Motivation och inspiration speakers

Why organisations work with Felipe Gomez A working framework, the Virtuoso Code, built on three pillars (Method, Attitude, Passion) that gives leaders a concrete vocabulary for what separates technical competence from sustained excellence. Operating credibility behind the metaphor: tripled revenue at Compass Group Colombia, built Farmacity Colombia from launch, and scaled an e-business consultancy across seven Latin American countries. A separate, codified entrepreneurial-mindset model (Attitude-E, six levers) published as a bestselling book in 2019, usable as a standalone keynote for growth and innovation audiences. A live grand piano performance integrated into the keynote, which makes the content memorable in a way a slide deck cannot replicate. Useful when the brief calls for emotional anchoring of a strategy message at a leadership conference or kick-off. Bilingual delivery in English and Spanish, with substantial reach across Latin American corporate audiences. Biography highlights MBA, IMD Lausanne; advanced training in Leading Digital Business Transformation. Author of Attitude-E (2019) and Bitácora De Una Pandemia En Quince Conversaciones (2020). Former Managing Director, Compass Group Colombia; founding president, Farmacity Colombia. Founder of Ink./Azurian, scaled to seven Latin American countries. Speaker at TED, Global Peter Drucker Forum, WOBI, World Business Forum, Oslo Business Forum. 1,000+ keynote engagements across 33 countries on five continents. Biography The habits that produce a virtuoso musician are remarkably specific. Hours of structured practice, an attitude toward error that treats mistakes as information, a relationship with a craft that survives long after the early thrill has gone. Felipe Gomez has spent the last decade arguing that the same habits produce sustained performance in business, and using a grand piano on stage to make the case. The argument has operating weight behind it. Before turning to speaking full time in 2014, Gomez ran Compass Group Colombia as Managing Director, tripling revenue and lifting operating profit 130%. He was founding president of Farmacity Colombia, opening twelve stores in twenty months. Earlier he had built Ink., later Azurian, into the first significant e-business consultancy in Latin America, with offices in seven countries. The Virtuoso Code, his current keynote framework, organises that experience into three pillars: Method, Attitude, Passion. Method is the discipline of consistent, rigorous practice. Attitude is the empathy and humility that make collaboration possible. Passion is the courage to keep going when the work stops being easy. Attitude-E, his 2019 book, applies the same lens to entrepreneurship through six levers: Envision, Energy, Endurance, Ensemble, Elasticity, Engagement. Gomez has presented at TED, the Global Peter Drucker Forum, WOBI, the World Business Forum, and the Oslo Business Forum, in 33 countries on five continents. He delivers in English and Spanish, and his Allegro non-profit brings live therapeutic music to hospital settings in Colombia. Key speaking topics Peak performance and sustained excellence Entrepreneurial mindset and operating discipline Leadership, empathy, and collaboration Innovation culture Active listening and communication Resilience under pressure Ideal for C-suite and senior leadership conferences anchoring a year-long performance or culture programme. Sales and commercial kick-off events where a leadership message needs emotional anchoring. Latin American and Hispanic corporate audiences requiring senior bilingual delivery. Entrepreneurship and scale-up forums where Attitude-E is the relevant frame. Audience outcomes A shared vocabulary, Method, Attitude, Passion, for what separates sustained performers from talented amateurs. The six Attitude-E levers as a working checklist for entrepreneurial behaviour inside a corporate setting. A specific, memorable anchor for a leadership or kick-off message, reinforced by live piano performance. Practical cues for active listening drawn from Gomez’s 5Ts approach.

Why organisations work with Fleur East A working national breakfast presenter on Hits Radio since 2019, on air four hours a morning, five days a week. The reflexes for live radio carry directly into corporate stage moderation. Co-host of BBC Two’s Strictly: It Takes Two, where the format demands daily turnaround, guest interviewing, and managing emotional content on a tight clock. Reached the Strictly Come Dancing 2022 final with Vito Coppola and scored the series’ first perfect 40, a credibility line that lands instantly with mass-market UK audiences and partners. Co-founder with her sister of Kurl Kitchen, a textured-hair brand built on West African ingredients, launched in 2024. Useful when the brief includes founder stories, representation, or Black British entrepreneurship. Versatile in register, from awards night spectacle to panel moderation to after-dinner, without needing a different speaker for each format. Biography highlights Host of Hits Radio Breakfast (Bauer Media), nationally networked, since July 2019. Co-presenter of BBC Two’s Strictly: It Takes Two from the 2023 series. Strictly Come Dancing 2022 finalist with Vito Coppola; first perfect 40 of that series during Blackpool week. X Factor 2014 finalist; debut single “Sax” reached UK No. 3 and was certified Platinum by the BPI. Television credits including ITV’s Ant & Dec’s Saturday Night Takeaway, The Void, I’m A Celebrity finalist (2018), and Apple TV’s Ted Lasso. Co-founder with her sister Keshia East of Kurl Kitchen, a natural haircare brand launched in 2024. Biography Hits Radio Breakfast goes out from 6am every weekday to a national audience, and the host has to be functional from the first link. Fleur East has held that chair since 2019. Live radio at that hour, four hours at a stretch, is the closest training a presenter gets to running a corporate mainstage when the autocue fails. She came up through The X Factor in 2014, finishing as a finalist after her cover of “Uptown Funk” became the first contestant track to reach number one on the UK iTunes chart during a live series. Her debut single “Sax” hit number three on the Official Chart and went Platinum the following year. The music career gave her the stage instincts; the broadcasting career taught her the discipline. In 2022 she reached the final of Strictly Come Dancing with Vito Coppola, scoring the series’ first perfect 40 in the Blackpool week. The BBC brought her back as co-host of Strictly: It Takes Two from 2023, a daily live show that runs across the Strictly season and demands fast guest interviewing and tight format control. Other television credits include I’m A Celebrity, Ant & Dec’s Saturday Night Takeaway, ITV’s The Void, and a guest role in Apple TV’s Ted Lasso. Beyond presenting, she co-founded Kurl Kitchen with her sister Keshia in 2024, a textured-hair care brand grounded in West African ingredients. That gives her something to draw on when a brief calls for a founder story, a perspective on Black British entrepreneurship, or a host who can credibly talk to a CPG or beauty audience without being briefed in. Key speaking topics Live event hosting and awards presenting Conference moderation and stage interviewing Founder story: Kurl Kitchen and Black British entrepreneurship Representation in UK broadcast media Resilience and reinvention in a public career Women in entertainment and media Ideal for Awards nights and gala dinners requiring a recognisable national broadcaster on stage Corporate conferences needing a confident moderator across keynote interviews and panels Brand activations in beauty, CPG, retail, or media targeting UK and Black British audiences Internal events for HR, DEI, or talent leaders looking for a credible voice on representation in media Audience outcomes A live event held together by a host who keeps energy and pace through running-order changes Guest interviews that go beyond the prepared questions and land specific quotes the team can use afterwards A founder narrative grounded in a real, trading consumer brand rather than a generic entrepreneurship story A representation conversation that stays useful for an internal audience rather than slipping into platitudes

Why organisations work with Flex He has built United View from a personal channel into a 130,000-plus subscriber football media brand without a broadcaster behind him, and can describe what actually retains an audience week to week. He sits inside English football’s broadcast ecosystem (Sky Sports, talkSPORT, DR Sports Media) while running an independent platform, which gives him a working view of where legacy media and creator media now compete and overlap. His perspective on inclusion is grounded in lived experience as a Black broadcaster, including a publicly reported racist-abuse incident outside Old Trafford that he chose to confront on the record rather than absorb privately. His career, from SEN teacher to elite-game broadcaster, gives him concrete material on reinvention and on speaking to young audiences, rather than abstract claims about purpose. One of YouTube’s UK Black Voices Class of 2022, a curated cohort selected and developed by the platform itself. Biography highlights Founder and presenter of United View, an independent Manchester United-focused YouTube channel with more than 130,000 subscribers. Presenter and broadcaster for Sky Sports (including Good Morning Transfers), talkSPORT and DR Sports Media. Selected for the YouTube UK Black Voices Creator Class of 2022. Host of the BTEC Awards and of UK Black Business Week; BTEC Ambassador. Former Special Educational Needs teacher; basketball player formerly contracted to the London Lions (previously MK Lions). Working R&B and Garage DJ alongside his broadcast and creator work. Biography Independent fan media has moved from a hobby tier to a structural part of how football is consumed. United View, the channel Flex founded in 2021 and grew past 130,000 subscribers, sits inside that shift. It runs without a broadcaster’s infrastructure and earns its audience by being closer to the matchday experience than legacy outlets can be. That operator vantage point is what makes him useful to a business audience. He can talk concretely about what holds an online community together, how trust is built when there is no studio behind you, and where independent creators and traditional broadcasters now compete for the same attention. His parallel work with Sky Sports, talkSPORT and DR Sports Media gives him a view from both sides of that line. Inclusion is the other live thread. As a Black broadcaster in English football he has had to address racism in his work directly, including a publicly reported incident outside Old Trafford in November 2024 that he chose to put on the record rather than carry quietly. His selection for YouTube’s UK Black Voices Creator Class of 2022 and his hosting roles at UK Black Business Week and the BTEC Awards place him inside the institutional side of that conversation as well. He came to broadcasting via a Special Educational Needs teaching career, basketball at the London Lions, and a continuing life as an R&B and Garage DJ. That track gives him substantive material for audiences thinking about reinvention, young talent and the route into creator-led careers, beyond the football frame. Key speaking topics Audience and community building in the creator economy Independent media and the future of sports broadcasting Diversity and inclusion in sport, media and the workplace Confronting racism in public-facing work Reinvention and non-linear careers Engaging young and digital-native audiences Hosting, panel facilitation and event presenting in sport and culture Ideal for CHROs, DEI leads and internal culture teams looking for a credible voice on inclusion that is grounded in lived experience rather than slideware. Marketing, brand and audience leaders working through the shift from broadcast to creator-led media. Employee network and ERG events, particularly around Black History Month, anti-racism programming and early-careers outreach. Sports, media and entertainment organisations briefing teams on how independent creators are changing fan and consumer behaviour. Audience outcomes A clearer working picture of how independent creators earn and keep audience trust, and what that means for in-house content and brand teams. A more honest framing of inclusion at work, from someone who has had to handle racism in public rather than discuss it in abstract. Material on building careers and platforms outside conventional broadcast and corporate routes, usable in early-careers and emerging-talent programmes. Sharper questions about where legacy media authority sits now that fans and employees increasingly trust people, not institutions.

Why organisations work with Francesca Martinez She fronted the WOW petition that crossed 100,000 signatures and forced a main-chamber debate in the House of Commons in 2014, which is a concrete democratic outcome rather than an inclusion talking point. Her debut play All Of Us opened at the National Theatre’s Dorfman in 2022 under Ian Rickson, putting disability and welfare politics in front of a mainstream theatre audience, with Francesca shortlisted for the George Devine Award. What the **** Is Normal?! (Virgin Books, Penguin Random House) gives the room a single shared reference point on identity and difference that holds up outside the corporate inclusion vocabulary. She speaks from inside the experience, not about it, which removes the discomfort senior audiences often feel when an external consultant lectures them on disability. She works the room as a stand-up first, which means the message lands in audiences that are sceptical of conventional DEI keynotes. Biography highlights First and only female winner of the Open Mic Award at the Edinburgh Festival (2000), and winner of the Edinburgh Fringe Media Network Award (2011). Author of What the **** Is Normal?! (Virgin Books, Penguin Random House, 2014); Bread and Roses Award runner-up and Chortle Best Comedy Book nominee. Wrote and starred in All of Us, National Theatre (Dorfman), 2022, directed by Ian Rickson; shortlisted for the George Devine Award. Her June 2019 Question Time appearance was called the show’s “best ever moment”, reaching 11 million views in its first week. The first disabled woman to perform on BBC Two’s Live at the Apollo, opening Series 11 in 2015; later featured in the BBC’s Access All Areas special. Fronted the WOW petition and secured a House of Commons main-chamber debate, February 2014. TEDxHousesOfParliament speaker (“Being Happy is a Political Act”) and performer at the World Economic Forum in Davos alongside Emma Thompson. Named to the BBC Radio 4 Woman’s Hour Power List (2014) and awarded two honorary doctorates for work on equality and inclusion. Biography Most inclusion programmes are written in a language that the people they are meant to help do not use. Francesca Martinez calls herself “wobbly”, refuses the medical vocabulary around cerebral palsy, and has spent twenty years showing what happens when someone with a disability narrates their own experience rather than being narrated about. The reframing sounds small. The downstream effect on a room of senior leaders is not. The credentials sit in unusual places for a speaker on this topic. She was the first and only woman to win the Open Mic Award at the Edinburgh Festival, in 2000, and went on to write What the **** Is Normal?!, published by Virgin Books, which was a runner-up for the Bread and Roses Award and a Chortle Best Comedy Book nominee. Her debut play All Of Us, directed by Ian Rickson, opened in the Dorfman at the National Theatre in 2022, and Francesca was shortlisted for the George Devine Award for it. The activism is the part most relevant to senior buyers thinking about substance over messaging. As the public face of the WOW (War on Welfare) campaign, she drove a petition past 100,000 signatures and forced a debate in the main chamber of the House of Commons in 2014, the first time disabled people had secured a main-chamber debate on an agenda of their own choosing. That is a measurable political result, not an inclusion narrative. For an organisation, the value of booking her is specific. Senior audiences hear a writer and performer with mainstream theatrical and broadcast credentials make an argument about identity and belonging that has already been tested in Parliament and at the National Theatre. The conversation that follows tends to be about whether the company’s own inclusion work would survive that kind of scrutiny. Key speaking topics Disability and inclusion at work Identity, difference and self-acceptance Resilience and lived experience Advocacy and the politics of welfare Storytelling as a tool for cultural change Mental health and wellbeing Ideal for CHROs, heads of DEI and ERG sponsors building inclusion programmes that engage sceptical audiences. Leadership offsites and culture events where the goal is to move beyond inclusion language into behaviour change. International Day of Persons with Disabilities, Mental Health Awareness Week and similar moments where credibility of the speaker matters more than topic coverage. Audience outcomes A sharper sense of how disabled and neurodivergent colleagues actually experience the workplace, narrated from the inside. A reference point (the book, the play, the WOW campaign) the audience can carry back into their own inclusion conversations. Permission to question the corporate vocabulary of inclusion without abandoning the work. A break from the standard motivational register; the room laughs first and then commits.

Why organisations work with Fredrik Eklund He has built and scaled one of the highest-grossing residential real estate teams in the United States, with $4.6B in sales in 2022 and $3.77B in 2023, so his advice on client acquisition and closing is grounded in operator-scale results rather than theory. The Sell, his New York Times bestselling book with Penguin’s Avery imprint, gives audiences a named, testable ten-step framework for personal selling and pitching, which turns the keynote into a tool the team can use on Monday. A decade on Bravo’s Million Dollar Listing New York gave him unusual fluency in performing under pressure and building a personal brand in public, a capability most commercial leaders are now being asked to develop themselves. He speaks from a dual-market perspective, having built businesses in both Stockholm and Manhattan and having worked previously at SEB across London, Singapore, and Tokyo, which plays well with global sales audiences who want more than a US-only view. His core argument, that everyone in a client-facing organisation is already in sales whether they realise it or not, lands with audiences beyond the sales team itself, including founders, partners, and professional-services leaders. Biography highlights Co-founder, with John Gomes, of the Eklund Gomes Team at Douglas Elliman, reported as the top-producing residential real estate team in the US in recent years. Author of The Sell: The Secrets of Selling Anything to Anyone (Avery, 2015), a New York Times bestseller also released in Sweden and the UK. Original cast member of Bravo’s Million Dollar Listing New York from its 2012 launch through 2022, across nine seasons of MDLNY and two seasons of Million Dollar Listing Los Angeles. Co-star of Bravo’s Bethenny and Fredrik spin-off with Bethenny Frankel in 2018. Recipient, with John Gomes, of Douglas Elliman’s 2021 ICON Award for cumulative career sales of over $15B. Background in finance at SEB in Stockholm, London, Singapore, and Tokyo, and studies at the Stockholm School of Economics, before relocating to New York to build his real estate career from scratch. Biography The Eklund Gomes Team at Douglas Elliman closed $4.6B in residential real estate in 2022 and $3.77B in 2023, figures that place it near the top of any serious ranking of US real estate teams. Fredrik Eklund co-founded that business with John Gomes. The scale matters because it is the evidence base for everything he says on stage about sales, client trust, and building a personal brand in a market where every competitor looks equally credible on paper. Eklund arrived in Manhattan in his mid-twenties with a finance CV from SEB in Stockholm, London, Singapore, and Tokyo, and no real estate contacts. Within a year he was nominated for Rookie of the Year by the Real Estate Board of New York. The through line from that start to today’s team is a clear operating idea: in commoditised markets, the product is the seller. The Sell, published by Penguin’s Avery imprint in 2015 and a New York Times bestseller, sets out that idea as a ten-step framework covering authenticity, pitch construction, negotiation, and closing. A decade on Bravo’s Million Dollar Listing New York, from its 2012 premiere through his departure in 2022, turned Eklund into one of the most recognisable sales figures in American business media. It also taught him something less obvious that keynote audiences value. Senior people in client-facing roles, founders, partners, and relationship leaders, are now expected to carry a visible public profile. Eklund has been practising that craft, on camera and at scale, longer than most. For corporate audiences, the argument lands most sharply on two questions leaders are already asking. How do we train our best people to behave like owners of the client relationship rather than executors of a process, and how do we build the kind of personal credibility that moves a deal before the pitch starts. Eklund answers both from inside a live commercial operation, not from a classroom. Key speaking topics Personal selling and the close Personal brand for commercial leaders Client acquisition in commoditised markets Sales culture and high-performance teams Entrepreneurship and business building Negotiation and pitch craft Real estate and luxury markets Ideal for Sales kick-offs and revenue leadership offsites, particularly in financial services, real estate, professional services, and luxury sectors Partner, MD, and client-facing leader events where personal brand and relationship ownership are on the agenda Founder, entrepreneur, and growth-stage audiences building a commercial operation from scratch After-dinner and awards-night formats where a high-recognition keynote with commercial substance is wanted Audience outcomes A named ten-step framework from The Sell that teams can map directly onto their own pitch, pipeline, and closing process A sharper sense of what “personal brand” means in practical, revenue-linked terms, rather than as a social media activity Specific tactics for opening, holding, and closing a high-stakes client conversation in a commoditised market A harder view of what separates a top-tier sales operation from an average one, drawn from inside a team that has closed billions in annual volume Energy and confidence that translates into action the following week, not a feel-good moment that fades

Why organisations work with Gemma Oaten A credible front-of-house voice on eating disorders specifically, an area most wellbeing programmes underserve because it is hard to discuss without either trivialising or distressing audiences. Operational charity leadership at SEED, which means her content reflects what families, sufferers, and clinicians actually report, not generic resilience messaging. Broadcast craft from BBC Radio and BBC Morning Live work, useful when a wellbeing event also needs an experienced host or interviewer in the room. A TEDx talk and named corporate clients including Samsung, Towergate Insurance, and Health Assured, which gives HR and wellbeing leads a defensible reference list. Biography highlights CEO of SEED Eating Disorder Support Services. Played Rachel Breckle in Emmerdale, 2011 to 2015. TEDx speaker on eating disorders and recovery. Hosted the British Safety Council International Safety Awards Gala Dinner, 2024. BBC Radio presenter across Humberside, Lincolnshire, York, and Leeds; BBC Morning Live contributor. Drama Studio London graduate. Biography Eating disorders are the mental illness most likely to kill the person who has one, and they remain one of the hardest topics for an HR team to handle in front of staff. Gemma Oaten developed anorexia at ten and lived with it, and with bulimia, for thirteen years. SEED, the charity her parents founded to support other families through it, is now the organisation she runs. That dual position, lived experience and charity leadership, is what makes her useful to corporate audiences. She is not describing recovery as a metaphor for resilience. She is describing what eating disorders look like in a workforce, what triggers them, what helps, and what managers tend to get wrong when an employee is visibly struggling. Her broadcast work runs alongside the charity. She has presented across BBC Radio Humberside, Lincolnshire, York, and Leeds, contributed to BBC Morning Live, and hosted the British Safety Council International Safety Awards Gala Dinner in 2024. Her acting credits include four years as Rachel Breckle in Emmerdale, with Best Newcomer nominations at the British Soap Awards and TV Quick Awards. For wellbeing leads commissioning a keynote that staff will actually remember, the value is the specificity. She speaks from inside a charity that takes the calls, and from inside a recovery she nearly did not survive. That is a different proposition from a clinician explaining the science or a coach selling a framework. Key speaking topics Eating disorders awareness and recovery Mental health in the workplace Employee wellbeing Resilience after long-term illness Bullying, body image, and self-worth Lived experience of anorexia and bulimia Hosting and moderation for wellbeing events Ideal for CHROs, wellbeing leads, and HR directors building substantive mental health programmes Health, safety, and wellbeing conferences, particularly in regulated sectors Schools, universities, and NHS audiences working on body image and eating disorders Internal events that need a credible host as well as a keynote voice Audience outcomes A clearer picture of what eating disorders look like in a working population, beyond the stereotypes Practical language managers can use when an employee shows signs of being unwell A frank account of long-term recovery from someone who runs the support charity Renewed permission inside the room to talk about mental health without flinching

Why organisations work with George King A first-hand account of decision-making at lethal stakes, not borrowed from sport or special forces analogy. King climbed The Shard at 19 without ropes; the consequence of error was death, not a missed target. A specific reframe of ADHD that audiences with neurodivergent colleagues or family members find usable. The argument is that hyperfocus and risk tolerance are trainable assets, not deficits the workplace must tolerate. Public credibility through the Channel 4 documentary “The Boy Who Climbed The Shard” and presenting work for the channel’s extreme sports output, which gives the booking immediate recognition with general audiences. A profile that travels well to younger and external-facing audiences: 1.6 million YouTube views on the documentary, an active public following, and a story that lands in the room before he speaks. Biography highlights First person to free-solo climb The Shard, July 2019, age 19. Subject of the 2020 Channel 4 documentary “The Boy Who Climbed The Shard”. Channel 4 presenter on extreme sports specials. Free-solo ascents of Lotte Tower, Seoul, and Stratosphere Tower, with BASE-jump descents. Featured in Time magazine, the Architects’ Journal, and Times Live. Speaks publicly about ADHD and fear management on platforms including the Minter Dial podcast. Biography In July 2019 a 19 year old climbed The Shard with no ropes, no safety equipment, and no permission. The ascent took 45 minutes. The legal aftermath took longer, ending in a custodial sentence at HMP Pentonville. George King was the climber, and the story is the foundation of every keynote he gives. What makes the talk useful to corporate audiences is not the climb itself but the preparation behind it. King describes fear as a system that can be trained, with named techniques he applies before each ascent: visualisation, breath control, and the specific mental routines that hold composure when the consequence of a mistake is fatal. The frame is recognisable to anyone who has briefed a board on a high-stakes decision, but the stakes are concrete rather than figurative. He also speaks openly about ADHD, which he treats as the cognitive asset that makes the climbs possible. His position is direct: hyperfocus, risk tolerance and pattern attention are not deficits requiring medication, they are trainable capabilities that produce performance when properly channelled. That argument has earned him a following among neurodivergent audiences and the parents and managers around them. King has presented two extreme sports specials for Channel 4 and was the subject of the channel’s 2020 documentary “The Boy Who Climbed The Shard”, which has passed 1.6 million views on YouTube. His climbs since The Shard include Lotte Tower in Seoul and the Stratosphere Tower, both with BASE-jump descents, and both covered in international press. Key speaking topics Fear management under high-consequence conditions ADHD and neurodiversity as performance Mental preparation and visualisation Risk assessment in extreme environments Resilience after public failure Peak performance Ideal for Internal employee events on neurodiversity and inclusion, particularly where the audience includes line managers of neurodivergent staff Sales kick-offs and motivational set-pieces where the brief is composure under pressure Youth-facing, education and apprentice audiences where reach and recognition matter as much as content Wellbeing and mental performance programmes looking for a non-clinical voice Audience outcomes A named set of techniques for managing fear before a high-stakes event, drawn directly from the climber’s own pre-ascent routine A reframe of ADHD that audiences can take back to neurodivergent colleagues, children or themselves A first-hand account of decision-making where the cost of error is final, useful as a reference point for less extreme corporate risk conversations A memorable headline story that gives the wider event a centrepiece audiences will retell

Why organisations work with Georgia-Mae Fenton She has won the same individual event at consecutive Commonwealth Games, four years apart, the first gymnast in the discipline to do so. That is direct experience of defending a peak, which is harder than reaching one. Her team’s World Championship silver in Liverpool in 2022 was the best result by a British women’s artistic gymnastics team in the history of the World Championships. She can speak credibly to what changes inside a high-performing group at the moment the standard moves. She made her Olympic debut at Paris 2024 in her mid-twenties after several years of being the established figure in the squad. The arc is later than most assume, and that is the substance of her recovery and persistence material. East London based, comfortable in school, community and corporate audiences without changing register. Useful for organisations that want a high-profile athlete who reads the room. Biography highlights Commonwealth Games gold, uneven bars and team, Birmingham 2022. Commonwealth Games gold, uneven bars, Gold Coast 2018. World Championships silver, team, Liverpool 2022, with Great Britain. Team GB women’s artistic gymnastics, Paris 2024 Olympic Games. Trained from age five at South Essex Gymnastics Club; competes for Great Britain and England. Represented by Forte Model Management alongside her competitive career. Biography The uneven bars demand absolute composure inside an eight-second routine where one missed catch ends the competition. Georgia-Mae Fenton has stood on the top of the Commonwealth podium for that event twice, four years apart, in Gold Coast and Birmingham. That is a rare thing in any sport: holding a championship standard across a full Olympic cycle of injury risk, selection politics and shifting code requirements. The Liverpool World Championships in 2022 was the broader inflection point. Fenton was part of the five-woman Great Britain team that took silver, the strongest result a British women’s artistic gymnastics team has ever produced at a World Championship. That medal also booked the team’s quota place for Paris 2024. At Paris she made her Olympic debut as one of the more experienced figures in a young Team GB quintet that finished fourth, edged off the podium by Brazil in the final rotation. The arc from junior British champion at fifteen, to Commonwealth gold at seventeen, to Olympian at twenty-three, is the substance she draws on when she speaks about persistence and re-entry after long stretches of work with no obvious return. She works with corporate, school and community audiences from her base in East London. The material is grounded in what she has actually done: holding a routine when it counts, going back to the same event a second time after winning it once, and recovering form after the years when the medals do not come. Key speaking topics Composure under high-stakes performance pressure Defending a peak across long performance cycles Recovery and re-entry after setback Discipline and goal-setting in elite sport Team dynamics inside a high-performing squad Mental health and stress management for young performers Role models and visibility in women’s sport Ideal for Corporate audiences in sectors with high-pressure delivery cycles (sales, trading, professional services) HR and talent leaders programming on resilience, wellbeing and early-career performance Schools, universities and youth-facing organisations focused on aspiration and persistence Women’s networks and ERGs commissioning speakers on visibility in sport Audience outcomes A concrete view of what composure looks like inside an eight-second performance window, told by someone who has executed it on the world stage The mechanics of preparing to defend a title, which is different in kind from preparing to win one Honest material on the years when the medals do not come and the work continues A grounded perspective on managing public expectation as a young woman in elite sport

Why organisations work with Giancarlo Fisichella Rare double credential: three Formula One Grand Prix wins across 14 seasons and two LMGTE Pro class victories at the 24 Hours of Le Mans. Very few speakers have won at the front of both disciplines. First-hand experience of seven F1 constructors, from Minardi at the back of the grid to Ferrari, which gives a practical read on how resources, culture and leadership translate into on-track performance. Lived the shift from single-lap qualifying to 24-hour endurance racing, which makes him useful for audiences thinking about short-cycle intensity and long-cycle stamina in the same business. Delivers talks in English and Italian, which widens his reach for automotive, engineering and industrial audiences across Europe. Still an active Ferrari Competizioni GT ambassador, so his material is current rather than retrospective. Biography highlights 229 Formula One starts, three Grand Prix victories, four pole positions, 19 podium finishes between 1996 and 2009. F1 race wins at Brazil 2003 (Jordan), Australia 2005 (Renault) and Malaysia 2006 (Renault). Contributed to Renault’s back-to-back Constructors’ Championships in 2005 and 2006; career-best fourth in the 2006 Drivers’ Championship. Drove Force India to its first pole position and first podium at the 2009 Belgian Grand Prix. Two LMGTE Pro class wins at the 24 Hours of Le Mans (2012 and 2014) with AF Corse, partnered with Gianmaria Bruni and Toni Vilander. Ambassador Driver for Ferrari Competizioni GT and founder of Fisichella Motor Sport, which competed in GP2 from 2006 to 2009. Biography Formula One teams are built on thousands of decisions that never reach a television screen. The lap time is the visible output. Giancarlo Fisichella spent fourteen seasons inside that machine across seven different constructors, which is an unusually wide sample of how high-performance organisations actually operate. He won his first Grand Prix at Interlagos in 2003, in a Jordan, after a five-day timekeeping review handed him a result that had initially gone to someone else. Two further wins followed at Renault in 2005 and 2006, alongside Fernando Alonso, during the period when the team took consecutive Constructors’ Championships. At Force India in 2009 he delivered the team’s first pole and podium, at Spa, in a car that had been at the back of the field a year earlier. The second act has been Ferrari GT machinery at endurance level. He has twice won the LMGTE Pro class at the 24 Hours of Le Mans with AF Corse, in 2012 and 2014, with Gianmaria Bruni and Toni Vilander. He remains an Ambassador Driver for Ferrari Competizioni GT, which keeps his point of view current rather than nostalgic. The useful material for a business audience is what sits underneath those results: how a driver and a team stay honest about performance when a rival is faster, how trust inside a small group gets built over a season, and what happens to confidence when the car or the circumstances turn against you. Fisichella has lived all three, at the Minardi end of the grid and at the front with Renault and Ferrari. Key speaking topics Formula One and elite motorsport performance Competing under pressure at decisive moments Team dynamics in high-performance environments Endurance racing and long-cycle competition Recovery after setbacks and results loss Italian motorsport and the Ferrari Competizioni GT programme Ideal for Automotive, engineering and industrial audiences planning leadership offsites Sales and commercial teams operating in competitive, measurable environments Corporate events with an Italian or European audience where bilingual delivery is valuable Boards and leadership teams examining how elite teams sustain performance across multi-year cycles Audience outcomes A concrete view of how F1 teams prepare for decisive moments and what that looks like away from the racetrack A sharper sense of the difference between short-cycle intensity, such as a qualifying lap, and long-cycle stamina, such as a 24-hour race Specific examples of how trust is built inside a small, high-pressure team across a season A first-hand account of winning and losing at the highest level of a sport where margins are tenths of a second

Why organisations work with Gordon Buchanan A working BBC broadcaster, not a retired one. Three decades of presenter-led natural history series mean he holds an audience the moment he steps on stage, before the substantive content begins. A credible male voice on mental health, grounded in In the Hide: How the Natural World Saved My Life, a Sunday Times bestseller. The story is his own, which is why audiences listen. A genuine conservationist with institutional backing: MBE for services to conservation and wildlife film-making, patronages of Trees for Life and The Gorilla Organization, ambassadorship of the Scottish Wildlife Trust. Stories from inside hides in Svalbard, Ellesmere, Mumbai and Mongolia, used to make points about composure, patience and decision-making under sustained physical pressure rather than as travelogue. Range across the brief: keynote, after-dinner, fireside, awards host. The presenter craft is the asset that makes the substantive content land in a corporate room. Biography highlights Scottish wildlife cameraman, filmmaker and presenter; over thirty years with the BBC and other major broadcasters. BBC series include The Bear Family and Me, The Polar Bear Family and Me, Snow Wolf Family and Me, Gorilla Family and Me, Elephant Family and Me, Tribes, Predators and Me, Life in the Snow, Our Changing Planet and Big Cats 24/7. MBE, 2020 New Year Honours, for services to conservation and wildlife film-making. Honorary Doctorate, University of Stirling; Honorary Fellowship, Royal Scottish Geographical Society; Glenfiddich Spirit of Scotland Award (Environment), 2013. Author of In the Hide: How the Natural World Saved My Life (Penguin, 2025), instant Sunday Times bestseller. Patron of Trees for Life and The Gorilla Organization; Ambassador of the Scottish Wildlife Trust. Biography Most conversations about resilience in organisations stall at vocabulary. People know what they are supposed to say. They struggle to say anything useful about how a person actually stays functional through sustained pressure, repeated setback and long stretches of discomfort. A voice that has lived the question, in concrete and unglamorous detail, lands differently in the room. Three decades of BBC natural history work have put Gordon Buchanan inside cramped camera hides in Svalbard, Ellesmere, Mumbai and Mongolia, often for weeks at a time, in extreme cold, sleep deprivation and physical risk. Series including The Bear Family and Me, Snow Wolf Family and Me, Gorilla Family and Me, Tribes, Predators and Me and Big Cats 24/7 have made him one of the most widely watched presenters in British wildlife television. The published work behind the keynote is In the Hide: How the Natural World Saved My Life, an instant Sunday Times bestseller from Penguin in 2025. It is an honest account of a hard childhood in Glasgow and on Mull, the mental-health pressures that followed a public career, and the role of routine, family, exercise and the natural world in staying well. The book is the reason corporate audiences hear him as a credible voice on men’s mental health rather than a wildlife presenter making a side argument. Institutional recognition tracks the conservation half of the same career: an MBE in the 2020 New Year Honours for services to conservation and wildlife film-making, an Honorary Doctorate from the University of Stirling, an Honorary Fellowship of the Royal Scottish Geographical Society, and active patronages of Trees for Life, The Gorilla Organization and the Scottish Wildlife Trust. Key speaking topics Mental health, resilience and the restorative role of the natural world Men’s mental health and the cost of silence Storytelling as a leadership and engagement tool Patience, composure and decision-making under sustained pressure Wildlife conservation and the climate-nature agenda Connection to nature as a workplace wellbeing input After-dinner storytelling drawn from three decades of BBC filming Ideal for HR, people and wellbeing leads designing mental-health programmes that need a credible male voice Leadership offsites and senior partner retreats where the conversation needs to go beyond resilience language Sustainability, ESG and conservation-linked events anchored by a recognised BBC presenter After-dinner and awards-night programmes where presenter craft matters as much as topic Audience outcomes A more honest internal vocabulary for mental health, particularly among men who do not usually engage with the topic A specific picture of what sustained composure under pressure looks like in practice, drawn from filming conditions in extreme environments A renewed case for nature, routine and physical activity as legitimate wellbeing inputs rather than soft extras A clearer link between the conservation agenda the organisation talks about and the human story behind it Footage and stories that audiences remember long after the session, useful for downstream internal communication

Why organisations work with Graeme Hall He arrives with a specific, verifiable thesis: that the psychology of dog training produces better management results than most corporate training frameworks, making his core idea repeatable and memorable long after the event. His 21 years as an operations manager at Weetabix, running teams of 200+, grounds every analogy in real management experience. The dog training lens sharpens the insight; the corporate background makes it credible. The methodology he teaches: clear signals, consistent reinforcement, calm authority, is simple enough to apply the following day. Audiences leave with a model, not a reading list. As the presenter of seven series of a nationally broadcast Channel 5 show, he carries a recognition factor that drives audience engagement before he has said a word. His TEDxLeamingtonSpa talk has been viewed more than 37,000 times. His Sunday Times bestseller status confirms the core ideas have been tested and validated well beyond the speaking circuit. Biography highlights Master Dog Trainer, Guild of Dog Trainers (accredited since 2009); more than 5,000 dogs trained across the UK, Australia, and internationally Presenter, Channel 5’s Dogs Behaving (Very) Badly – seven series since 2017; also presenter of Dog Hospital with Graeme Hall (Channel 5); show distributed internationally to CBC (Canada) and Network 10 (Australia) Sunday Times bestselling author: All Dogs Great and Small (Penguin Books, 2021) and Perfectly Imperfect Puppy (Random House, 2022); further titles include Does My Dog Love Me? (2024) TEDxLeamingtonSpa speaker: “Why using dog training psychology to train people makes sense” (37,000+ views) 21-year career at Weetabix Limited as operations manager, leading teams of 200+; University of Hull graduate Described by The Daily Telegraph as “Britain’s best dog trainer”; monthly columnist, Country Living Magazine; featured on BBC Breakfast, ITV’s This Morning, and in The Yorkshire Vet (2025) Children’s debut The Ultimate Kids’ Guide to Dogs (2024) shortlisted for The Week Junior Book Awards 2025 Biography The hardest part of managing people is not knowing what good looks like, it is getting people to do it consistently. Most management frameworks address process and structure. Fewer address the simpler, less comfortable question: why do people change their behaviour, and why do they not? Graeme Hall spent 21 years as an operations manager at Weetabix, overseeing teams of more than 200 people. When he left to train dogs professionally in 2008, he found that the same principles he had been applying to people: clear communication, consistent reinforcement, calm authority, were precisely what made dog training work. The parallel was not decorative. It was functional. That observation became the foundation of his speaking work. His TEDxLeamingtonSpa talk, “Why using dog training psychology to train people makes sense,” made the case in public. His books All Dogs Great and Small (Penguin, 2021) and Perfectly Imperfect Puppy (Random House, 2022) both became Sunday Times bestsellers, drawing on a methodology grounded in behavioural science and tested across more than 5,000 training cases. As presenter of Channel 5’s Dogs Behaving (Very) Badly – now in its seventh series, with audiences across the UK, Australia, and Canada – Hall combines national media recognition with a management insight that is both immediately applicable and genuinely difficult to forget. The Daily Telegraph has described him as “Britain’s best dog trainer.” Organisations hire him when they want a session that is entertaining, practical, and still being talked about the following week. Key speaking topics Behavioural psychology applied to people management Communication, clarity, and consistency in leadership Motivation and behaviour change Team performance and getting the best from people Science-backed management and habit formation Storytelling and audience engagement Ideal for Line managers and team leaders seeking practical, immediately applicable tools for improving team behaviour and performance HR directors and people teams planning leadership development days, away days, or company-wide culture initiatives Conference and event organisers seeking a high-recognition keynote with crossover entertainment and business value SME owners and entrepreneurs managing growing teams and the communication challenges that growth creates Audience outcomes A simple, memorable model for communicating expectations clearly and reinforcing the behaviours they want – without conflict or complexity A reframe of everyday management challenges through behavioural science, making abstract concepts concrete and immediately actionable Practical techniques for addressing difficult team behaviours calmly and consistently, drawn from Hall’s 5,000-case training methodology Greater confidence in having direct conversations about performance and conduct A central idea – the dog training management parallel – that is memorable enough to repeat to colleagues and durable enough to apply over time

Why organisations work with Greg Rusedski A first-hand account of competing in a Grand Slam final under exceptional public pressure, the 1997 US Open played in the days after the death of Princess Diana, told by someone who was on the court. A 16-year tour career and 15 ATP titles, anchored by a serve that held the world record at 149 mph, giving him direct authority on the relationship between preparation, technique, and execution. Nearly two decades inside the BBC Wimbledon commentary box, which gives him a working analyst’s read on the modern game, useful for audiences who want sport informed by craft, not nostalgia. A confident, warm after-dinner presence, regularly booked for corporate dinners, hosting, awards, and tennis hospitality, where the brief is engagement rather than abstract leadership theory. Biography highlights 1997 US Open singles finalist; first Briton in the US Open final in more than 60 years. Career-high ATP World No. 4; British No. 1 in 1997, 1999, and 2006. 1999 Grand Slam Cup champion; 15 ATP singles titles. 1997 BBC Sports Personality of the Year and ITV Sports Champion of the Year. BBC Wimbledon commentator since 2008, with previous broadcast roles at Sky Sports and Eurosport. Ambassador for Borne, the medical research charity for premature birth. Biography Reaching a Grand Slam final is rare. Reaching one in the week after Princess Diana’s funeral, in front of a global audience expecting something more than tennis, is rarer still. The 1997 US Open final put Rusedski on Arthur Ashe Stadium against Pat Rafter, and made him the first British man in the US Open final in more than six decades. That season took him to ATP World No. 4 and to the 1997 BBC Sports Personality of the Year award. The serve, clocked at 149 mph, held the world record for years before Andy Roddick broke it. Across a 16-year career he won 15 ATP singles titles and the 1999 Grand Slam Cup, and was British No. 1 in 1997, 1999, and 2006. Since retirement in 2007, signalled live on the BBC alongside Sue Barker, he has been a fixture in the BBC Wimbledon commentary team, with earlier broadcasting at Sky Sports and Eurosport. The commentary work keeps him close to the technical detail of the modern game, which is what gives his speaking the texture of a working analyst rather than a retired pro. For corporate audiences his content is concrete: the preparation routines that kept him on tour for sixteen years, the small decisions inside a tight match, the experience of carrying national expectation, and the discipline of performing when the conditions are not the ones you trained for. Key speaking topics Performance under public pressure Elite tennis and the modern professional game Career longevity in individual sport Mindset and preparation in competition After-dinner sports storytelling Event hosting and corporate hospitality Ideal for Corporate dinners, awards nights, and client hospitality, particularly tennis-themed events around Wimbledon and the US Open. Sales and customer-facing teams that respond to first-hand sports performance content. Sponsor activations and partner events for brands in tennis, broadcasting, and premium hospitality. Audience outcomes A direct account of what it takes to compete in the late stages of a Grand Slam. Specific examples of how elite players prepare, recover, and reset between points and matches. A working commentator’s read on the current state of professional tennis. A confident, well-paced after-dinner experience built around real career moments rather than generic motivation.