade as the longest-serving board member of the Institute of Directors, now a strategic advisor and chair of the IoD Accreditation and Standards Committee, giving boards a benchmark voice on director standards. A perspective on resilience grounded in real biographical fact: long-term widowhood, raising seven children, and a career rebuilt from the West End stage through to the Cabinet Office. Biography highlights Chartered Director, Chartered Occupational Psychologist and Chartered Scientist. PhD, Cranfield University, on suicide within the Armed Forces. Former senior civil servant: Ministry of Defence, Cabinet Office, Prime Minister’s Strategy Unit. Vice-President, Combat Stress; former Vice-President, Royal Society of Medicine (2019 to 2021). Longest-serving member on the Institute of Directors main board, 2013 to 2022; current strategic advisor. Honorary Doctorate, University of Hertfordshire, 2026; BSc and MSc in Psychology from the same institution. Former West End actress (Children of a Lesser God), BBC Television presenter and Sky News reporter. Biography The standard governance speaker tends to come from one track: City, Big Four, executive search. Suzy Walton arrives at four. She is a Chartered Director, Chartered Occupational Psychologist and Chartered Scientist, qualifications usually distributed across three different professions, and she has used all three in active board service. Her doctorate, awarded by Cranfield University, was on suicide within the Armed Forces and was initially classified. As a serving military psychologist, she designed Resistance to Interrogation training, built recruitment systems for classified roles, and lectured at NATO events on terrorist profiling and human behaviour under extreme stress. Senior civil service postings in the Ministry of Defence, the Cabinet Office and the Prime Minister’s Strategy Unit followed, and in 2025, the Prime Minister appointed her to a fresh policy role in the Cabinet Office. The board record is long and substantive. She was the longest-serving member of the main board of the Institute of Directors, from 2013 to 2022, and now sits as strategic advisor and chair of its Accreditation and Standards Committee. She has held positions at ACCA, Birmingham Children’s Hospital, the Royal Society of Arts, the Royal Society of Medicine, the Internet Watch Foundation, the University of Westminster, the Independent Reconfiguration Panel, the Social Security Advisory Committee and the State Honours Committee. She is Vice-President of Combat Stress. What she draws on in front of a senior audience is the unusual width of that record set against an unusual personal one: a former West End actress in Children of a Lesser God, BBC and Sky News broadcaster, mother of seven, widowed for many years. Boards interested in honest governance and serious resilience tend to be the ones that book her. Key speaking topics Corporate governance and board effectiveness Director of Standards and Chartered Practice Resilience and behaviour under extreme stress Women on boards and inclusive governance Public service leadership and civil service strategy Veterans’ mental health and Combat Stress Multi-role careers and reinvention Ideal for Boards, NEDs and chairs raising the standard of director practice Senior civil service, regulatory and public-sector leadership audiences CHROs, talent and inclusion leads working on women into board roles Healthcare, professional body and charity leadership audiences Audience outcomes A clearer benchmark for what good director conduct looks like, drawn from a chartered framework. A direct view of how Whitehall actually makes policy decisions, from someone who has been in the room. A grounded model of resilience that is not motivational but operational, built from military psychology and personal biography. Practical reference points for boards trying to take women, diversity and governance standards seriously at the same time.

Why organisations work with Susie Wolff She is the only executive who has both experienced structural exclusion at the top of global motorsport as a competitor and then returned to redesign those structures, giving her an argument that runs deeper than advocacy. F1 Academy under her leadership secured the backing of all ten Formula 1 teams, partnerships with Charlotte Tilbury, American Express, TAG Heuer and The LEGO Group, and grew to become the second-most followed motorsport series after Formula 1 – these are not diversity metrics, they are commercial outcomes. Her work addresses a specific organisational failure that most DEI programmes miss: talent exclusion is not primarily a selection problem, it is a pipeline and development problem. She has built the operational case study. Her track record spans the full leadership arc – elite competitor, team principal, CEO, series director – giving her credibility in conversations about performance culture, high-pressure decision-making, and building organisations that win under scrutiny. Driven, her memoir, was an instant Sunday Times bestseller on UK publication by Hodder & Stoughton, and was released in the US by Henry Holt in April 2026 with a Booklist Starred Review and Lewis Hamilton endorsement, extending her reach beyond motorsport audiences into mainstream leadership conversations. Biography highlights Managing Director, F1 Academy (Formula 1’s all-female development series), appointed March 2023; reports directly to Formula 1 CEO Stefano Domenicali First woman to participate in a Formula One race weekend since 1992 – four FP1 sessions with the Williams F1 team, 2014–2015 Seven seasons in the Deutsche Tourenwagen Masters (DTM) with Mercedes-Benz, 2006-2012 Team Principal then CEO, Venturi Formula E team, 2018-2022; took the team from the back of the grid to Formula E Vice-World Champions and oversaw its sale to Maserati on departure Founder, Dare To Be Different initiative (2016); merged with FIA Girls on Track (2019) Author, Driven (Hodder & Stoughton / Henry Holt) – instant Sunday Times bestseller; executive producer of Netflix docuseries F1: The Academy (2025) MBE (2017) for services to women in sport; Honorary Fellowship, University of Edinburgh (2013); CNBC Changemaker (2026) Biography Motorsport has long had a pipeline problem, not of talent, but of access. The structures that determined who made it to the top were built for a specific kind of competitor, and they were rarely questioned. Susie Wolff sat inside that system for over two decades: as a driver who pushed further into Formula One than any woman had in a generation, and then as the executive who went back to rebuild it. Her driving career ran from karting to the Deutsche Tourenwagen Masters with Mercedes-Benz, then to Williams F1, where she became the first woman to participate in a Formula One race weekend since 1992 across four practice sessions in 2014 and 2015. When she retired from driving, she turned to the leadership side of the sport: first as Team Principal, then CEO, of the Venturi Formula E team. Over four seasons she took the team from the back of the grid to a Formula E Vice-World Championship finish, then oversaw its sale to Maserati before joining F1 Academy in March 2023. At F1 Academy, Wolff has built something that did not exist before: a commercially viable, Formula 1-integrated development series for female talent, which now carries the liveries of all ten F1 teams, holds partnerships with brands including Charlotte Tilbury, American Express, TAG Heuer and The LEGO Group, and has grown to become the second-most followed motorsport series after Formula 1. She executive produced the 2025 Netflix docuseries F1: The Academy alongside Reese Witherspoon’s Hello Sunshine. Her memoir Driven was an instant Sunday Times bestseller on UK publication by Hodder & Stoughton, and was released in the US by Henry Holt in April 2026 to a Booklist Starred Review. What Wolff offers corporate audiences is not a motivational narrative with a motorsport backdrop. It is a specific and replicable argument: that inclusive talent pipelines are not built by changing who you select, but by redesigning the conditions in which talent is identified and developed. She has built that case inside one of the world’s most commercially demanding sports, and has the results to prove it. Key speaking topics Inclusive talent pipeline design Leadership and performance under competitive pressure Organisational culture change in structurally resistant industries Executive leadership in high-performance sport Building commercial frameworks for underrepresented talent Resilience and ambition in elite environments Diversity as a strategic performance lever Ideal for C-suite and senior leadership teams working on talent strategy, diversity, or cultural transformation CHROs and People directors designing inclusive talent development programmes Leadership and strategy teams in automotive, engineering, technology, and financial services Sports business, sponsorship, and commercial leadership audiences Audience outcomes A clear framework for distinguishing between diversity as selection (reactive) and diversity as pipeline design (structural) with a real-world organisational example Understanding of how to build commercial buy-in for inclusion initiatives, grounded in F1 Academy’s partnership and broadcast growth Insight into high-performance decision-making and the leadership qualities required to build organisations under public scrutiny A more specific vocabulary for talking about talent exclusion as a performance problem rather than a compliance issue First-hand perspective on what resilience, ambition, and goal-setting look like at the elite level, and how these translate into organisational contexts

Why organisations work with Susan Cain A single, defensible thesis. Quiet sold over four million copies, spent multiple years on the New York Times bestseller list and translated into 40 languages, which gives a senior audience a shared reference point before she walks on stage. Operational, not theoretical. Through the Quiet Leadership Institute she has delivered corporate programmes at GE, LinkedIn, Procter & Gamble, NASA and the Dutch Air Force, and partnered with Steelcase to redesign office space around introvert-friendly workflows. Reframes inclusion in language that lands with sceptical executives. Personality bias is a talent and productivity argument, not a values argument, which makes the conversation possible in rooms where DEI has become contested. Cultural reach that pulls audiences in. The TED2012 talk has been viewed more than 30 million times and named by Bill Gates as a personal favourite, and Bittersweet was an Oprah’s Book Club pick in 2023. Biography highlights Honours graduate of Princeton University and Harvard Law School; former Wall Street negotiations attorney Author of Quiet: The Power of Introverts in a World That Can’t Stop Talking, #1 New York Times bestseller, four million copies sold, 40 languages Author of Bittersweet: How Sorrow and Longing Make Us Whole, #1 New York Times bestseller and Oprah’s Book Club selection TED2012 talk “The Power of Introverts” viewed over 30 million times; named by Bill Gates as a favourite TED talk Co-founder of Quiet Revolution and the Quiet Leadership Institute, with corporate programmes at GE, LinkedIn, Procter & Gamble, NASA and the Dutch Air Force Recipient of Harvard Law School’s Celebration Award for thought leadership and the Toastmasters International Golden Gavel Award Biography A third to half of the workforce is introverted, yet most companies are built as though everyone in the room is an extrovert. Hiring rewards the candidate who presents best in an interview. Meetings reward whoever speaks first. Open-plan offices reward visibility over depth of thought. The cumulative cost in lost ideas, attrition and shallow decision-making is significant, and rarely measured. That is the operational problem Quiet named in 2012. The book has sold over four million copies, sat on the New York Times bestseller list for years and been translated into 40 languages, which is why senior leaders tend to arrive at the keynote already inside the argument. The accompanying TED2012 talk has been viewed more than 30 million times and was named by Bill Gates as one of his favourites. The work since then has been practical. Through the Quiet Leadership Institute, founded with former West Point professor Mike Erwin, Cain has run corporate development programmes for organisations including GE, LinkedIn, Procter & Gamble, NASA and the Dutch Air Force. With Steelcase, she co-designed the Quiet Spaces office concept, a direct intervention into the open-plan trend. Her second book, Bittersweet, debuted at #1 on the New York Times nonfiction list and was selected for Oprah’s Book Club in 2023, broadening the conversation into how organisations handle emotion, longing and creativity at work. Her Princeton and Harvard Law training, and her earlier career as a Wall Street negotiator, show up in the way she argues. The case is a talent and productivity case before it is a values case, which is what makes it land in rooms where leaders are tired of the usual inclusion language. Key speaking topics The hidden strengths of introverted leaders Personality bias in hiring, meetings and promotion Workspace and office design for cognitive performance Talent strategy across the introvert and extrovert spectrum Creativity, deep work and the conditions for original thinking Inclusion framed as a productivity argument Emotion, longing and meaning at work (drawing on Bittersweet) Ideal for CHROs, talent leaders and heads of organisational development rethinking how they hire, promote and retain CEOs and senior executives whose workforce skews toward knowledge work, research, engineering or design Heads of workplace strategy and real estate teams designing the next generation of office space Learning and leadership development teams building inclusive leadership curricula that move beyond conventional DEI framing Audience outcomes A concrete vocabulary for the personality bias built into common hiring, meeting and performance practices Specific design choices to test, in meetings, workspaces and team rituals, to surface ideas from quieter staff A reframed argument for inclusion that survives executive scrutiny on commercial grounds A clearer view of where deep work and solitude belong in the operating model of a knowledge organisation

Why organisations work with Stacey Dooley A working method built over more than 100 BBC documentaries on trafficking, domestic abuse, extremism and fashion industry pollution, which gives her an unusual ability to discuss difficult subjects on a corporate stage without sanitising them. Recipient of the Grierson Trustees’ Award 2024, the youngest person ever to receive it, for outstanding contribution to documentary. A credential that audiences and journalists recognise immediately. A track record of taking serious subject matter to younger audiences, the demographic most internal communications teams struggle to reach with mental health, wellbeing and ethics content. Equally credible as an event host, on-stage interviewer and keynote speaker, which makes her a flexible booking for awards nights, conferences and internal leadership events on women, mental health or social impact. Biography highlights BBC documentary presenter, with more than 100 films across BBC One, BBC Two and BBC Three. MBE for services to broadcasting, 2018 Birthday Honours. Grierson Trustees’ Award 2024, youngest recipient. One World Media Award (Popular Features) for Stacey Dooley: Face to Face with Isis, 2018. Sunday Times bestselling author: On the Front Line with the Women Who Fight Back (2018), Are You Really OK? (2022), Dear Minnie (2025). Winner, Strictly Come Dancing 2018 (BBC One); presenter of Glow Up and Stacey Dooley Sleeps Over. Biography Most corporate conversations about mental health, exploitation or domestic abuse fail the people they are about. The language is too cautious, the staging too clean, and the lived reality goes missing. Stacey Dooley has built a 17-year BBC career closing exactly that gap, on screen and in print, and audiences notice the difference. She came up through Blood, Sweat and T-Shirts on BBC Three in 2008, with no journalism background, and went on to make more than 100 documentaries under the Stacey Dooley Investigates banner. The subjects span sex trafficking, domestic violence, extremism, fashion industry pollution, the illegal narcotics trade and Britain’s mental health emergency. Stacey Dooley: Face to Face with Isis won the Popular Features Award at the One World Media Awards in 2018. The Grierson Trust gave her its Trustees’ Award in 2024 for outstanding contribution to documentary, citing her ability to bring difficult subjects to younger viewers and to ask direct, uncomfortable questions of people in authority. She is the youngest person ever to receive the award. She holds an MBE for services to broadcasting and is a Sunday Times bestselling author three times over, most recently with Dear Minnie: Conversations with Remarkable Mothers (Penguin, 2025). For organisations, the value is twofold. As a host or on-stage interviewer, she can carry subject matter that defeats more traditional MCs. As a keynote speaker, she draws on documentary work that audiences already know, which lends weight to internal conversations on women’s safety, mental health and ethical practice that often struggle to land. Key speaking topics Investigative documentary and storytelling Women’s experience, safety and rights Mental health and the limits of public conversation Ethical journalism on sensitive subjects Domestic abuse and coercive control Labour conditions and exploitation in global supply chains Career routes outside traditional media gatekeeping Ideal for Corporate awards nights, gala dinners and conferences seeking a recognisable BBC host with editorial range. Internal leadership events on mental health, wellbeing or women’s safety where a corporate MC would feel mismatched. CHRO and Head of Internal Communications audiences planning campaigns on domestic abuse, mental health or supply chain ethics. Public sector, charity and NGO conferences on social impact, women’s rights or violence against women and girls. Audience outcomes A documentary-maker’s view of how to talk about hard subjects without flattening them. Specific case material from BBC investigations into trafficking, domestic abuse, extremism and mental health. A more honest internal benchmark for what good journalism looks like on the issues organisations are increasingly asked to comment on. Permission to be more direct in internal communications about mental health and women’s experiences.

Why organisations work with Sarah Storey The only person who can speak about sustaining elite performance across nine consecutive Paralympic Games, across two distinct sports, and against both disabled and able-bodied competition – making her case study in resilience and adaptation genuinely without parallel in British sport. Her career switch from swimming to cycling was not a choice but a forced pivot under serious illness. What she delivers to audiences is not an account of athletic triumph, but a dissection of the decisions that turn disruption into a new performance peak. As Active Travel Commissioner for Greater Manchester, a Non-Executive Director at the Department for Transport, and Visiting Professor of Sport at Manchester Metropolitan University, she operates inside institutions where outputs are scrutinised against governance standards – giving her a credibility in policy and leadership conversations that most athlete speakers cannot match. Two-time Sunday Times Disability Sportswoman of the Year (2020 and 2024), confirmed by a judging panel that includes some of the most respected names in British sport governance – recognition anchored in results, not profile. Client feedback consistently identifies her ability to adapt substantive content to the specific leadership context, rather than delivering a fixed biographical keynote – a distinction that matters for senior audiences expecting ideas, not inspiration alone. Biography highlights 19 Paralympic gold medals across nine Games (1992–2024) – the most by any British Paralympian in history, in either swimming or cycling 29-time World Champion across two sports; holder of 75 world records DBE (2013, for services to para-cycling); OBE (2009); MBE (1998) Active Travel Commissioner, Greater Manchester Combined Authority; former Non-Executive Director, Department for Transport Visiting Professor of Sport, Manchester Metropolitan University Institute of Sport President, Lancashire County Cricket Club (elected 2024) Sunday Times Disability Sportswoman of the Year: 2020 and 2024 Six-time British national track cycling champion, competing against able-bodied athletes; first disabled cyclist to represent England at a Commonwealth Games (Delhi, 2010) Biography Sustained performance across 32 years and two elite sports is not a product of talent alone. It requires specific disciplines: adapting when conditions shift, rebuilding when illness interrupts a career, setting standards before they are urgently needed. Dame Sarah Storey DBE holds 19 Paralympic gold medals – a British record across any sport – because she built those habits, not because she avoided the hard moments. Storey’s transition from swimming to cycling was not planned. A serious ear infection in 2005, following a diagnosis of chronic fatigue syndrome, ended her pool career. She entered a new sport, competed at Beijing 2008, and has since added 14 cycling gold medals to the five she won in the pool. The lesson she draws from that transition is not about optimism. It is about the practical decisions that make reinvention under real pressure productive rather than merely survivable. Her credibility extends well beyond athletics. She is Active Travel Commissioner for Greater Manchester Combined Authority, a former Non-Executive Director at the Department for Transport, and Visiting Professor of Sport at Manchester Metropolitan University. She has won British national track cycling titles competing against non-disabled athletes – a distinction very few Paralympic athletes can claim – and was the first disabled cyclist to represent England at a Commonwealth Games. In presentations, she connects the disciplines of elite sport directly to conditions leaders actually face: imperfect preparation, shifting targets, and pressure that outlasts the initial motivation. A two-time Sunday Times Disability Sportswoman of the Year (2020 and 2024), she brings to a senior leadership audience something rare – an athlete whose record is a matter of public fact, and whose post-competition work gives her the context to make that record relevant to the people running institutions, not just competing in them. Key speaking topics Sustained high performance and long-cycle excellence Resilience and adaptive performance under pressure Reinvention and career pivoting under constraint Marginal gains and performance culture Disability, inclusion, and elite sport Goal-setting across extended performance cycles Leadership lessons from elite sporting careers Ideal for C-suite and senior leadership teams seeking a credible, evidence-based perspective on sustained performance culture HR leaders and talent directors building resilience frameworks and high-performance environments Corporate conferences where disability inclusion, diversity of experience, and elite achievement intersect Public sector and policy audiences where sport leadership, active travel, and governance are on the agenda Audience outcomes A concrete framework for distinguishing resilience as a proactive discipline from resilience as a reactive recovery skill Understanding of the specific decisions that allow reinvention under pressure – drawn from a career that required a complete sport change mid-career Practical insight into how marginal gains and long-cycle goal-setting compound into sustained competitive advantage A reframed relationship with imperfect conditions: how elite performance is built in environments that are rarely ideal, rather than waiting for them to improve Renewed clarity on personal and team standard-setting: how the disciplines behind 32 years of elite performance apply to organisations that need to sustain output across strategic cycles, not just sprints

Why organisations work with Sarah Begum First-hand experience of the climate impact on indigenous communities. Her Cannes-premiered film Amazon Souls came out of two weeks living with the Huaorani people in Yasuní National Park, where oil exploitation and rainforest loss are present conditions, not projections. Most corporate audiences get this material from researchers. She was there. Brings a broadcast journalist’s discipline to sustainability talks. Before climate became her primary topic, she was presenting news in Caracas during the Venezuelan crisis and reporting features for GHOne TV in Ghana. That training shapes how she handles a corporate room, with concrete stories and the pacing of a working journalist. Connects indigenous climate stories to practical sustainability strategy. As a STEM Ambassador and host of Spaced Out!, where she interviews NASA scientists and space entrepreneurs, she brings the technology side of ESG, from satellite data to climate monitoring, into corporate conversations about climate action. Credibility that holds up on both sides of the room. Fellowship of the Royal Geographical Society and the Captain Scott Society’s Spirit of Adventure Award (2014) place her inside the exploration establishment. The Guardian’s San Miguel Rich List 2016 named her one of the world’s top 17 trailblazers, alongside her BAFTA-recognised short for Nespresso Talents 2018. Biography highlights Fellow of the Royal Geographical Society Director of Amazon Souls (2013), premiered at the Cannes Film Festival and distributed worldwide Broadcast journalist: presented news from Caracas during the Venezuelan crisis and reported features for GHOne TV in Ghana Host of Spaced Out!, a podcast and TV series on the space industry featured on Space Channel Winner of the Captain Scott Society’s Spirit of Adventure Award (2014); finalist for the Winston Churchill Memorial Trust Fellowship 2014 Named one of The Guardian’s top 17 trailblazers in the San Miguel Rich List 2016 Biography Yasuní National Park, in the Ecuadorian Amazon, is one of the most biodiverse places on Earth. It also sits above some of South America’s largest untapped oil reserves. The Huaorani people, who have lived in Yasuní for generations, have been the ones negotiating that collision. Sarah Begum spent two weeks living with the Huaorani in 2010. She was 21, studying television and film, and funded the expedition herself. The documentary she brought back, Amazon Souls, premiered at the Cannes Film Festival in 2013 and was distributed worldwide, endorsed by rainforest organisations including Rainforest Alliance, Sky Rainforest Rescue and Rainforest Foundation. Her work since has followed the same method: travel to places most people will never go, and report back in terms corporate and general audiences can use. A Fellow of the Royal Geographical Society, she has presented news from Caracas during the Venezuelan crisis, reported features for GHOne TV in Ghana, interviewed Jane Goodall for BBC Focus magazine, and directed the BAFTA-recognised short Who Would Have Thought… for Nespresso Talents 2018. The Captain Scott Society awarded her its Spirit of Adventure Award in 2014 for the Darien Gap expedition. Her talks carry this method into boardrooms. A STEM Ambassador and host of the space-industry series Spaced Out!, she reports on how satellite data and space-based research now underpin corporate sustainability strategy, drawing on interviews with NASA scientists and space entrepreneurs. Key speaking topics Climate justice and indigenous communities ESG strategy and corporate sustainability Women in STEM and exploration The space sector and Earth sustainability Immersive journalism and cultural storytelling Climate action and frontline impact Ideal for Chief Sustainability Officers, Heads of ESG, and Corporate Responsibility teams looking to move past reporting frameworks International Women’s Day, DEI, and employee resource group events where frontline storytelling anchors the conversation Conferences on sustainability, climate action, and the space sector where a primary-source perspective adds weight Leadership programmes and awaydays seeking to reconnect senior teams to the human stakes of their climate commitments Audience outcomes What oil exploitation and rainforest loss actually look like for the communities on the frontline, told by someone who has spent time with them A human frame for ESG reporting, drawn from indigenous advocacy, international journalism, and space-sector research A model for how first-hand reporting can be translated into storytelling that changes internal conversations about sustainability Named examples of how the space sector contributes to climate data and corporate sustainability strategy

Why organisations work with Sandi Toksvig She did not simply comment on gender equity: in 2015 she resigned one of the most prominent chairs in British broadcasting to co-found a political party around it. That choice gives her a credibility in the room that no consultant or commentator can acquire. Forty years in live, contested broadcast formats, chairing political satire, hosting mass-audience television, moderating fast-moving intellectual debate, represent a specific and rare capability: keeping a complex, high-stakes conversation moving with precision and warmth. Her TED Talk on structural gender representation and her play Bully Boy (Nuffield Theatre; West End, 2012), which examines moral ambiguity and institutional culture, demonstrate that her engagement with social complexity goes well beyond commentary. As President of the Writers’ Guild of Great Britain and a Cambridge-educated author of 20-plus books across fiction, non-fiction, and drama, she brings genuine intellectual depth to conversations about communication, culture, and representation, not just platform authority. She has held the room at every level, from broadcast audiences of millions to TED stages, making serious arguments about inclusion, accountability, and change both rigorous and accessible to a leadership audience. Biography highlights First-class degree in archaeology and anthropology, Girton College, Cambridge; received two academic prizes; performed in the first all-woman Cambridge Footlights show, alongside Stephen Fry, Hugh Laurie, and Emma Thompson Co-founder, Women’s Equality Party (2015), with journalist Catherine Mayer; left BBC Radio 4’s The News Quiz – a role she held for ten years – specifically to do so; covered by the New York Times; TED Talk on gender representation and political mobilisation Host, BBC Two’s QI (from 2016, succeeding Stephen Fry); co-presenter, Channel 4’s The Great British Bake Off (2017-2020); chair, BBC Radio 4’s The News Quiz (2006-2015) Playwright: Bully Boy premiered at Nuffield Theatre, Southampton (2011); transferred to launch the debut West End season of St James Theatre, London (2012) – the first new West End theatre in 30 years OBE for services to broadcasting (2014 New Year Honours); Chancellor, University of Portsmouth; Honorary Fellow, Lucy Cavendish College, Cambridge President, Writers’ Guild of Great Britain (from 2019); author of more than twenty books for adults and children Biography The gap between organisations that declare commitment to gender equity and those that actually change their leadership pipelines is well documented. Sandi Toksvig entered this conversation at measurable personal cost – resigning as chair of BBC Radio 4’s The News Quiz in 2015 to co-found the Women’s Equality Party with journalist Catherine Mayer. A TED Talk on gender representation and political mobilisation followed. The decision established Toksvig’s standing not as a commentator on inclusion but as someone who had tested her convictions against institutional consequence. Her broadcast career provides a different order of evidence. Four decades in live, contested formats – hosting BBC Two’s QI, co-presenting Channel 4’s The Great British Bake Off, chairing political satire on Radio 4 – demonstrate a specific capability: keeping complex, high-stakes conversation moving with precision, wit, and authority. She holds a first-class degree from Girton College, Cambridge, where she also performed in the first all-woman Cambridge Footlights show. Her range extends beyond broadcasting. As a playwright, her Bully Boy – a work on moral ambiguity, institutional authority, and the human cost of political decision-making – premiered at the Nuffield Theatre and transferred to launch St James Theatre’s debut West End season. She has served as President of the Writers’ Guild of Great Britain and Chancellor of the University of Portsmouth, and has published more than twenty books across fiction, non-fiction, and children’s literature. For organisations working to close the distance between stated values and visible change on inclusion and representation, Toksvig brings something precise: four decades of live broadcast authority, the civic credibility of having acted on her convictions, and the capacity to hold a difficult room without losing it. Key speaking topics Gender equity and leadership representation Storytelling and political communication Cultural intelligence and cross-cultural perspective Civic activism and democratic accountability Satire, comedy, and public discourse Inclusive organisational culture Writing, publishing, and creative practice Ideal for CHROs and People & Culture leaders hosting executive summits or leadership conferences on inclusion, representation, and cultural change Boards and senior leadership teams working to move DEI commitments from policy to practice Awards ceremonies, after-dinner engagements, and conference programmes requiring an anchor voice combining intellectual authority with wit Professional associations in media, publishing, law, or higher education seeking a credible voice on representation, communication, and civic responsibility Audience outcomes A clear frame for why gender equity stalls despite broad agreement – and what it takes to make the argument land in a room Understanding of how communication style and conviction, not data alone, drive cultural change in organisations Perspective on the relationship between satire, public discourse, and institutional accountability A model of what sustained, costly commitment to inclusion looks like – beyond declarations and frameworks Confidence in approaching contested conversations about representation with authority and without defensiveness

Why organisations work with Samira Ahmed More than three decades in senior British journalism, including current presenting roles on BBC Radio 4’s Front Row and BBC One’s Newswatch, give her the instinct to read a room and the standing to hold it. Her January 2020 equal pay tribunal win against the BBC gives her direct, lived authority on workplace fairness that few moderators can claim. She has chaired panels for the British Museum, the Royal Shakespeare Company, the United Nations, the Cabinet Office and KPMG, and handles contested material without flattening it into talking points. Stonewall Broadcaster of the Year in 2009 and a current trustee of the Centre for Women’s Justice, she brings a journalistically tested base in equality and gender topics that few corporate hosts can claim. Biography highlights Presenter, Front Row, BBC Radio 4, and Newswatch, BBC One and BBC News Channel. British Broadcasting Press Guild Audio Presenter of the Year, 2020. Stonewall Broadcaster of the Year, 2009, for Channel 4 News reporting on the “corrective” rape of lesbian women in South Africa. Brought and won the landmark equal pay tribunal against the BBC, January 2020. Honorary Fellow of St Edmund Hall, Oxford; honorary doctorates from City University of London, the University of East Anglia, Kingston University and the University of Winchester. Trustee, Centre for Women’s Justice; former Channel 4 News presenter and correspondent and former BBC Los Angeles correspondent. Biography In January 2020, an employment tribunal in central London ruled that Samira Ahmed had been paid less than a male colleague for the same broadcasting work. The judgment set a new reference point in British equal pay law and triggered pay reviews across the BBC. That case sits inside more than three decades of senior British journalism. It also explains why organisations book her to chair the conversations they cannot easily host themselves. She has been the named subject in a public fight over pay and gender, where most professional moderators have only commented from outside. She presents Front Row on BBC Radio 4 and Newswatch on BBC One. Before that came eleven years at Channel 4 News, plus an earlier BBC posting to Los Angeles to cover the OJ Simpson trial. Her honours include the 2020 British Broadcasting Press Guild Audio Presenter of the Year. A Stonewall Broadcaster of the Year award followed in 2009 for her Channel 4 News reporting on “corrective” rape in South Africa. She has chaired live discussions for the British Museum, the Royal Shakespeare Company, the British Film Institute, the United Nations and the Cabinet Office. She presented the Civil Service Awards for five consecutive years. In April 2023, on Front Row, she announced the earliest known complete recording of a Beatles concert in Britain. The tape was made by a fifteen-year-old pupil at Stowe School in 1963 and is now held by the British Library. Key speaking topics Equal pay and workplace fairness Gender equality and women’s rights Public trust in journalism and institutions Cultural intelligence in public discourse Senior conference chairing and panel moderation Diversity and representation in public life Ideal for Award ceremonies, leadership summits and AGMs requiring a credible senior chair CHROs and pay equity committees hosting public discussions on workplace fairness DEI leads, communications directors and ESG officers running events on gender equality and fair pay Cultural institutions and public-sector bodies briefing audiences on contested or sensitive material Audience outcomes A direct, journalist-trained perspective on equal pay and workplace fairness, drawn from her own landmark BBC tribunal A working understanding of how the BBC weighs editorial trust and audience scrutiny, from the presenter of Newswatch A discussion that keeps its substance when the material is sensitive, with senior contributors tested rather than handled A model of senior public chairing where the room is led with authority and contested material given space to land

Why organisations work with Sallie Krawcheck She has run wealth management at the largest scale in the industry, leading Smith Barney, Citi Private Bank, US Trust and Merrill Lynch, then built a venture-backed fintech from scratch around a gap she watched the incumbents miss. Her thesis on the gender wealth gap is quantified, not rhetorical. Ellevest’s portfolio construction takes gender-specific salary curves, career breaks and longevity into account, which gives her a concrete answer to the “what would you actually change” question that most diversity speakers cannot give. Fortune called her “The Last Honest Analyst” for refusing to soften research calls and for reimbursing retail clients during a downturn. That reputation is what makes her credible to senior boards on questions of conflict of interest and product integrity. Her book “Own It: The Power of Women at Work” (Crown Currency, 2017) is a Wall Street Journal and Washington Post bestseller, and her LinkedIn writing has built one of the largest executive followings on the platform. She arrives with a real audience and a real argument, not a stock keynote. Biography highlights Co-founder and CEO of Ellevest, a digital investment platform for women. Former president of Global Wealth and Investment Management, Bank of America, overseeing Merrill Lynch and US Trust. Former CEO of Citi Global Wealth Management and former chairman and CEO of Sanford C. Bernstein and Co. Author of “Own It: The Power of Women at Work” (Crown Currency, 2017), Wall Street Journal and Washington Post bestseller. Called “The Last Honest Analyst” by Fortune; multiple appearances on the Forbes “100 Most Powerful Women” list; named to Time “Global Influentials”. BA summa cum laude, University of North Carolina at Chapel Hill; MBA with honors, Columbia Business School. Biography The gender wealth gap is wider than the gender pay gap, and for many cohorts, it is still moving in the wrong direction. Closing it is not a marketing problem for financial services. It is a product, advice and capital allocation problem, and the people best placed to solve it are the people who have run the businesses on the other side of the gap. Krawcheck spent two decades doing exactly that. She rose from equity analyst to chairman and CEO of Sanford C. Bernstein and Co, then ran Smith Barney and Citi Global Wealth Management, then led Bank of America’s combined Merrill Lynch and US Trust wealth business. Fortune called her “The Last Honest Analyst” for protecting research independence and reimbursing retail clients during a downturn, which remains the cleanest single line on her professional integrity. In 2016 she co-founded Ellevest, a digital investment platform built around the financial reality of women’s careers and lifespans. The investing algorithm factors in salary curves that peak earlier, more frequent career breaks and longer retirement horizons. Ellevest is the only modern fintech that uses gender as an input to portfolio construction rather than a marketing layer on top of a generic product. Her book “Own It: The Power of Women at Work” (Crown Currency, 2017) became a Wall Street Journal and Washington Post bestseller. Her LinkedIn following puts her among the most-read business writers on the platform, and Inc. has named her a Top Female Founder. She speaks to financial services boards, leadership teams and consumer brands on what it actually takes to design products and careers around a customer base the industry has historically underserved. Key speaking topics Closing the gender wealth gap Designing financial products for underserved customer segments Women, leadership and career capital Building a fintech inside a regulated industry Trust, conflict of interest and integrity in financial advice Entrepreneurship after a corporate career Capital, investing behaviour and the future of advice Ideal for Financial services CEOs, CMOs and heads of wealth and private banking are rethinking their women-client strategy. Boards and ExCos of consumer-facing businesses where female customer segments are under-monetised. Founders, investors and leadership teams in fintech and consumer finance. Senior women’s leadership programmes, CHRO sponsors and ERG executive sponsors at large enterprises. Audience outcomes A specific read on where the gender wealth gap actually sits in product design, pricing and advice, not in HR policy. A Wall Street insider’s honest account of how integrity, advice quality and conflicts of interest play out at the top of the industry. A practical view of what it takes to build a regulated fintech around an underserved segment, told by an operator who has done it. A direct, unhedged set of arguments on women, money and career capital that senior audiences can act on.