Storytelling & Business Communication

Why organisations work with Kudzi Chikumbu He built TikTok’s creator marketing, education, and community functions from a small U.S. team into a global operation, so he speaks from inside the engine room rather than from the outside as a commentator. He teaches the operating logic of authenticity as a brand strategy, not as a values statement, with a specific framework brands can apply to product launches, executive presence, and creator partnerships. He carries dual credibility: a senior platform operator who has also built a personal creator brand (Sir Candle Man) at meaningful scale, with coverage in The Hollywood Reporter, WWD and The Economist. His perspective on diversity and representation is grounded in what actually moves engagement and trust on platform, which makes it usable for CMOs who need substance rather than signalling. He now teaches at Stanford Graduate School of Business, which gives a structured curriculum behind what could otherwise be presented as anecdote. Biography highlights Former Global Head of Creator Marketing at TikTok; longest-serving member of TikTok’s U.S. team. MBA, Stanford Graduate School of Business; current faculty at Stanford GSB. Began career as an accountant and management consultant at Deloitte. Author, Let It Burn: Illuminate Your Life with Candles & Fragrance (Chronicle Books). Creator of Sir Candle Man, featured in The Hollywood Reporter, WWD, NY Mag, The Economist, and on The Rachael Ray Show. Fortune 40 Under 40, The Hollywood Reporter Next Gen 35 Under 35, Variety’s Hollywood’s New Leaders, AdWeek Experiential Executive of the Year, ADCOLOR Innovator Award. Biography The shift in marketing power from media buyers to creators happened faster than most brand teams adjusted. The companies that responded well treated creators as an operating channel with its own logic. The ones that didn’t treated TikTok like a new ad placement and underperformed on both reach and reputation. Kudzi Chikumbu spent the years that defined that transition inside TikTok, where he built the creator marketing, education, partnerships and community functions as the platform scaled from new entrant to global infrastructure. He was the longest-serving member of TikTok’s U.S. team and rose to Global Head of Creator Marketing, working at the point where brand strategy, platform mechanics, and creator economics meet. His operating thesis is that authenticity functions as a commercial system, not a value statement. Audiences pay attention when a brand or executive shows up with a specific point of view, a clear identity, and a willingness to be legible as a person or a culture. He has tested that thesis on himself: as Sir Candle Man, he built a luxury fragrance creator brand recognised by The Hollywood Reporter, WWD, The Economist, and Chronicle Books, which published his book Let It Burn. He now teaches at Stanford Graduate School of Business, the same institution where he earned his MBA after starting his career at Deloitte. The combination of platform operator, working creator, and faculty member is unusual, and gives him a vocabulary that translates between marketing teams, executive sponsors, and the creator partners they are trying to work with. Key speaking topics Creator marketing and partnerships Brand authenticity as a commercial discipline Niche communities and audience strategy The future of social platforms and digital content Diversity and representation in consumer brands Personal brand and executive presence online Career pivots and reputation strategy Ideal for CMOs, brand directors and marketing leadership teams rebuilding their creator and platform strategy Communications and corporate affairs leaders preparing executives for visible digital presence Consumer brand, retail and lifestyle businesses where culture and creator influence drive purchase DEI, talent and culture leaders working on representation as a commercial, not symbolic, lever Audience outcomes A clearer model of how creator partnerships actually create commercial value, beyond reach metrics Specific tests for whether a brand’s content is platform-native or simply repurposed advertising A practical view of what authenticity means in marketing decisions, from product to executive voice Sharper understanding of how niche communities convert into durable audience relationships Renewed perspective on personal brand and online presence for senior leaders and emerging executives

Why organisations work with Harvey Goldsmith He has produced two of the largest broadcast events in history, Live Aid in 1985 and Live 8 in 2005, and can speak first-hand to how they were assembled, funded and delivered. He built the UK’s leading concert promotion business from a student club in Brighton to a company working with most of the major global artists of the past five decades. He continues to start and chair new ventures, including the British Music Experience museum, the OnBlackheath Festival and Hans Zimmer’s first live concert tour, so the material is current rather than retrospective. His CBE, Music Industry Trust Award and Chevalier des Arts et des Lettres are recognition from named bodies that he treats live performance as a serious commercial and cultural discipline. Biography highlights CBE for services to the entertainment industry, 1996 Queen’s Birthday Honours List. Co-organiser of Live Aid (1985) with Bob Geldof and Midge Ure, raising approximately £140 million. Worldwide producer of Live 8 (2005), with 225 artists across multiple international locations. Producer of the Led Zeppelin reunion at the O2 Arena (2007) in tribute to Ahmet Ertegun. Chairman of the British Music Experience, the UK’s museum of popular music. Music Industry Trust Award (2006); Chevalier des Arts et des Lettres (2006); Freedom of the City of London (2011). Biography Live Aid was assembled in roughly ten weeks. Two stadiums, a global satellite broadcast and an artist roster that had never been gathered before, with no precedent for the funding model, the rights model or the production model. The producer who solved those problems alongside Bob Geldof was Harvey Goldsmith. That work is the most visible expression of a longer story. Goldsmith began promoting concerts as a pharmacy student in Brighton in the 1960s, founded Artiste Management Productions in 1973 and Harvey Goldsmith Entertainments in 1976, and built the leading UK concert promotion business of the era. Across that period he worked with the artists who defined modern live music, including Bruce Springsteen, Queen, The Who, Paul McCartney and Luciano Pavarotti. The pattern of the work is entrepreneurial rather than custodial. Live 8 in 2005 used the Live Aid model and rebuilt it for a different media environment. The Led Zeppelin reunion at the O2 in 2007 was a single-night production at the scale of a tour. He produced Hans Zimmer’s first live concerts in 2014 and turned them into a European touring property, and he founded the OnBlackheath Festival the same year. He continues to chair the British Music Experience and to invest in and advise newer ventures across experiential marketing and immersive entertainment. The CBE, the Music Industry Trust Award and the Chevalier des Arts et des Lettres are the formal markers. The substantive credential is a sixty-year track record of starting things, financing them, and getting them on stage on the date promised. Key speaking topics Live event production at global scale Entrepreneurship across long careers Building creative businesses The economics of live music and broadcast Leadership under hard deadlines Charitable and philanthropic event delivery Ideal for CEOs and founders responsible for ventures with fixed launch dates Marketing and brand leaders building experiential platforms Boards and investors evaluating creative and entertainment businesses Audiences in the events, media, music and live entertainment industries Audience outcomes A first-hand account of how Live Aid and Live 8 were actually built, financed and delivered. A working view of how an entrepreneur sustains a creative business across five decades and multiple media cycles. Specific lessons in negotiating with talent, broadcasters and sponsors when the date will not move. A grounded perspective on what philanthropy looks like when it has to clear its costs and reach an audience.

Why organisations work with Kim Davis Live broadcast experience that translates directly into stage presence: she presents The Travel Show on BBC News and writes regularly for CNN Travel, CNN Underscored and The Telegraph, so a panel or conference plenary in her hands feels editorially produced rather than improvised. A working marketer’s view of communication, not a theorist’s. Sarsaparilla, the consultancy she founded after moving from New York to London in 2004, operates inside campaigns, brand work and go-to-market decisions for commercial clients. Range across the unlovable formats. After-dinner, awards-night emcee, panel moderation, fireside interview and keynote, performed without the tonal mismatch that normally appears when speakers cross between them. A keynote thesis on arts-led achievement, given on the TEDxLukelyBrook stage in 2022, that gives leadership and culture audiences a route into creativity without the usual self-help register. Biography highlights Presenter, The Travel Show on BBC News. Contributing writer, CNN Travel, CNN Underscored and The Telegraph. Founder and CEO, Sarsaparilla Marketing, London. TEDxLukelyBrook speaker, “How The Arts Can Help You Achieve Anything”, 2022. New York native, London-based for over two decades; works across UK, US and EU markets. Stage and broadcast credits include Carnegie Hall, the O2 Arena and the TED platform (per speaker representation). Biography A live audience makes decisions about a speaker inside the first sentence. Davis was trained for that. Her day job is presenting The Travel Show on BBC News and writing for CNN Travel, CNN Underscored and The Telegraph, work that depends on getting a viewer or reader to lean in before a single fact has been delivered. That broadcast craft is what organisations are buying when they put her on stage. As a host and moderator she structures conversations the way an editor structures a segment: a clear thread, time discipline, and the ability to draw a usable answer out of an executive who would otherwise read from notes. The substantive content sits behind that. In 2004 she moved from New York to London and founded Sarsaparilla, a marketing and communications consultancy that runs campaign, brand and go-to-market work for commercial clients. Her keynote material draws from this practice and from her own performing background, including the TEDxLukelyBrook talk on arts and achievement she delivered in 2022. The combination is unusual. Most marketing speakers cannot present. Most broadcasters cannot speak credibly about commercial growth. Davis is booked when an event needs both in the same person. Key speaking topics Hosting, moderation and emcee craft Media and broadcast communication for executives Marketing and brand building Customer and audience engagement Arts-led approaches to creativity and achievement Female leadership in media, business and culture After-dinner speaking and awards-night presenting Ideal for CMOs, brand directors and marketing leadership teams looking for a working practitioner rather than a marketing academic Conference organisers and internal event leads who need a host or moderator with broadcast credibility Awards nights, gala dinners and customer events that need a confident emcee with editorial range Leadership and culture programmes wanting a session on creativity, communication and presence Audience outcomes A clearer view of how a journalist structures a story, and how to apply that discipline to a board narrative or all-hands talk Specific techniques drawn from broadcast and stage performance for holding attention in high-stakes settings A working framework for using arts and creative practice as a tool for executive communication For events: a tightly run room, a coherent through-line across sessions, and interviews that produce usable quotes rather than safe ones

Why organisations work with Jake Havron He treats influence as a learnable skill with named components (motivators, decision methods, body language, congruence), not a personality trait, which gives sales and leadership teams something they can actually practise. He has trained inside revenue-heavy environments rather than seminar rooms, including real estate organisations reporting $300M to $1.6B in annual sales and the HVAC contractor audience at ACCA 2024. His material is built for entrepreneurial and mastermind audiences, GoBundance, MentorBox, 180 Elevate, where the bar for application is high and theory does not survive the room. The framework targets the gap between effort and persuasion that most sales managers describe but cannot name: why two reps with identical scripts close at different rates. Biography highlights Founder of Dream Life Mastery Company and co-founder of FORDIFY, a personal branding agency whose clients include Life Time Fitness. Keynote speaker at the ACCA 2024 conference, addressing roughly 1,000 HVAC contractors on leading with influence. Trainer for GoBundance, MentorBox, 787 Coffee Co. and 180 Elevate Nonprofit. Has worked with real estate sales organisations reporting between $300M and $1.6B in annual revenue. Co-leads the ITfactor Mentorship Program with speaker Emily Ford. Background as a registered nurse before moving into business strategy and speaking. Biography Most sales and leadership development still treats influence as a soft skill, something either you have or you do not. Havron’s argument is the opposite. Influence has structure. People shift their decisions for identifiable reasons, and a salesperson or leader who cannot name those reasons is guessing in the room. His “4 Pillars of Influence” framework, motivators, decision methods, body language and congruence, is built around that claim. Each pillar names a variable a practitioner can read in a live conversation and adjust. It is a working model for people whose income depends on whether the person across the table moves. The audiences he trains tend to be commercially exposed: real estate teams in the $300M to $1.6B revenue range, mastermind communities like GoBundance, and trade audiences such as the ACCA 2024 contractor conference. He also co-founded FORDIFY, a personal branding agency that has worked with brands including Life Time Fitness, and runs the ITfactor Mentorship Program with Emily Ford. Havron’s path into the work is unusual. He was a registered nurse before building Dream Life Mastery Company and moving full-time into strategy and keynote work. The clinical background shows up in how he teaches: behaviour first, theory second, and a bias toward what a person can actually do differently on Monday morning. Key speaking topics Influence in sales Influence in leadership Self-leadership and personal effectiveness Sales team performance Communication and persuasion Entrepreneurial leadership Ideal for Sales leaders and high-performing sales teams in revenue-driven sectors Entrepreneur and founder communities, mastermind groups, and scale-up leadership audiences Franchise and channel-partner audiences where influence sits at the centre of the commercial model Front-line managers stepping into senior leadership roles for the first time Audience outcomes A named, four-part vocabulary for influence that teams can apply in live sales and leadership conversations. The ability to read motivators and decision methods in a counterpart, not just deliver a script. A separation between influence and pressure tactics, and a working sense of why the second tends to backfire. Specific adjustments leaders can make in body language and congruence when the room is not moving with them.

Why organisations work with Gloria Garcia She has made high-stakes decisions for a living, protecting ultra-high-net-worth families across Chicago, Mexico City, New York, London and Paris. The lessons she brings on presence and judgement come from work where the cost of error is not a missed quarter. Her background is operator-grade, not adjacent: Cook County Sheriff’s Department, Special Operations Response Team training, corrections leadership in the RTU Men’s Division, SIA-licensed close protection. Buyers get someone who has done the job, not someone who has studied it. She is one of a very small number of senior female close protection specialists on the international circuit, which gives her a credible platform for audiences working on women’s progression in operational, security and male-dominated environments. Her acting practice, including a role cast personally by J.J. Abrams in Star Wars: The Force Awakens, gives her a second language for presence, performance and audience reading that translates directly into executive communication. She speaks from a personal story, a survived kidnapping attempt at age 11, without making the story the product. The story sets up the work; the work is what she teaches. Biography highlights Cook County Sheriff’s Department officer, trained under the Special Operations Response Team (S.O.R.T.) and posted to Cook County Prison’s RTU Men’s Division. SIA-licensed close protection operative with over twenty years of experience protecting ultra-high-net-worth clients internationally. Known professionally as “La Mirla” (“The Blackbird”) within the private protection circuit. Actress cast personally by J.J. Abrams as the “Jakku Defender” in Star Wars: The Force Awakens (2015). Recent screen credits include Dr. Sofia Guijarro in Nine Bodies in a Mexican Morgue (2025) and Agent Niki Delgado in Malice (2025-26). Represented for speaking by Kruger Cowne; life rights reported in development as a feature film with producer Lucas Foster. Biography Most executives will never work a live protection detail. The people who do will tell you the job is not physical force. It is attention: who is in the room, what has changed in the last thirty seconds, which person is a threat and which is a distraction. Gloria Garcia has spent two decades doing that job at the top of the market, for ultra-high-net-worth principals across Chicago, Mexico City, New York, Los Angeles, London and Paris. Her training is operator-grade. She came through the Cook County Sheriff’s Department under the Special Operations Response Team, ran a post in Cook County Prison’s RTU Men’s Division, then moved into international close protection as an SIA-licensed specialist. Inside the circuit she is known as “La Mirla”, “The Blackbird”. It is not a nickname she uses on stage. It is the one her peers use for her. She is also a working actress. J.J. Abrams cast her personally as the “Jakku Defender” in Star Wars: The Force Awakens. More recent roles include Dr. Sofia Guijarro in Nine Bodies in a Mexican Morgue and Agent Niki Delgado in the series Malice. The overlap matters: acting and protection both turn on reading people, holding presence, and adapting in real time. When she talks to leadership audiences about composure and communication, both practices are visible in the room. The personal starting point is a survived kidnapping attempt at age 11, in Cicero, Illinois. She tells that story because it explains the choice of career, not because it is the lesson. The lesson is what she built afterwards: a discipline of attention, trust and communication that senior leaders recognise the moment they hear it. Key speaking topics Decision-making under physical and reputational threat Situational awareness and presence in high-stakes rooms Communication tactics in protective and adversarial settings Women in operational and male-dominated roles Trauma, recovery and the choice to protect others Trust and composure in executive teams Ideal for Senior leaders and boards wanting a visceral perspective on judgement under pressure Security, risk and resilience functions looking beyond technical content Women’s leadership programmes in operational, industrial or security-heavy sectors Culture and communication events where presence and credibility are the brief Audience outcomes A sharper mental model for what composure actually looks like, from someone who uses it professionally Practical ways to read a room faster, including who to listen to and who to watch A clearer sense of how to communicate authority without raising volume A human account of turning a formative threat into a working discipline Renewed appetite for putting trusted operators, not only specialists, in front of senior teams

Why organisations work with Dan Sobovitz Five years inside the cabinet of a European Commission Vice-President, writing speeches and running digital for the institution that regulates much of Europe’s technology agenda. That is a view of how policy communication actually works that external consultants rarely have. Runs spreadable.io, the agency behind interactive programmes for the European Commission, European Parliament, UNESCO, Michelin, Groupe RATP, and Viva Tech. Clients hire him when a standard panel format will not hold the room. Chief communications role at the European Startup Prize for Mobility, Europe’s largest acceleration programme for clean mobility startups, gives him a working feed of what is actually happening in European mobility and climate tech rather than a reading of it. Hosts and moderates in English and French across tech, mobility, and sustainability events including Viva Tech, ChangeNow, and Michelin’s Movin’On Challenge, with a hosting style built around live audience interaction rather than scripted Q and A. Civil society work through DemoCrisis and Fondation Ceci n’est pas une crise gives him a serious, non-promotional voice on how digital platforms are changing democratic participation. Biography highlights Founder and CEO, spreadable.io, Brussels Chief Communications Officer, European Startup Prize for Mobility Senior Adviser, Digital Communications, BCW Former speechwriter and digital communications strategist, cabinet of European Commission Vice-President Maros Sefcovic TEDx speaker, “Can technology make democracy great again?” (TEDxAUEB) MA, Columbia University School of International and Public Affairs; MPP, Hertie School of Governance Biography Inside the European Commission, the problem was not a shortage of policy. It was that the policy was not reaching anyone outside Brussels. Dan Sobovitz spent five years in the cabinet of Vice-President Maros Sefcovic working on exactly that, writing speeches and running digital channels that tried to turn technical EU work into something recognisable to citizens, journalists, and founders. The methods were unusual for an institution. Live interactive interviews from a self-driving car. VR footage of EU satellites going into orbit. Crowdsourcing policy input from youth and climate activists through digital platforms. Live audience voting at EU startup pitches. Most of it came out of a single idea: the Commission had interesting things to say and was burying them under procedural language. He now runs spreadable.io, the interactive-events agency he founded after leaving the Commission, with clients including the European Parliament, UNESCO, Michelin, Groupe RATP, and Viva Tech. Alongside this he is Chief Communications Officer at the European Startup Prize for Mobility, the EU’s largest acceleration programme for clean mobility startups, and a Senior Adviser on Digital Communications at BCW. His civic work through DemoCrisis and Fondation Ceci n’est pas une crise addresses a narrower question that runs under everything else he does: what happens to democratic participation when the public conversation moves onto platforms none of the participants control. He writes and speaks on that question in English and French, and has given a TEDx talk, “Can technology make democracy great again?” Key speaking topics Digital communications and institutional storytelling Technology, democracy, and civic participation Sustainable mobility and clean transport innovation European startup ecosystems and innovation policy Interactive conference formats and audience engagement Public policy communication in the age of platforms Ideal for Corporate and institutional communications leaders rethinking how they talk about technology and regulation Innovation, mobility, and sustainability programmes looking for a bilingual host who can run a serious technical room Public affairs and policy teams operating at the EU level CEO and C-suite audiences planning flagship innovation or transformation events Audience outcomes A sharper read on how European institutions and corporates are actually communicating technology and policy, and where that is breaking down Concrete examples of formats that move an audience out of passive listening, drawn from live EU and corporate programmes A working understanding of how the European clean mobility and startup landscape fits together across Commission, Parliament, and industry A more honest view of what digital platforms are doing to public debate and what institutions can do about it

Why organisations work with Richard Coles He is one of the very few public figures in Britain who can speak about bereavement, faith and sexuality in front of a corporate audience without the room flinching. Audiences trust him because he has lived each subject in public. Twelve years co-presenting BBC Radio 4’s Saturday Live gives him the interviewer’s craft: he can host an awards night, chair a panel of executives, or turn a CEO conversation into something a room actually wants to listen to. He is a Sunday Times number one bestselling novelist, the writer of The Madness of Grief, and the inspiration for the BBC comedy Rev. The cultural recognition gets him in the door; the substance is why he is asked back. His pop-to-pulpit story (member of The Communards, “Don’t Leave Me This Way” at number one in 1986, then ordination as an Anglican priest) is the most genuinely unusual second-career narrative on the speaking circuit, and he tells it without nostalgia. Biography highlights Co-presenter, BBC Radio 4’s Saturday Live, 2011 to 2023 Church of England priest, ordained 2005; former vicar of Finedon, Northamptonshire Multi-instrumentalist in The Communards with Jimmy Somerville; UK number one with “Don’t Leave Me This Way” in 1986 Author of twelve books, including the Sunday Times bestseller The Madness of Grief (2021) and the Canon Clement crime series, optioned by ITV Regular panellist on Have I Got News For You, QI, and Would I Lie To You? Inspiration and consultant for the BBC comedy Rev Biography “Don’t Leave Me This Way” was the best-selling single in the UK in 1986. The man playing the keyboards on it is now a Church of England priest, a Sunday Times bestselling novelist and one of the most recognisable broadcasters on British radio. Few public lives have travelled this far between chapters, and fewer still have done so with the same lack of edit. Coles spent twelve years co-presenting BBC Radio 4’s Saturday Live, the long-form Saturday morning programme heard by more than two million listeners. The role made him a national interviewer: a priest who could draw a stranger out, hold a difficult moment on air, and make space for the kind of conversation British broadcasting often avoids. The Communards, the priesthood, the radio, the books, the dachshunds, the dance floor on Strictly: each chapter brought a new audience without losing the previous one. The writing has become its own career. The Madness of Grief, published in 2021 after the death of his civil partner David, is a Sunday Times bestseller and one of the rare popular books on bereavement written from inside the experience rather than around it. The Canon Clement Mysteries, beginning with Murder Before Evensong in 2022, became a Sunday Times number one cosy crime series and an ITV drama starring Matthew Lewis. For corporate audiences, the value is the combination most public figures cannot offer: a hosting craft built over twelve years of live radio, lived experience of the subjects organisations now want to discuss honestly (grief, faith, identity, sexuality, mental health), and a sense of timing that comes from working a microphone for three decades. The result is a speaker who can carry a black-tie dinner, a leadership offsite or a memorial event with the same register. Key speaking topics Grief and bereavement in public life Faith, ethics and the modern workplace Identity, sexuality and being openly gay in public roles Reinvention and second careers The craft of conversation and interviewing Mental health and the inner life Public broadcasting and cultural commentary Ideal for Awards ceremonies, gala dinners and milestone events seeking a host who can carry the room Leadership and culture conferences addressing grief, mental health, identity or inclusion Internal employee events tied to wellbeing, faith networks or LGBTQ+ programming Membership organisations and professional bodies booking a literary, cultural keynote Audience outcomes A frank, unsentimental treatment of grief and bereavement that gives leaders language they can actually use at work A model of public conversation about faith and sexuality that does not retreat into either piety or politics A reframing of mid-career reinvention drawn from one of the most unusual second-career trajectories in British public life An event hosted or anchored with the timing, warmth and interviewing craft of a senior BBC broadcaster

Why organisations work with Michael Owen A first-hand account of operating at the top of a global sport from the age of 17, with the goalscoring record at Liverpool, Real Madrid, Newcastle, Manchester United and England to back it. One of only nine Englishmen to win the Ballon d’Or, and the most recent, which gives any audience an unusually direct line to what world-class performance actually requires day to day. A second career built deliberately rather than by accident: Manor House Stables in Cheshire, founded with Andrew Black in 2007, has become a working thoroughbred yard now training under Hugo Palmer. Active broadcast presence with TNT Sports and Amazon Prime Video Premier League coverage, which keeps the perspective current rather than retrospective. Author of Reboot: My Life, My Time (2019), a candid account of injuries, scrutiny and the transition out of professional sport that gives an after-dinner or Q and A session real substance. Biography highlights 2001 Ballon d’Or winner, the first English recipient since Kevin Keegan in 1979. 89 England caps, 40 international goals; sixth on England’s all-time scoring list at retirement. Named in Pele’s FIFA 100 list of the greatest living players in 2004. Career clubs: Liverpool, Real Madrid, Newcastle United, Manchester United, Stoke City. Author of Off the Record (2004) and Reboot: My Life, My Time (Reach Sport, 2019). Co-founder of Manor House Stables, Cheshire; pundit for TNT Sports and Amazon Prime Video. Biography Liverpool were 1-0 down to Arsenal in the 2001 FA Cup final when Michael Owen scored twice in the last eight minutes to win the trophy. That season he helped Liverpool to a treble of the FA Cup, League Cup and UEFA Cup, and in December he was named European Footballer of the Year. He was 22, and the most recent English winner of the Ballon d’Or to this day. The career around that moment is the substance of his speaking. A debut at Liverpool at 17, a Premier League Golden Boot in his first full season, 89 England caps, 40 international goals, and spells at Real Madrid, Newcastle, Manchester United and Stoke. Pele included him in the FIFA 100 list of the greatest living players. The lived experience underneath those numbers, including injury, scrutiny and the discipline of staying selectable across four major tournaments for England, is what audiences buy when they book him. Life after football has been built deliberately. In 2007 he and the entrepreneur Andrew Black converted a cattle barn in Cheshire into Manor House Stables, now a Classic-winning operation with Hugo Palmer as resident trainer and a racing club that opens ownership to a broader audience. He works as a pundit for TNT Sports and Amazon Prime Video, with regular Premier League coverage. His 2019 autobiography Reboot: My Life, My Time is a frank account of what playing through pain, public criticism and the end of a top-level career actually felt like. For corporate audiences the value is direct testimony rather than a framework. Owen speaks to what it takes to perform under sustained pressure, how to keep going when the body and the press are against you, and how to construct a second act on purpose rather than by drift. That makes him a strong fit for after-dinner formats, leadership offsites with a sports lens, and brand-ambassador work where credibility and recognition matter as much as content. Key speaking topics Performance under pressure Lessons from elite sport for business leaders Resilience through injury and setback Transition from professional sport to entrepreneurship Building a second career: Manor House Stables and racing Football punditry and the modern Premier League Ideal for After-dinner audiences at corporate events, partner conferences and client hospitality Sales, leadership and high-performance offsites that want a credible sporting voice Brand and sponsorship activations where a recognisable name is part of the value Q and A and fireside formats with a host who can draw out career stories Audience outcomes A direct account of what world-class performance demands across a 17-year career Specific stories about Liverpool, Real Madrid, Manchester United and England rather than generalised lessons A candid view on injury, scrutiny and the pressure of being the youngest player in the room A working example of building a second career on purpose, through racing, broadcasting and writing

Why organisations work with Swarzy Macaly A working broadcaster with a current BBC Radio 1Xtra Weekend Breakfast slot, which gives her live editorial reflexes that most corporate moderators do not have. Track record on the largest UK live-TV moments, including the London New Year’s Day Parade in 2022 and 2024, and panel hosting at COP26 and the BBC Climate Creative Forum. A founder credential that supports the editorial content. Too Much Source, her annual exhibition for Black British creatives, has run since 2017 with the Barbican and Roundhouse. Substantive moderation history with Unilever, Ofcom, GroupM, ITV, Nike, TikTok and DAZN, so brand and regulator audiences are familiar territory. Recognition from named bodies: Best Presenter at the UK Entertainment Awards 2021 and the Duke and Duchess of Sussex’s 2020 Next Generation Trailblazers list. Biography highlights Presenter, BBC Radio 1Xtra Weekend Breakfast, Saturdays 7-10 am. Founder, Too Much Source, an annual exhibition celebrating Black British creatives, established in 2017. Trustee, My Life My Say, the youth-led democratic participation charity. Best Presenter, UK Entertainment Awards 2021. Named to the Duke and Duchess of Sussex’s Next Generation Trailblazers list for Black History Month 2020. Panel host at COP26 and the BBC Climate Creative Forum; live-TV host of the London New Year’s Day Parade in 2022 and 2024. Biography Most corporate inclusion conversations fail on stage long before they fail in policy. The voice in the room is usually too polished, too cautious, or too far from the audience to land. Swarzy Macaly is one of the few broadcasters in the UK who can run that conversation in front of a live brand audience and keep it honest. Her main work is at the BBC. She presents the Weekend Breakfast Show on Radio 1Xtra and contributes across BBC Radio 4, BBC Radio 5 Live and BBC Sounds, including the Daily Service and Sunday Worship strands. She came into broadcasting through a national presenter competition at KISS FM in 2016, then moved into the BBC and onto live television, hosting the London New Year’s Day Parade in 2022 and 2024. The editorial spine sits alongside that hosting career. She founded Too Much Source in 2017, an annual exhibition for Black British creatives that has run with the Barbican and Roundhouse. She is a trustee of My Life My Say, the youth-led democratic participation charity, where she has interviewed Sir Keir Starmer, Sadiq Khan and John Podesta on its Question Time series. Her panel work at COP26 and the BBC Climate Creative Forum extends the same instinct into climate. Brands and institutions book her for the same reason. Unilever, Ofcom, GroupM, ITV, Nike, TikTok and DAZN have used her as a moderator on internal and public events where the conversation could easily go wrong. The work earned her Best Presenter at the UK Entertainment Awards in 2021 and a place on the Duke and Duchess of Sussex’s 2020 Next Generation Trailblazers list. Key speaking topics Inclusion and representation in UK media Social mobility and access to the creative industries Womanhood and intersectional identity Climate communication for general audiences Faith, community and public life Panel moderation and conference hosting Ideal for Brand, marketing and ER leaders running employee, partner or consumer events where inclusion content has to be credible. Communications and policy teams at regulators and broadcasters convening external panels on representation, access or climate. Conference programmers and chairs need a host who can chair contested topics without flattening them. Foundations, charities and youth-focused organisations are running flagship public conversations with senior political guests. Audience outcomes A live conversation that holds editorial weight, with named guests, real disagreements, and no PR varnish. Sharper framing of inclusion and social mobility messaging that audiences under 40 actually believe. Confident chairing across sensitive subjects: race, faith, climate, gender, and generational difference. A high-craft moderator who can shift register between corporate, broadcast and youth audiences in the same event.

Why organisations work with Marianna Evenstein DW News anchor experience translates directly to live event control: she keeps senior speakers on the question, manages timing without visible effort, and reads a multilingual room in real time. Three working languages (English, German, Russian) let her host the same agenda for a Berlin board, a global trade fair, and a Russian-language guest in one programme without handoffs. Has hosted events for Adidas, Allianz, BASF, Bayer, Deutsche Bank, Deutsche Telekom, Mercedes-Benz, Samsung, Volkswagen, and Philips, which is the relevant proof for a corporate communications lead deciding whether she can carry a tier-one stage. Advises on programme design and speaker preparation before the event, not just on-the-day delivery, which raises the quality of what panels actually produce. Doubles as a media coach for executives who will be on the same stage, useful when the brief includes both running the event and getting senior leaders camera-ready. Biography highlights News editor and television anchor at DW News, Germany’s international broadcaster, since 2008. Former radio host and reporter for DW’s Newslink. Moderator at Falling Walls 2025, the Berlin science and society summit. Hosts and moderates conferences, panels, galas, and trade fairs for clients including Adidas, Allianz, BASF, Bayer, Deutsche Bank, Deutsche Telekom, Hugo Boss, Mercedes-Benz, Philips, Samsung, and Volkswagen. Media coach for executives preparing for interviews and on-camera appearances. Comparative Literature and Philosophy degree, New York University. Biography A live event with five named speakers, three languages, a hard finish time and a senior audience is not a panel discussion. It is a production. The person at the front of the room is responsible for whether the agenda translates into something the audience can use, or whether it dissolves into competing monologues. Marianna Evenstein has spent her career on that side of the camera. As a news editor and television anchor at DW News, Germany’s international broadcaster, she has worked the same discipline live for international audiences since 2008, after starting in radio at DW’s Newslink. The transferable skill is not charisma. It is timing, accurate listening, and the ability to redirect a conversation without losing the speaker’s dignity. That is the basis on which she is booked by Adidas, Allianz, BASF, Bayer, Deutsche Bank, Deutsche Telekom, Mercedes-Benz, Philips, Samsung, Volkswagen and Austrian Airlines, among others, to host conferences, summits, trade fairs, and gala evenings. She works in English, German, and Russian, which removes the seam most international events have to design around. In 2025 she moderated Falling Walls in Berlin, a summit format that demands quick comprehension across science, policy, and business in a single afternoon. Her work also extends backwards into the agenda. She advises clients on programme design and speaker preparation, and runs media coaching for executives who will be on stage themselves. This is the part of the offer that distinguishes her from a presenter who arrives on the day with cue cards. Key speaking topics Conference and summit moderation Panel moderation across business, policy, and science Awards ceremony and gala hosting Trade fair and product launch presenting Multilingual event hosting (English, German, Russian) Media coaching for executive interviews Programme design and speaker preparation Ideal for Heads of communications and event directors planning international flagship events with multilingual audiences. Corporate teams whose agenda includes senior internal speakers who need on-camera coaching alongside event hosting. Foundations, NGOs, and policy institutes running cross-sector summits where panel discipline matters. Trade fair and awards organisers needing a presenter who can carry a televised-quality main stage. Audience outcomes A live agenda that finishes on time with the planned questions actually answered. Panels in which senior speakers are kept on point without visible correction. Smooth handover between English, German, and Russian segments without translation friction. Executive contributors who arrive better prepared because they were briefed and coached in advance.

Why organisations work with Marc Priestley He spent a decade inside McLaren Racing during a Drivers’ Championship-winning era, and can describe how a thirty-second pit-stop is engineered, rehearsed and recovered when something goes wrong. Few speakers have lived that operational tempo. His material is structured around the actual mechanics of high-performance teams: role clarity, debrief culture, marginal gains, and how senior figures handle blame after a public failure. Not motivational; operational. His broadcast work for BBC, Sky Sports F1 and ESPN, plus Discovery’s Wheeler Dealers, makes him a natural choice when the brief calls for a speaker who can also host, moderate or anchor a programme. His two books, The Mechanic and Pitlane Lessons, give a senior audience a written through-line they can recommend internally after the session. Biography highlights McLaren Racing F1 mechanic, 2000-2009, including Number One Mechanic and pit-stop crew duties. Part of the McLaren team during Lewis Hamilton’s 2008 Drivers’ Championship season. Author of The Mechanic: The Secret World of the F1 Pitlane (Yellow Jersey, 2017). Author of Pitlane Lessons: What F1 Can Teach You About Life and Work, foreword by Jake Humphrey. Co-host of Wheeler Dealers on Discovery alongside Mike Brewer. Broadcaster and pundit for BBC, Sky Sports F1 and ESPN; founder of the Pitlane Life Lessons Podcast. Biography A McLaren pit-stop in 2008 took just under three seconds. The crew had rehearsed it thousands of times, knew exactly what each pair of hands would do, and had a debrief structure for every error. Marc Priestley spent a decade inside that environment, working his way up to Number One Mechanic before leaving the team in 2009. What he carried out of the paddock was a precise model of how a high-performance operation actually runs. Role design, communication protocols, blameless debriefs, recovery discipline after a public mistake. His keynote work translates those mechanics for senior leaders who recognise the pattern in their own teams: the failure under pressure that nobody had stress-tested for. Two books anchor the material. The Mechanic, published by Yellow Jersey, is a behind-the-scenes account of life inside an F1 team. Pitlane Lessons, with a foreword by Jake Humphrey, applies the operating principles to leadership and work. Both give buyers a written reference point alongside the keynote. The broadcasting career runs parallel. Priestley is an analyst and pit-lane reporter for Sky Sports F1, has worked for the BBC and ESPN, hosts the Pitlane Life Lessons Podcast and co-presents Discovery’s Wheeler Dealers with Mike Brewer. That range is why corporate clients book him for keynotes, panel chairing and full-event hosting from the same brief. Key speaking topics High-performance teamwork under time pressure Communication in operationally complex environments Marginal gains and continuous improvement Debrief culture and recovery after failure Decision-making in time-critical settings Leadership lessons from elite motorsport Event hosting, moderation and panel chairing Ideal for Senior leadership teams looking to stress-test how their organisation behaves under operational pressure. COOs, transformation leads and operations directors responsible for complex, time-critical execution. Sales and engineering leadership groups using offsites to reset team standards and feedback culture. Conference organisers who need a speaker who can also host, moderate or anchor the programme. Audience outcomes A clearer picture of how elite teams design roles so individuals can act fast without waiting for permission. A practical reference for blameless debriefs and how senior people respond after a public error. Named examples from inside an F1 team that translate to corporate operational settings. A framework for thinking about marginal gains as a discipline, not a slogan.

Why organisations work with Savvas Trichas A working academic record in the field he speaks on: peer-reviewed publication in The Leadership Quarterly on how facial expression shapes leadership perception, co-authored with Birgit Schyns. Certified coder in the Facial Action Coding System (FACS), one of a small group qualified to read facial muscle activity to research standard, applied to executive communication. Guest lecturer for the FBI National Academy Associates Cyprus chapter on deception detection, giving leaders a credible voice on lie detection that does not rely on stage tricks. A practitioner’s grasp of negotiation drawn from Harvard and MIT-tradition material, paired with a researcher’s discipline on what the body signals during a deal. Material is built for boards and executive teams that already know what to say and want to know why they are not being heard. Biography highlights PhD in Human Resource Management and Marketing. Co-author, “The face of leadership: perceiving leaders from facial expression,” The Leadership Quarterly, 2012. Three-time TEDx speaker (Las Vegas, Lausanne, Athens). Certified coder, Facial Action Coding System (FACS). Manuscript reviewer, The Leadership Quarterly. Guest lecturer, FBI National Academy Associates Cyprus Police, on management, communication, and deception detection. Biography Most leadership training teaches what to say. Trichas works on the harder question of why audiences accept it. His peer-reviewed research with Birgit Schyns in The Leadership Quarterly examined how a leader’s facial expression shapes followers’ trust and judgements of effectiveness, a finding that sits underneath every senior communication moment, from a board update to a negotiation. That research base separates him from most communication speakers. He is a certified coder in the Facial Action Coding System, the anatomical method developed for the precise analysis of facial muscle movement, and he reviews manuscripts for The Leadership Quarterly. The science is not a credential dropped into a keynote; it is the source of the material. The applied work runs across persuasion, storytelling, negotiation, and deception detection. Trichas lectures for the FBI National Academy Associates Cyprus chapter on communication and deception, and has built a parallel track on negotiation drawn from the Harvard and MIT canon. Three TEDx appearances and a bestseller, “The Power of Communication,” sit alongside corporate work for organisations including PwC, Coca-Cola, and MDRT. The argument he offers a board is unfashionable and useful. Strategy and message are necessary but not sufficient. Whether a leader is trusted, whether a negotiation closes, whether a transformation lands, often turns on signals that operate below the words, and those signals are now well enough understood to teach. Key speaking topics Nonverbal communication and leadership perception Negotiation and persuasion Executive presence and credibility Storytelling for senior leaders Deception detection in business contexts Servant leadership and empathy Public speaking for executives Leading transformation through communication Ideal for Boards and executive teams preparing for high-stakes external communication: investor updates, M&A, regulatory testimony. CHROs and leadership development heads designing programmes for newly senior leaders on presence and credibility. CCOs, heads of negotiation, and commercial leaders responsible for high-value deals. Sales leadership conferences where persuasion and trust signals carry commercial outcomes. Audience outcomes A research-grounded view of how leaders are read, not just heard, in board and town hall settings. Specific cues from the Facial Action Coding System tradition that leaders can use to read counterparts in negotiation and meetings. A working framework for credibility that separates persuasion, narrative, and nonverbal channels rather than collapsing them into “communication skills.” A more disciplined view of deception detection, what the evidence supports and what it does not, useful for interviewing, due diligence, and negotiation. Confidence that the speaker’s claims rest on peer-reviewed research and applied work with law enforcement, not stage technique.