Diversity, Equity & Inclusion

Why organisations work with Anj Handa She brings governance-level credibility into inclusion conversations that usually stop at HR, holding positions as Independent Governor of Leeds Arts University, Chair of Freedom Studios, and Fellow of the RSA. Her campaign craft is verifiable, not rhetorical. She built the legal team, petition, and media strategy on the Afusat Saliu FGM-asylum case, gathering 126,500 signatures and pushing FGM higher on the UK political agenda. She names the parts of inclusive leadership most speakers avoid: emotional correctness, healthy boundaries, psychological safety, and what allyship has to do that employee networks cannot. She offers a working alternative to the glass ceiling, the labyrinth, which describes the actual sequence of barriers women, and particularly Black and brown women, encounter inside large organisations. Forbes named her in its 10 Diversity & Inclusion Trailblazers list, and Grant Thornton UK featured her among its 100 Faces of a Vibrant Economy. The recognition tracks substantive work, not commentary. Biography highlights Founder of Inspiring Women Changemakers, an inclusive community and consultancy advising on equity, governance, and systems change. Independent Governor of Leeds Arts University and Chair of the Board of Freedom Studios. Fellow of the Royal Society of Arts. Named in Forbes “10 Diversity & Inclusion Trailblazers” and Grant Thornton UK’s 100 Faces of a Vibrant Economy (2018). Featured in Charity Times 2023 International Women’s Day list. Contributor to “Generation Share”, “Eradicating FGM in the UK” (Hilary Burrage), and “Refugee Tales” (Comma Press). Biography Most organisations have a diversity statement. Far fewer have governance and leadership practices that match it. The gap is where talent gets lost, complaints get managed, and senior leaders quietly accept attrition that the policy was meant to prevent. Closing that gap requires someone fluent in both the structural and the human side of the work. Anj Handa has spent more than two decades operating in that space. She is Founder of Inspiring Women Changemakers, an inclusive community and consultancy that advises senior leaders on inclusive governance, equity, and systems change. She is an Independent Governor of Leeds Arts University, Chair of Freedom Studios, and a Fellow of the Royal Society of Arts; positions she has often noted are held by fewer than one percent of Black and brown women in the UK. Her authority is not theoretical. In 2014 she led the high-profile asylum campaign for Afusat Saliu and her daughters, assembling the legal team, running a Change.org petition that drew 126,500 signatures, and bringing MPs and national media into the story. The work was later included in Hilary Burrage’s “Eradicating FGM in the UK” and the Comma Press anthology “Refugee Tales”. Forbes named her in its 10 Diversity & Inclusion Trailblazers list; Grant Thornton featured her among its 100 Faces of a Vibrant Economy. What separates her work for senior teams is the territory she is willing to name. Psychological safety, emotional correctness, healthy boundaries, allyship that is more than a network. She challenges the glass ceiling as a useful frame and offers the labyrinth in its place, a more accurate description of the sequence of barriers women encounter inside complex organisations. That precision is what boards and executive teams hire her for. Key speaking topics Inclusive leadership and governance Equity, diversity, and structural change The labyrinth: rethinking the glass ceiling Allyship beyond employee networks Psychological safety and emotional correctness Self-care and resilience for changemakers Campaign craft and policy influence Ideal for Boards, governance committees, and executive teams setting inclusion strategy CHROs, Heads of DEI, and senior people leaders rebuilding programmes under scrutiny Public sector, charity, and arts leaders working on equity and safeguarding Women’s leadership and changemaker networks inside large organisations Audience outcomes A sharper vocabulary for the structural barriers women face beyond the glass ceiling A clear distinction between allyship as practice and employee networks as forum Specific governance-level questions to put to their own inclusion programmes Permission and language to address emotional correctness and boundaries in senior teams A view of inclusion that connects policy, governance, and lived experience without losing rigour

Why organisations work with Ashley Rhodes-Courter A clinical credential behind the personal story. She is an LCSW running a mental health agency, the Foundation for Sustainable Families, which means her work on resilience and wellbeing is grounded in clinical practice, not motivational framing. A specific account of what trauma-informed care looks like in real institutions. Nine years across 14 foster placements gives her a rare credibility on systems that fail vulnerable people, and on what it takes to redesign them. Authority on schools, social services, and helping professions. Her talks for educators and frontline workers address abuse identification, burnout, and self-care with the precision of a practitioner, not a guest speaker. A New York Times bestselling memoir used in college curricula nationally, plus a published children’s book on a transgender sibling listed on the 2022 ALA Rainbow Book List. The body of work is taught, not just sold. Biography highlights New York Times bestselling author of Three Little Words (Simon & Schuster, 2008), with sequel Three More Words and the picture book Sam Is My Sister (Albert Whitman & Company, 2021). Licensed Clinical Social Worker. MSW from the University of Southern California; undergraduate degree from Eckerd College. Founder of the Foundation for Sustainable Families, a non-profit mental health agency providing trauma-informed care. Featured on CNN, Good Morning America, Today, The New York Times, USA Today, and Glamour, including selection as one of Glamour’s Top Ten College Women and to USA Today’s All-USA Academic Team. Profiled on NBC’s Women of Worth (December 2021). Sam Is My Sister included on the American Library Association’s 2022 Rainbow Book List. Biography Most public conversations about resilience treat it as a personal trait. In organisations that depend on people doing emotionally demanding work, teachers, social workers, healthcare staff, HR leaders, that framing breaks down. Resilience is built or eroded by systems, supervision, and the quality of care that workers themselves receive. Ashley Rhodes-Courter’s work begins from that point. She is unusual among speakers on this subject in holding the credential that matches the content. As a Licensed Clinical Social Worker with a Master’s from the University of Southern California, she runs the Foundation for Sustainable Families, a mental health agency providing trauma-informed care. The clinical work informs the talks, and the talks track current practice rather than stories from a decade ago. Her authority on the subject is also biographical. Three Little Words, published by Simon & Schuster in 2008, traces nine years across 14 foster placements in Florida. The book began as an essay in The New York Times Magazine, became a New York Times bestseller, and is now used in collegiate social work and education programs. Three More Words extends the account into adulthood and adoptive parenting. Sam Is My Sister, her 2021 picture book with Albert Whitman, was placed on the American Library Association’s 2022 Rainbow Book List. The combination matters for serious buyers. A leadership team that wants a substantive session on burnout, on what schools and social services actually need from staff, or on inclusion as a duty of care, gets a speaker who has lived inside failing systems and now treats people inside the current ones. The argument is not that adversity creates strength. It is that institutions decide whether the people inside them recover or break. Key speaking topics Trauma-informed leadership and organisational practice Burnout and self-care in helping professions Resilience after adverse experience Foster care, child welfare, and adoption Mental health in the workplace Inclusion and family diversity Educator and frontline-worker wellbeing Ideal for CHROs, heads of wellbeing, and people leaders designing trauma-informed support Education sector leaders, district superintendents, and school principals Healthcare, social care, and non-profit boards DEI and inclusion leads working on family diversity and lived-experience inclusion Audience outcomes A clearer working definition of trauma-informed practice and what it asks of managers Specific signals of burnout and abuse that frontline staff and leaders can act on A frame for resilience that holds institutions, not only individuals, accountable A more confident vocabulary for inclusion conversations involving family identity and lived experience

Why organisations work with Joe Gerstandt He reframes inclusion as organisational design work, with named practices leaders can actually run, rather than a values campaign that depends on goodwill. His “From Anti to Ally” narrative gives sceptical audiences a credible personal entry point, useful in rooms where DEI language has lost its purchase. Co-author of Social Gravity, a published thesis on how relationship dynamics shape collective performance, which gives the work an intellectual spine beyond bureau talking points. Sits on Twitter’s Intersectional Culture and Diversity Advisory Council and the ISO US Technical Advisory Group on Diversity and Inclusion, meaning his frameworks have been tested inside platform governance and global standards. Marine Corps veteran turned culture practitioner, with a delivery register that lands credibly in industrial, defence, and engineering-led organisations where conventional DEI speakers often do not. Biography highlights Co-author, Social Gravity: Harnessing the Natural Laws of Relationships. Intersectional Culture and Diversity Advisory Council, Twitter. US Technical Advisory Group’s Diversity and Inclusion Working Group, International Organization for Standardization. Board director, Tri-Faith Initiative, Nebraska. Featured contributor, Workforce Diversity Network Expert Forum. Clients include Boeing, Toyota, Nestle, Target, Eli Lilly, Marathon Oil, Cornell University, University of Michigan, the CIA and the FAA. Biography Inclusion work has hit a credibility ceiling inside many large organisations. Twenty years of programmes, statements and training have not translated into the operating changes leaders were promised, and the political pressure on DEI has stripped away the cover that older approaches relied on. The result is a leadership population that knows the work matters but no longer trusts the standard playbook. Joe Gerstandt has spent the past two decades rebuilding the work on different ground. His starting point is that inclusion is a design problem, not a sentiment problem. Behaviour, norms, decision rights, conflict practices and conversational habits are the actual machinery. His sessions teach leaders to operate that machinery, with concrete practices around brave conversations, authenticity, and team design. Two strands give the work its weight. Social Gravity, which he co-authored, sets out the relational dynamics that determine whether collective performance compounds or decays. His “From Anti to Ally” narrative draws on his own move from rural Iowa and the Marine Corps into culture work, giving sceptical audiences a credible bridge into the material without asking them to start from agreement. The institutional record matters. He sits on Twitter’s Intersectional Culture and Diversity Advisory Council and on the ISO US Technical Advisory Group’s Diversity and Inclusion Working Group, advises Fortune 100 employers and federal agencies including the CIA and FAA, and has published in Diversity Best Practices, Diversity Executive and HR Executive. That positions him as a practitioner whose frameworks have been pressure-tested against platform governance, global standards and operating reality. Key speaking topics Inclusion as organisational design Inclusive leadership practice Authenticity and psychological safety at work Team performance and relational dynamics Behaviour change and culture change Allyship and personal transformation Bias, identity and decision-making Ideal for CHROs, Chief Diversity Officers and culture leads rebuilding inclusion programmes that have lost internal credibility. Executive teams running culture change inside engineering, defence, industrial and regulated environments where conventional DEI delivery falls flat. Boards and leadership cohorts treating inclusion as a leadership capability rather than a compliance line. Employee resource group leaders and allies seeking practical practice, not slogans. Audience outcomes A working definition of inclusion as a designed practice, separable from political language. Named behaviours and conversational practices leaders can use the next working day. A clearer read on where their organisation’s inclusion work has stalled and why. Language for engaging sceptics and ambivalent middle managers without forcing ideological agreement. A frame for treating relational dynamics as a performance variable, drawn from Social Gravity.

Why organisations work with Bernie Collins She ran race strategy at Aston Martin F1, a role that required committing several hundred engineers to a single decision in under thirty seconds, with the result televised live. Very few speakers have carried that kind of accountability. Her book with Maurice Hamilton, How to Win a Grand Prix, translates the mechanics of F1 decision making into a framework leaders can apply to their own operating rhythm. She brings a working broadcaster’s clarity. As Sky Sports F1’s strategy analyst, she explains complex trade-offs to a lay audience every race weekend, which transfers directly to boardroom and all-hands contexts. Her perspective on diversity in engineering is grounded in her own path through a male-dominated paddock, not in consultancy talking points. She is Irish, plain-spoken, and unafraid to be specific about what went wrong on a given decision. That honesty is rare in sports-adjacent keynotes. Biography highlights Former Head of Race Strategy, Aston Martin F1, 2020 to 2022. Performance and strategy engineer at Force India, Racing Point, and Aston Martin from 2015, working with Sergio Perez and Nico Hulkenberg. Began her F1 career at McLaren in 2009 as a graduate trainee, becoming performance engineer to Jenson Button. Formula 1 strategy analyst for Sky Sports F1 and F1TV. Author of How to Win a Grand Prix: From Pit Lane to Podium with Maurice Hamilton, Quercus, 2024. Forbes 30 Under 30 Europe, Manufacturing and Industry, 2016. Honorary degree from Queen’s University Belfast, 2023. Biography An F1 race strategist has around thirty seconds to recommend a tyre change that commits the team for the rest of the Grand Prix. Bernie Collins spent more than a decade in that seat, ending as Head of Race Strategy at Aston Martin F1, where she called the race at Sergio Perez’s maiden victory at the 2020 Sakhir Grand Prix. Her route there ran through McLaren, where she arrived as a graduate from Queen’s University Belfast in 2009 and eventually worked trackside with Jenson Button, and then Force India, where she moved into strategy alongside Nico Hulkenberg and Perez. The team rebranded twice while she stayed in the same chair, which gave her an unusual view of how a technical organisation holds its culture together through ownership changes. What makes Collins useful to senior audiences is the structure of the F1 strategy job itself. A pit-wall call blends incomplete telemetry, weather models, competitor behaviour, and driver feedback into a single recommendation, made under time pressure, with the outcome visible on live television within minutes. In How to Win a Grand Prix, her 2024 book with journalist Maurice Hamilton, she sets out how that decision is actually made, and what organisations elsewhere tend to get wrong about it. She now works as Sky Sports F1’s strategy analyst, explaining those decisions in real time to a mass audience. The broadcaster’s discipline, saying what matters in plain language without hedging, carries into her speaking. Queen’s University Belfast awarded her an honorary degree in 2023. Key speaking topics Decision making under time pressure High-performance team culture Strategy in complex, data-rich environments Leadership in distributed technical organisations Women in engineering and motorsport Risk and safety in regulated, high-stakes settings Ideal for Executive leadership teams in fast-moving competitive markets Engineering, technology, and operations organisations Strategy, risk, and transformation functions Conferences on performance, decision making, and team culture Audience outcomes A clearer model of how high-performing teams decide when evidence is incomplete A frank look at what accountability actually feels like when your call is public Specific examples of how F1 teams align hundreds of people on a single decision in seconds A useful perspective on women in technical roles from someone who sat at the top of one

Why organisations work with Toni Kent She makes social mobility a concrete operating question rather than a values statement, drawing on a decade running major UK partner relationships at Microsoft and a personal history that maps directly onto the barriers her audience is trying to remove. She is one of a small number of UK speakers who can carry both the hosting craft of a large awards night and the substantive keynote inside it, evidenced by twice hosting the UK Social Mobility Awards. Audiences get an unusual combination of stand-up comic timing and corporate fluency, which makes uncomfortable conversations about class, education and access land without defensiveness. The Common Good Network gives her keynote a follow-through mechanism: a directory of UK organisations that the audience can actually route their employee resource groups, CSR teams and emerging-talent programmes towards. Biography highlights Ten years at Microsoft UK, managing several of the company’s largest partner relationships. Founder of The Common Good Network, an interactive directory of UK social mobility organisations. Twice host of the UK Social Mobility Awards (2021, 2023). Author of four books, including Reasons to be Cheerful, Part One. Host of the Challenging University podcast; co-host of KAYBE Talks and The Partnership Path Podcast. Keynote and hosting clients include AWS, KPMG, PwC, Direct Line Group, Baker Hughes, ForHousing, Smart Works Reading and the University of East London. Biography Most large UK employers now have a social mobility position. Far fewer can show what it has changed inside their recruitment funnel, their early-careers programme, or their promotion patterns. The work of turning a stated commitment into an operating change is where Toni Kent has spent the last decade. She came to the question through a decade at Microsoft UK, where she ran several of the company’s largest partner relationships. Before that, a council-estate upbringing in Basingstoke, a father who died when she was fourteen, a family on state benefits, no university route. The combination matters commercially because she can speak with equal fluency to the chief people officer and to the apprentice in the second row. The Common Good Network is the operating layer underneath the keynote: an interactive directory of UK organisations working on socioeconomic barriers, designed to give corporate audiences a route from intention to partnership. Her hosting of the UK Social Mobility Awards in 2021 and 2023 sits in the same body of work, as do her four published books and her podcasts Challenging University, KAYBE Talks and The Partnership Path. The reason organisations book her for the room and not only for the content is that she is also a working stand-up comedian. The craft shows in how she handles a difficult brief: she can name class, access and education without making the audience flinch, and she can host an awards night for two thousand people without losing the thread of why it matters. Key speaking topics Social mobility in the workplace Inclusive hiring and early-careers access Storytelling and authentic personal narrative Imposter syndrome and confidence in corporate environments Mindset and decision-making under change Event hosting and panel moderation Women in technology Ideal for CHROs, heads of DEI and emerging-talent leads who need a credible voice on social mobility as an operating discipline. Employee resource group chairs and ERG sponsors briefing senior leadership on socioeconomic inclusion. Awards programmes, internal recognition events and large all-hands meetings requiring a confident, comic-timed host. Technology, professional services and financial services audiences engaging with inclusion content for the first time. Audience outcomes A working definition of social mobility that distinguishes class-based access from broader DEI categories. A clear sense of where the typical corporate social mobility commitment breaks down between policy and practice. Specific organisational entry points: ERG design, early careers, mentoring, supplier diversity and procurement. A directory of UK partner organisations, via The Common Good Network, to route follow-through activity through. Permission to discuss class openly inside the organisation without defensiveness.

Why organisations work with Mayara Magri A first-hand account of operating at the top of one of the most ranked, publicly scrutinised performance institutions in the world, where every promotion is earned in front of an audience and a critical press. A decade-plus inside a single company, from corps to Principal, gives her unusual authority on what sustained high performance actually requires of an individual inside a team that does not change around them. Career story carries credentials that buyers recognise without explanation: Youth America Grand Prix Senior Gold, Prix de Lausanne, Principal at The Royal Ballet. The proof points do the work of the bio for her. Brings the Brazilian-trained, London-based performer perspective on adapting to a different culture, language, and working method without losing identity, useful for global mobility, integration, and inclusion conversations. Biography highlights Principal Dancer, The Royal Ballet, since 2021 Trained at The Royal Ballet School after early scholarship training in Rio de Janeiro Senior Age Division Gold Medal, Youth America Grand Prix Prix de Lausanne Scholarship and Audience Prize, 2011 Created the role of Rosaura in Christopher Wheeldon’s Like Water for Chocolate Ambassador for The Fonteyn 2025 Brazil, Royal Academy of Dance Biography The Royal Ballet promotes from inside its own ranks. A dancer who joins the Company at seventeen and reaches Principal a decade later has done so while performing publicly several nights a week, in front of the same critics, alongside the same colleagues, with no role hidden from view. Mayara Magri made that journey between 2012 and 2021. She arrived in London from Rio de Janeiro on the back of two of the strongest results in the international ballet competition circuit: the Senior Age Division at the Youth America Grand Prix and the Prix de Lausanne Scholarship and Audience Prize in 2011. The Royal Ballet School then a Company contract followed. Promotions to First Artist, Soloist, First Soloist and Principal came in 2015, 2016, 2018 and 2021. Her repertoire covers most of the senior classical canon, from Odette/Odile and Juliet to Aurora, Kitri and Cinderella, with created roles including Rosaura in Christopher Wheeldon’s Like Water for Chocolate. Outside the company she has taken on ambassador work, including for the Royal Academy of Dance’s Fonteyn 2025 Brazil. For organisations, the relevant material is the working life behind the credits. Sustained performance inside a ranked institution, the discipline of preparing roles that will be judged the same night they are danced, and the long arc of building a career inside a single company rather than across many. Key speaking topics Sustained performance inside elite institutions Composure and preparation under public scrutiny Long-career discipline and reinvention Cross-cultural adaptation in global organisations Inclusion and representation in high-performance environments Resilience as a working practice Ideal for Leadership offsites and senior team gatherings looking for a credible high-performance voice outside the standard sport-speaker pool HR, talent and L&D programmes on resilience, sustained performance and career-long development Diversity and inclusion programmes seeking authentic perspectives on representation inside elite, traditional institutions Brand, marketing and CSR audiences working with arts, culture or sustainability narratives Audience outcomes A working performer’s view of what sustained high performance asks of an individual over a decade, not a single peak moment A concrete picture of how elite institutions absorb new talent, and what that demands of the person joining A reference point for resilience that is grounded in a working career, not a recovery story A perspective on representation and adaptation drawn from a Brazilian dancer’s path into one of Britain’s oldest cultural institutions

Why organisations work with Sasha De Sola Two decades of live, unedited high-stakes performance at one of the world’s top ballet companies, with the recovery patterns and pre-performance discipline that go with it. A perspective on creative work as a managed practice, not an inspiration: rehearsal, mentorship and craft repetition as the actual mechanism behind so-called artistry. Credibility on resilience earned through specific recoveries, including injury and the prolonged shutdown of live performance during the pandemic, not abstract theory. An inaugural fellow of San Francisco Ballet’s Raising Leaders programme, currently being developed as a future arts leader through executive coaching and an international placement at the Royal Swedish Ballet. A bilingual Venezuelan American voice on belonging, mentorship and the long arc from selective mutism in childhood to lead casting on a global stage. Biography highlights Principal Dancer, San Francisco Ballet (2017 to present); named Diane B. Wilsey Principal Dancer in 2020. Trained at the Kirov Academy of Ballet, Washington D.C., on full merit scholarship, and at the Paris Opera Ballet School. BA in Performing Arts, Summa Cum Laude, Saint Mary’s College of California; completed Harvard Business School’s Crossover Into Business programme. Inaugural fellow, San Francisco Ballet’s Raising Leaders artist-development programme (2024 to 2026), with a placement at the Royal Swedish Ballet under Nicolas Le Riche. Medallist at Varna, World and USA International Ballet Competitions. Co-founder of The Ascendant, a charitable initiative supporting Dancin Power and San Francisco Ballet; board member, Dancin Power; advisory board, Pointe Magazine. Biography A dancer who has carried lead roles in Swan Lake, Giselle and The Sleeping Beauty does not get there on talent. She gets there on the discipline of repeating small corrections until the body holds them under stage lights, with an audience watching, on a night when the knee is not quite right. That is the territory Sasha De Sola speaks from. She was named an apprentice at San Francisco Ballet in 2006, joined the corps in 2007, was promoted to soloist in 2012 and to Principal Dancer in 2017. In 2020 she was appointed the Diane B. Wilsey Principal Dancer, one of the company’s named principal positions. Her training is classical: the Kirov Academy in Washington D.C. on full merit scholarship, with a 2004 scholarship to the Paris Opera Ballet School and medals at Varna, World and USA International Ballet Competitions. The intellectual frame she brings to leadership audiences was built deliberately. She graduated Summa Cum Laude from Saint Mary’s College of California with a BA in Performing Arts and completed Harvard Business School’s Crossover Into Business programme in 2022. In 2024 she was named one of two inaugural fellows of San Francisco Ballet’s Raising Leaders programme, a two-year curriculum that pairs executive coaching with an international placement shadowing Nicolas Le Riche at the Royal Swedish Ballet. What she gives a room is the practical content of staying composed when the conditions move. Recovery from injury. Performing through the prolonged closure of live theatre. The long mentorship work that, away from the stage, sits behind every confident debut. A Venezuelan American who was diagnosed with selective mutism as a child, she also speaks credibly on belonging and on the slow craft of building a voice in a setting that initially feels foreign. Key speaking topics Composure and recovery under sustained performance pressure Creative discipline as a managed practice Mentorship and craft development across long careers Resilience after injury and prolonged disruption Cross-cultural identity and belonging in high-performance settings Leadership lessons from elite artistic environments Ideal for Leadership offsites and senior-team retreats focused on performance under pressure CHRO and people-leader conferences on talent development, mentorship and craft Women’s leadership programmes and ERG events on resilience and belonging Cultural, arts and philanthropic audiences seeking a credible artist-leader voice Audience outcomes A working vocabulary for what composure looks like in practice, not as a trait Specific examples of how recovery from setback is structured, not improvised A more honest read on what mentorship costs and what it produces in elite environments A counterweight to the language of “talent” with the language of repeated craft

Why organisations work with Vicky Piria She is the first woman to have raced in the GP3 Series and the only Italian woman in the W Series, two facts that make her a credible voice on what it actually takes to enter and survive a closed industry at the top level. She speaks from a current operating reality, not a retired career. She is racing in the 2025 Italian GT Sprint Championship in a Ferrari 296 Challenge while presenting Sky Sport Italia’s Formula 1 coverage. Her perspective on team performance is grounded in the specific mechanics of a motorsport team, where pit-crew coordination, driver feedback, and engineering decisions all run on tight feedback loops under time pressure. She works in two languages and across two cultures (Italian and British), useful for European audiences who want a speaker who reads the room beyond an Anglophone default. For automotive, motorsport, broadcasting, and brand-sponsorship audiences, she brings credibility from inside the sport rather than commentary from outside it. Biography highlights First female driver in the GP3 Series, debuting with Trident Racing in 2012. Only Italian driver in the inaugural 2019 W Series, the Formula 1 feeder championship for women. Sky Sport Italia Formula 1 presenter from 2024, succeeding Federica Masolin. Italian GT Championship competitor; second in GT Cup in 2023 and three pole-to-win victories in the 2024 Endurance GT Cup Pro-Am Division 2. Confirmed driver for the 2025 Italian GT Sprint Championship with Scuderia Ghermandi by Zanasi Racing in a Ferrari 296 Challenge. Former Formula E commentator for Mediaset and presenter on Italia 1’s Drive Up automotive programme. Biography Motorsport is one of the most closed industries in professional sport. The cost of entry is high, the technical knowledge required is unforgiving, and for most of its history the cockpits and the commentary boxes have been occupied by men. Vicky Piria moved through both. She arrived in the GP3 Series in 2012 as the first female driver in its history, racing for Trident. Seven years later she became the only Italian driver in the inaugural W Series, the Formula 1 feeder championship created to give female drivers a serious competitive pathway. Those two facts position her uniquely in European motorsport. The current chapter is what makes her useful to organisations now. She races in the Italian GT Championship, taking three pole-to-win results in the 2024 Endurance GT Cup Pro-Am Division 2 and stepping into a Ferrari 296 Challenge with Scuderia Ghermandi by Zanasi Racing for the 2025 Sprint season. At the same time she fronts Formula 1 coverage on Sky Sport Italia, having replaced Federica Masolin in 2024. She works comfortably in Italian and English, in front of a camera and inside a race team. For audiences in automotive, broadcasting, brand sponsorship, and any sector trying to widen its talent pipeline beyond the obvious candidates, that combination of operating credibility and broadcast craft is genuinely uncommon. Key speaking topics Women in motorsport and male-dominated industries High-performance teamwork under time pressure Resilience in elite competitive environments Brand and sponsorship in motorsport Broadcasting, hosting, and panel moderation Career reinvention from athlete to broadcaster Ideal for Automotive, motorsport, and mobility sector audiences (manufacturers, sponsors, dealer networks). Brand and marketing leadership at organisations sponsoring sport or building presence around motorsport. Diversity, inclusion, and talent leads in technical or engineering-led organisations. Event hosts seeking a bilingual (Italian and English) moderator with motorsport authority. Audience outcomes A first-person account of what it took to enter and compete in the most male-dominated tier of professional sport. A working view of team performance inside a motorsport operation, from driver and crew dynamics to engineering feedback loops. A perspective on the W Series experiment, why it mattered, what it achieved, and what its absence now means for the pipeline. A motorsport-literate voice for sponsorship, brand activation, and event audiences who want substance behind the storytelling.

Why organisations work with Fee Mak She holds a live room across formats that very few hosts move between credibly: BBC daytime radio, the MOBO Awards mainstage, in-game presenting for London Spirit at The Hundred, and literary festival chairing at Hay and Cheltenham. Her BBC 1Xtra Sunday Breakfast residency means she is in front of a national, multi-generational, culturally diverse audience every week. That muscle transfers directly to award shows and internal events trying to land with the same audience. She chairs interview content as a working craft, not as decoration. The Business Book Awards, Ditto X Meet the Music Industry, and book festival panels are formats that expose hosts who cannot follow a guest’s argument in real time. Her event roster includes inclusion-led briefs that organisations frequently get wrong: the Diana Award Anti-Racist Bullying showcase, Inclusive Books for Children Awards, BBC Bitesize Tour. She is a credible voice for clients who need a host who can carry that tone without performing it. Biography highlights Host, BBC Radio 1Xtra Sunday Breakfast Show, since July 2022. Selected through the BBC Radio 1 Presenter Search 2019; presenter credits include Christmas Drivetime, Early Breakfast, and daytime cover on Radio 1. Awards host credits: MOBO Awards, AIM Awards, Business Book Awards, Diana Award Anti-Racist Bullying showcase, Inclusive Books for Children Awards. Live event host credits: Red Bull BC One UK Cypher, Move It, Breakin’ Convention, U.Dance National Showcase, BBC Bitesize Tour, Ditto X Meet the Music Industry, Earl’s Court International Film Festival. In-game host for London Spirit at The Hundred (Lord’s). Chair at Hay Festival, Cheltenham Festival, Chiswick Book Festival, and Brighton Festival. BA (Hons) French and Business Administration, University of Kent. Former junior associate, The Royal Ballet School; West End child cast of Billy Elliot the Musical. Biography The hardest job at a live event is the one people only notice when it goes wrong. Holding a 90-minute awards ceremony together, moving between sponsors, winners and a writers’ room of jokes that may or may not land, takes a craft that broadcast hosts spend years building. Fee Mak has built it across an unusually wide range of stages. Her weekly residency is the Sunday Breakfast Show on BBC Radio 1Xtra, where she has hosted since July 2022. The route in was the BBC Radio 1 Presenter Search in 2019, followed by Christmas Drivetime, Early Breakfast and daytime cover on Radio 1 before moving across to 1Xtra. That is a competitive route into BBC daytime broadcasting and gives her a working relationship with a national, multi-generational, culturally diverse audience that organisations pay agencies a great deal of money to reach. The event work runs alongside the broadcast role and is the reason most corporate buyers commission her. Awards: MOBO, AIM, Business Book Awards, Inclusive Books for Children, the Diana Award Anti-Racist Bullying showcase. Live events: Red Bull BC One UK Cypher, Move It, Breakin’ Convention, U.Dance National Showcase, BBC Bitesize Tour, Ditto X Meet the Music Industry, Earl’s Court International Film Festival. Sport: in-game host for London Spirit at The Hundred. Literary festivals: chair at Hay, Cheltenham, Chiswick, and Brighton. The thread across those rooms is one specific capability: she can read an audience that does not share a single demographic and find a register that works for all of it. That is why she lands in inclusion-led briefs, youth audiences, music industry rooms, and corporate award stages with the same composure. Key speaking topics Awards and ceremony hosting Conference and summit MC work Panel chairing and interview moderation Literary festival and book event chairing Live sport and entertainment presenting Inclusion-led event hosting Broadcast voiceover Ideal for Brand and marketing leads commissioning a national awards ceremony, brand launch, or industry gala Internal communications and culture leads running town halls, recognition events, or all-hands moments that need a credible external voice Organisations running inclusion, education, or youth-audience programmes that need a host who can carry the tone authentically Conference programmers needing a moderator who can chair interviews and panels live without losing the thread Audience outcomes A live event that runs on time, with energy held from open to close Sponsor, winner and guest moments that land cleanly without dead air between them Interview segments where the guest is drawn out rather than walked over A host presence that connects with audiences across generations, cultures and seniority in the same room

Why organisations work with Hamda Al Qubaisi She is a working case study, not a retired one. She is still competing at the front of an international single-seater field, which gives her perspective on inclusion the credibility of present tense rather than retrospect. The credential is specific and verifiable: first woman to podium in Italian F4, third in the inaugural F1 Academy championship with MP Motorsport, Red Bull Academy programme driver. Audiences can place her without an introduction. She speaks from inside the Gulf, not about it. For organisations operating in the Middle East, or building gender strategies that have to work in the region, that vantage point is unusual on the international circuit. Her message is operational, not motivational. She addresses what funding, family backing, and team-level decisions actually made the difference, which is closer to what HR and DEI leads need than a generic empowerment talk. Biography highlights Member of the Red Bull Academy Programme, representing Red Bull Racing in the 2024 F1 Academy season. Drove for MP Motorsport in the inaugural 2023 F1 Academy season, finishing third in the championship with four wins and seven podiums. First woman to score a podium in Italian F4, at Misano in 2021. First Emirati driver invited to the FIA CIK-FIA Karting Academy Trophy, in 2016. Featured by Nasdaq, Formula 1, Arab News, Goodwood, and Entrepreneur Middle East on women in motorsport and STEM. Ambassador for Abu Dhabi-based Yas Heat Racing; signed with AKCEL GP x PHM Racing for the 2025 F4 Middle East Championship. Biography Single-seater motorsport is one of the most consistently male environments in elite sport. The path through karting, regional Formula 4, and feeder series rewards drivers who have been visible to teams from childhood, which historically has not included girls from the Gulf. The arrival of a competitive Emirati woman in that pipeline is not a soft story about representation. It is a structural anomaly worth understanding. Hamda Al Qubaisi entered Italian F4 in 2019 and in 2021 became the first woman to podium in the championship’s history, at Misano. She won three races on home soil in the F4 UAE series and built the record that earned her a seat with MP Motorsport for the inaugural F1 Academy season in 2023, where she finished third overall with four race wins and seven podiums. The Red Bull Academy Programme signed her for 2024, putting her on the Red Bull Racing development pathway and giving her a commercial platform that few drivers, male or female, reach in their early twenties. She closed her two-year F1 Academy stint with two podiums in the final three races at Yas Marina, in front of a home crowd. What makes her useful in a corporate setting is the specificity of her account. She has spoken publicly, including at Nasdaq MarketSite, about how partnerships, family backing, and access to machinery decide who actually makes it through, rather than the abstract language of empowerment. For audiences in the Gulf, or for organisations whose inclusion work has to function in that region, she offers a first-person view from inside the pipeline that is still being built. Key speaking topics Women in male-coded high-performance environments Diversity and inclusion in motorsport and STEM Emirati and Gulf perspectives on women in sport Resilience and pressure management in elite competition Sponsorship, partnerships, and access in early careers Sustainable technology and the future of motorsport Ideal for CHROs and DEI leads designing inclusion programmes for technical, engineering, or operational workforces Organisations with a Gulf footprint building gender strategies that have to function regionally Corporate sponsorship, partnership, and brand teams in motorsport, automotive, and STEM Women’s leadership networks and graduate audiences in engineering and high-performance disciplines Audience outcomes A first-person view of what it takes for a woman to enter and hold a place in a male-coded technical field A clearer read on the Gulf context for women in sport, STEM, and competitive performance Specific examples of how sponsorship, family backing, and team decisions shape who progresses A working case for inclusion grounded in present-tense competition, not retrospective career story Honest framing of the pressure, scrutiny, and trade-offs that come with being the first or only in a room

Why organisations work with Amna Al Qubaisi A first-of-kind credential that is current, not historical. Active seat in F1 Academy with MP Motorsport, Red Bull Academy Programme driver representing Visa Cash App RB, and the first Arab female driver inside the Porsche AG Talent Pool Asia. A concrete Gulf-region story for DEI programmes that usually default to Western examples. Useful for EMEA, Asia-Pacific and global HQs with Middle East operations. Insider experience of two manufacturer-backed talent systems, Red Bull and Porsche, which gives her specific material on how elite performance cultures identify, develop and retain outliers. Works in English and Arabic, which makes her directly usable for Gulf corporate, public-sector and sponsor-activation programming around regional race weekends. Biography highlights First Emirati woman to compete in international single-seater racing. Italian F4 Championship with Prema Powerteam, 2018. First Arab woman to win a Formula 4 race. F4 UAE Trophy Round, Yas Marina Circuit, 2019. Two seasons in F1 Academy with MP Motorsport. Sixth overall in 2023 with race wins at Spielberg and Barcelona. Red Bull Academy Programme driver from 2024, representing Visa Cash App RB. First Arab and first Arab female driver in the Porsche AG Talent Pool Asia. Pro class seat with Team Jebsen, Porsche Carrera Cup Asia, 2026. Rookie test with Envision Virgin Racing in Formula E at Diriyah. Biography Single-seater racing is one of the most closed performance cultures in professional sport. Entry depends on manufacturer backing, sponsor networks and a family record, and the pathway has historically routed through a small set of European karting circuits. The Italian F4 grid at Prema Powerteam in 2018 included the first Emirati woman ever to compete internationally in the format, Amna Al Qubaisi. What followed has not been a career of ceremonial firsts. Two seasons in F1 Academy with MP Motorsport. Sixth overall in the inaugural 2023 season with wins at Spielberg and Barcelona. Selection in 2024 by the Red Bull Academy Programme, representing Visa Cash App RB, with access to the team’s UK simulator and performance staff. A Formula E rookie test at Diriyah with Envision Virgin Racing. The 2026 seat in the Pro class of Porsche Carrera Cup Asia with Team Jebsen, as the first Arab female driver inside the Porsche AG Talent Pool Asia, puts her inside a factory development structure with defined routes into GT and prototype racing. That is the point worth noticing for a corporate audience. Her record is a sequence of places earned inside working manufacturer systems, on the criteria applied to every other driver in the pool. For organisations working on representation in performance-led functions, trading, engineering, surgery, investment, the useful content is not that she made it. It is what the system around her did, and did not do, to let her compete on equal terms. Key speaking topics Women in elite motorsport Representation inside closed performance cultures High-pressure execution and race-weekend preparation Manufacturer and team development pathways Gulf-region leadership and role-model narratives Careers for young women in STEM and engineering Ideal for DEI, talent and employee resource group programmes looking for a non-Western role-model case study Leadership offsites in performance-led functions: trading, engineering, medicine, investment Corporate partner and sponsor events in automotive, sports and luxury brand portfolios Women-in-STEM summits and graduate programmes across EMEA and Asia-Pacific Audience outcomes A direct account of how a closed talent system admits an outsider, and what the outsider has to do to stay admitted A Gulf-region reference point for representation conversations that usually default to Europe or North America An inside view of how Red Bull and Porsche identify and develop young performers A sense of what role-modelling looks like when the person doing it is still competing, not looking back

Why organisations work with Harry Ife He speaks from the operational floor of UK construction, a sector where DEI and employability conversations are usually held about site managers rather than by one. Twice awarded the NHBC Pride in the Job quality benchmark, in 2021 and 2022, giving him credibility with operational leadership that a pure training specialist rarely has. Runs The I.F.E Foundation, a registered UK entity sponsoring schooling at Uwani Secondary School in Enugu, Nigeria and direct-support schemes in London, so his DEI argument is backed by his own delivery record. Works regularly with the University of Westminster, University of East London, City University London and University of Greenwich, which gives him a direct read on how students from underrepresented backgrounds experience the transition into professional life. Useful for internal audiences who tune out generic DEI training: his material is built around self-advocacy, mentorship and career mechanics rather than awareness. Biography highlights Senior construction professional working in build management and the delivery of mixed-use developments. NHBC Pride in the Job Award winner, 2021 and 2022. Founder of The I.F.E (Independence For Everyone) Foundation, UK company number 15038338. Guest speaker and lecturer at the University of Westminster, University of East London, City University London and University of Greenwich. Corporate speaking clients include Mimecast, where he has presented for the global DEI function. Holds a BA in Business Management, an MSc in International Management, and an NVQ Level 7 in Senior Construction Management. Biography Construction is one of the clearest tests of whether an organisation’s DEI commitments survive contact with an operational environment. The policies are written centrally. The behaviour that decides whether a twenty-five-year-old from an underrepresented background stays or leaves is set on site, in offices, and in the first few conversations with a line manager. That is the ground Harry Ife works on. A senior construction professional specialising in build management and mixed-use developments, he has been recognised with the NHBC Pride in the Job Award in both 2021 and 2022, the industry’s main quality benchmark for site managers. He speaks to corporate and educational audiences from that vantage point rather than from a consulting or academic one. His public work is built around self-advocacy, mentorship and employability for early-career professionals, with particular focus on the experience of ethnic minority entrants into industries where they remain underrepresented. He has taken this into corporate DEI functions, including Mimecast, and into university audiences at Westminster, East London, City University London and Greenwich. Alongside his construction career he founded The I.F.E (Independence For Everyone) Foundation, which sponsors education at Uwani Secondary School in Enugu, Nigeria, and runs the Christmas in a Card initiative for low-income households in London. For a buyer, the useful point is that his speaking content and his delivery record are the same argument. Key speaking topics Self-advocacy in the workplace Early-career progression in underrepresented industries Mentorship and career mechanics Diversity, equity and inclusion in construction and engineering Employability and future skills Rehabilitation and second-chance employment pathways Ideal for CHROs, DEI leads and early-careers teams in construction, engineering, property and other trade-heavy sectors University careers services and student-experience teams running employability programmes Corporate ERG and employee-network events where the audience has heard the standard DEI talk before Foundations, CSR teams and charity partners working on youth employability Audience outcomes A sharper picture of where DEI intent actually breaks down for early-career talent on site and in the office. Concrete language for self-advocacy that junior professionals can use in real situations rather than in a training setting. A working view of what effective mentorship looks like from both sides of the relationship. An operational rather than theoretical frame on DEI in construction, engineering and similar industries.