Storytelling & Business Communication

Why organisations work with Costantino Roselli He treats the avatar economy as an operating model, not a marketing channel. His core argument to boards is that avatar-native businesses need their own P&L, audience strategy, and creative pipeline, separate from the corporate website. He runs NTZNS as a working laboratory for the thesis, so the case studies he brings are commercial rather than conceptual. The Gabby digital fashion case, generating around $25,000 monthly within 18 months, is the worked example he uses to show what a single avatar-native operator can produce. He sits inside the institutional conversation through the Metaverse Fashion Council advisory board and the Metaverse Standards Forum, which gives boards a sense of where industry consensus is forming on interoperability, identity, and IP. He is one of the few speakers in this category who connects transmedia storytelling craft to commercial outcomes, which matters for brands that need narrative depth across owned channels, gaming, and creator platforms. Biography highlights Founder and CEO of NTZNS (NeTiZeNS), an immersive innovation studio building avatar-economy ventures. Advisory board member, Metaverse Fashion Council. Member, Metaverse Standards Forum. Speaker, Delphi Economic Forum IX, on the panel “Beyond the Hype: The Metaverse and its Future Hurdles”. Author of Million Dollar Chest: Pick Yourself and Become Unstoppable (2018). Founder of Weird Authentic People, an early digital branding agency using avatars and AI-led storytelling for client communication. Biography The avatar economy is mostly being run by the wrong people inside large companies. Marketing teams that built corporate websites are being asked to design digital fashion drops, transmedia worlds, and creator-led revenue lines, and the results read as expensive experiments rather than businesses. Roselli’s central argument is that this is structural. Avatar-first commerce demands its own operating unit. NTZNS, the studio he founded and leads, is the working test of that thesis. The company builds avatar-native ventures, mentors digital-only creators, and packages the playbook for brands trying to move past pilots. The reference case Roselli cites publicly, a fifteen-year-old creator in Argentina generating around $25,000 a month through an avatar-led fashion line, is used as a deliberate provocation to boards: a single distributed operator can already produce material revenue from this category. His institutional footprint gives the argument standing. He sits on the advisory board of the Metaverse Fashion Council, holds a seat in the Metaverse Standards Forum, and speaks regularly inside the policy circuit, including the Delphi Economic Forum panel on the metaverse and its hurdles in 2024. The point of those affiliations, in his framing, is to track where interoperability, identity, and IP standards are settling, because those are the variables that determine whether avatar businesses are durable. What separates Roselli from most metaverse commentators is that he treats storytelling as a commercial discipline. Transmedia worldbuilding, in his account, is not creative dressing on top of a technology stack. It is how avatar-native ventures earn audience loyalty across gaming, social, and owned channels at the same time, and it is the variable most brands fail to invest in seriously when they enter the category. Key speaking topics Avatar economy as an operating model Transmedia storytelling for consumer brands Generative AI in worldbuilding and creator economies Digital fashion and luxury in immersive environments Future of work, identity, and digital citizenship Metaverse standards, interoperability, and IP Ideal for CMOs, chief brand officers, and digital strategy leads at consumer brands evaluating digital fashion, gaming, and creator-led commerce. Innovation and venture teams inside fashion, luxury, beauty, entertainment, and media groups. Foresight and strategy teams looking for a substantive, commercially grounded view of the metaverse beyond the 2022 hype cycle. Audience outcomes A clear operating distinction between metaverse marketing, where existing functions can deliver, and avatar-native business, where they cannot. A specific revenue lens on digital fashion, creator commerce, and avatar IP, with named examples of what working models look like. A framework for deciding which categories of audience and revenue justify a dedicated avatar-native unit. A practical view of where standards work on interoperability and identity is heading, and what that means for long-term IP decisions.

Why organisations work with Candice Brathwaite Two Sunday Times bestsellers built on different theses. I Am Not Your Baby Mother (2020) reshaped national conversations on Black British motherhood. Manifest(o) (2024) became an instant bestseller on intention and self-belief, and took her on a sold-out international tour across the UK, US and Canada. Lived authority on inclusion and representation in a moment when most DEI speakers have either lost the room or become politically performative. Her debut was the first book by a Black British woman about Black British motherhood to enter the British Library. A speaker who can hold uncomfortable conversations and keep audiences listening. Liberty London described her keynote as “the best we have ever put on in 150 years of the store.” Cross-sector keynote track record across financial services, professional services, retail and tech: NatWest, Barclays, Clifford Chance, Linklaters, Ralph Lauren, Sainsbury’s, Deliveroo, Liberty London and the Cambridge Union. The timing and craft of a working broadcaster, drawn from regular appearances on ITV’s Lorraine and Steph’s Packed Lunch, her role as Contributing Editor at Grazia, and writing across the Guardian, Harper’s Bazaar and Stylist. Biography highlights Two-time Sunday Times bestselling author: I Am Not Your Baby Mother (Quercus, 2020) and Manifest(o) (Quercus, 2024) First book by a Black British woman about Black British motherhood to enter the British Library Founder of Make Motherhood Diverse, the campaign challenging stereotyped representations of parenthood in British media Contributing Editor at Grazia and regular UK television presenter on ITV’s Lorraine and Steph’s Packed Lunch Host of Conversations with Candice (Acast, 2026), following the multi-million-download Closet Confessions Keynote clients include NatWest, Barclays, Clifford Chance, Linklaters, Ralph Lauren, Sainsbury’s, Deliveroo, Liberty London, the Royal College of Midwives and the Cambridge Union Biography Most corporate conversations about inclusion have stopped landing. The language is familiar, the speakers cautious, and the audiences switched off. The substance still matters; the form has stopped working. In 2016 a blog post asked where the Black mothers were in British parenting media, and started building an answer. The blog became Make Motherhood Diverse. The platform became a book. I Am Not Your Baby Mother (2020) was a Sunday Times bestseller and the first book written by a Black British woman about Black British motherhood to enter the British Library. A second Sunday Times bestseller followed in Manifest(o) (2024), with a sold-out international tour across the UK, US and Canada. Alongside the books came regular presenting work on ITV’s Lorraine and Steph’s Packed Lunch, a Contributing Editor role at Grazia, and two podcasts. The corporate keynote diary expanded with it: NatWest, Barclays, Clifford Chance, Linklaters, Ralph Lauren, Sainsbury’s, Deliveroo, Liberty London and the Cambridge Union. Buyers tend to book her for the same reason. Inclusion, ambition and the lived reality of working parents are subjects where most speakers either over-perform or under-deliver. Liberty London described her keynote as “the best we have ever put on in 150 years of the store.” That is the response organisations come back for. Key speaking topics Diversity, equity and inclusion Personal brand building and visibility Modern motherhood and the working parent Motivation and self-belief Manifestation and intentional living Storytelling and cultural commentary Ideal for CHROs, CPOs and DEI leads designing inclusion programming that audiences will actually engage with rather than tolerate Internal communications, ERG sponsors and culture teams running events on representation, belonging and the experience of working parents Leadership development and event teams looking for a closing keynote that drives genuine post-event conversation Brand, marketing and creative leadership teams thinking about voice, visibility and cultural authenticity Audience outcomes A direct, honest perspective on inclusion that audiences will repeat back to their colleagues A sharper sense of what genuine representation looks like in the everyday operation of a business, beyond statements and campaigns Language and permission to talk about visibility, ambition and working parenthood as serious organisational concerns The energy and confidence to act on something they have been postponing in their own careers

Why organisations work with Padma Lakshmi Her seven-year documentary project across immigrant and Indigenous communities in America (the foundation of both Taste the Nation and the 2025 Knopf cookbook Padma’s All American) gives her argument about diversity and belonging an evidential weight that most cultural voices cannot offer. Her DEI perspective is not theoretical: she co-founded an organisation that passed state legislation and helped establish the first interdisciplinary gynepathology research centre in the US, at MIT, demonstrating what sustained, policy-level advocacy actually produces. As UNDP Goodwill Ambassador and ACLU Artist Ambassador, she operates at a level of formal institutional credibility that separates her from celebrity advocates; she has testified, lobbied, and built coalitions, not just spoken. She offers one of the few genuinely non-confrontational pathways into difficult conversations about immigration, identity, and women’s health – using food as the entry point makes these subjects accessible in rooms where they are otherwise contested. Named to TIME’s 100 Most Influential People and recipient of the UNCA Advocate of the Year Award, she brings independent, multi-sector validation that extends well beyond the entertainment industry. Biography highlights Host and executive producer of Bravo’s Top Chef for 19 seasons; four-time Emmy nominee as Outstanding Host for a Reality or Reality-Competition Program Creator, host, and executive producer of Hulu’s Taste the Nation; James Beard Foundation Award winner, Visual Media – Long Form (2022) Author of Padma’s All American (Knopf, 2025), named a Best Cookbook of 2025 by the Washington Post and Boston Globe; New York Times bestselling author of memoir Love, Loss, and What We Ate and children’s book Tomatoes for Neela Co-founder, EndoFound; instrumental in establishing the first US interdisciplinary gynepathology research facility (Harvard Medical School and MIT joint project) and passing New York State Senate legislation on teen health education Visiting scholar, MIT Center for Gynepathology research UNDP Goodwill Ambassador; ACLU Artist Ambassador; TIME 100 Most Influential People (2023); UNCA Advocate of the Year (2021) Biography When organisations talk about inclusion, the conversation often stalls at the data. Padma Lakshmi has spent two decades building a different kind of argument; one that begins at the dinner table. As creator and host of Hulu’s Taste the Nation, she spent seven years embedded in immigrant and Indigenous communities across America, documenting how culinary traditions carry identity, history, and a sense of belonging that policy language rarely captures. The 2025 Knopf cookbook Padma’s All American, named a Best Cookbook of the year by the Washington Post and Boston Globe, extends that fieldwork into a mainstream cultural and business conversation: that diversity is not a management challenge to be solved but a generative force that shapes every aspect of how people live and work. Her advocacy has produced verifiable institutional outcomes. In 2009 she co-founded EndoFound, which helped establish the first interdisciplinary gynepathology research facility in the US – a joint Harvard Medical School and MIT project – and successfully drove legislation through the New York State Senate on teenage health education. She holds a visiting scholar appointment at MIT’s Center for Gynepathology Research. As UNDP Goodwill Ambassador and ACLU Artist Ambassador, she operates at the intersection of cultural influence and formal policy rather than occupying the softer territory of celebrity activism. For leadership teams where DEI initiatives have plateaued, or where women’s health and workplace wellbeing require a more credible and personal voice, Lakshmi’s combination of documentary rigour, scientific partnership, policy track record, and media reach offers something genuinely difficult to replicate. Key speaking topics Cultural identity and immigrant experience in America Diversity, equity, and inclusion through lived narrative Women’s health advocacy and public health policy Food, storytelling, and cross-cultural connection Using platform and media for social and civic impact Representation and belonging in public life Ideal for CHROs and people leaders seeking a non-confrontational, narrative-led entry into DEI at company-wide events Boards and executive teams navigating the political and cultural dimensions of workforce diversity Consumer, hospitality, or media brands whose audiences span diverse cultural communities Organisations with active women’s health or workplace wellbeing commitments seeking credible, policy-informed voices Audience outcomes A reframing of diversity from institutional obligation to cultural asset – grounded in specific, documented community experience rather than theory Deeper understanding of how immigrant and Indigenous communities shape the cultural contexts organisations operate in Practical perspective on what sustained advocacy – from grassroots education to legislative success – actually requires Greater awareness of women’s health as a workplace issue with measurable productivity and retention implications A model for using storytelling and platform to make complex social arguments land with mainstream audiences

Why organisations work with Jim McKelvey He built the only company on record to beat Amazon in a head-to-head product fight, and turned that experience into a transferable framework leadership teams can apply to their own categories. He sits at the rare intersection of operator and macroeconomic policymaker, currently chairing the board of the St. Louis Fed while still building companies; few speakers can move credibly between Square’s product decisions and the rate environment shaping them. His Innovation Stack thesis gives strategy teams a sharper diagnostic than the standard moat conversation: not what protects your business today, but how many interlocking decisions a rival would need to replicate to dislodge you. He brings a public, named example of how to think about workforce reinvention through LaunchCode, which has placed more than 4,000 non-traditional candidates into technology roles at Mastercard, Boeing and others. Biography highlights Co-founder of Square (now Block, Inc.), launched with Jack Dorsey in 2009; original card reader held in the Museum of Modern Art permanent collection. Author of The Innovation Stack: Building an Unbeatable Business One Crazy Idea at a Time, Portfolio/Penguin, 2020. Chair of the board of directors, Federal Reserve Bank of St. Louis, designated 2022 and redesignated 2023; Class C Independent Director since 2017. Founder of LaunchCode, a non-profit that has placed over 4,000 people into technology careers across 500-plus hiring partners. Founder and CEO of Invisibly, rebuilding the economics between publishers, readers and data. McKelvey School of Engineering at Washington University in St. Louis named in his honour in 2019 following a $15 million gift. Biography Amazon launched a payments product designed to kill Square. It undercut on price, leaned on its scale, and inside a year quietly withdrew. That contest is the substrate of Jim McKelvey’s argument: when a category is genuinely new, single innovations do not protect you. Stacks of them do. The Innovation Stack, published by Portfolio in 2020, formalises what McKelvey lived through as Square’s co-founder. The thesis is that companies which expand markets, rather than capture them, are built from chains of decisions where each new solution forces the next. Competitors who copy one element fail because the system, not the feature, is the moat. It is the working theory boards reach for when they want a sharper alternative to the conventional advantage conversation. McKelvey’s authority on this question is not solely literary. He chairs the board of the Federal Reserve Bank of St. Louis, a Class C Independent Director seat held since 2017 and the chair role designated for 2022 and 2023, which gives him a continuous view of the macro environment in which capital and category decisions are made. He also founded LaunchCode, which has placed more than 4,000 people into engineering jobs at firms including Mastercard and Boeing by treating the talent gap as a system problem, not a training one. His current company, Invisibly, is an attempt to rebuild the economic contract between publishers, readers and the platforms that mediate them. Like Square in 2009, it is a wager on a category that does not yet exist in the form it needs to. That is the work McKelvey is recognisably good at, and the work he can teach leadership teams to see in their own organisations. Key speaking topics The Innovation Stack as a strategy framework Category creation versus category capture Defending against larger incumbents Entrepreneurship at scale Workforce reinvention and technology talent Payments, fintech and the economics of money Boards, capital and the macro environment Ideal for CEOs and executive committees rethinking competitive moat Strategy and corporate development leaders evaluating new categories Founders and scale-up leadership teams beyond product-market fit Boards and innovation committees revisiting growth assumptions Audience outcomes A working vocabulary for the Innovation Stack and how to map their own organisation’s stack A specific lens for assessing whether a current advantage is replicable or systemic Sharper questions to bring to category bets, M&A targets, and adjacency moves An operator’s account of beating a larger incumbent without matching its resources A clearer view of how monetary and capital conditions shape commercial strategy

Why organisations work with Lizzy Burden She anchors Bloomberg’s Daybreak Europe across television and radio, which means she walks into a room already briefed on the morning’s market-moving stories rather than the previous week’s headlines. She has interviewed the UK Chancellor, Deputy Prime Minister, Foreign Secretary, Shadow Chancellor, FTSE 100 chief executives, Nobel laureate economists and Bank of England policymakers, so she is comfortable pressing senior figures without losing the room. She has hosted at the CBI annual conference, Chatham House, Founders Forum, the Tbilisi Silk Road Forum, and the Conservative and Labour Party conferences, which is the working ground of corporate and policy audiences. As a non-executive director of Creative Access, she brings genuine governance experience on diversity in the creative industries, not a topic talk borrowed for the occasion. She also writes the Readout newsletter and hosts the Bloomberg UK Politics Podcast, so the same voice clients book on stage is already in their feed. Biography highlights UK Correspondent, Bloomberg TV; anchor of Daybreak Europe on Bloomberg TV and Bloomberg Radio. Host of the daily Bloomberg UK Politics Podcast and author of the Readout newsletter. Named one of MHP’s 30 Journalists to Watch. Non-executive director, Creative Access, appointed November 2023. Previously economics writer at The Telegraph and Bloomberg News; earlier graduate trainee at The Times. History graduate, University of Cambridge. Biography Bloomberg’s Daybreak Europe goes on air before most of the City has reached its desk, and the job of the anchor is to set the day’s agenda for European investors in the hour the markets need it most. That is the platform Lizzy Burden runs. She is Bloomberg TV’s UK Correspondent, the host of the television and radio editions of Daybreak Europe, the host of the daily Bloomberg UK Politics Podcast, and the writer of the Readout newsletter. The reporting record is what gives her the authority to host senior corporate and political audiences. She has interviewed the UK Chancellor, Deputy Prime Minister, Foreign Secretary and Shadow Chancellor, FTSE 100 chief executives, Nobel laureate economists and Bank of England policymakers, and has filed from Downing Street, Buckingham Palace, the Bank of England and the Elysee Palace on monetary policy decisions, multiple prime ministerial transitions, the funeral of Queen Elizabeth II, Brexit, the US-China trade war and the war in Ukraine. Her event work sits squarely inside that beat. She has hosted at the CBI annual conference, Chatham House, Founders Forum, the Tbilisi Silk Road Forum and the Conservative and Labour Party conferences, the venues where senior business and policy audiences gather. She came to Bloomberg via The Times graduate scheme and economics writing roles at The Telegraph and Bloomberg News, after reading history at the University of Cambridge. Outside the studio, she serves as a non-executive director at Creative Access, the organisation that works to widen representation in the creative industries. MHP has named her one of its 30 Journalists to Watch. Key speaking topics UK politics and Westminster Monetary policy and the Bank of England Global economic outlook Geopolitics and political risk Conference hosting and on-stage interviews Diversity in the creative industries Media and journalism Ideal for Corporate conferences and AGMs that need a credible host across politics, markets and macro-economics. Boards, leadership offsites and investor events that want a Bloomberg-grade interviewer for sessions with senior policymakers or chief executives. Industry summits and policy forums seeking a moderator who can run plenary panels and one-to-one stage interviews. DEI-focused convenings looking for a working journalist with board-level governance experience on representation. Audience outcomes A clear read of the UK political and economic stories most likely to shape the next twelve months, drawn from Bloomberg’s daily output. Sharper sessions on stage, because she briefs hard and presses guests on the questions the audience came to hear answered. A working sense of how monetary policy, Westminster decisions and global political risk connect to corporate strategy. A rare combination of macro-economic fluency and lived experience of widening representation in a creative industry.

Why organisations work with Eloïne Barry She runs the infrastructure, not just the advice. African Media Agency’s wire service was the first of its kind built for the continent, and it gives any organisation she works with direct distribution into hundreds of African newsrooms rather than a slide deck about how to reach them. Her client record is the proof point buyers care about: campaigns delivered for the African Development Bank, IFC, the Bill and Melinda Gates Foundation, Mastercard, Western Union and Merck, not a pitch deck of hypothetical case studies. She translates between the European and North American boardroom and the African newsroom. That crossover, learned at PR Newswire across France, Germany and the EMEA region before she moved the operation south, is rare at a senior level. She has been recognised by the industry on its own terms: SABRE Africa, ASCOM Grand Prix Excellence, New African Magazine’s 100 Most Influential, and Bizcommunity’s PR personalities to watch list for 2026. Biography highlights Founder and CEO, African Media Agency (AMA), Abidjan, with operations across 30+ African countries and hubs in Abidjan, Johannesburg and Durban. Built the first pan-African press-release wire distribution service. Clients include the African Development Bank, IFC, Bill and Melinda Gates Foundation, Mastercard, Western Union and Merck. Winner, SABRE Africa Western Africa award 2026 (Bluemind Foundation “Heal by Hair” campaign); African SABRE Certificate of Excellence in Media Relations 2021; Grand Prix Excellence, ASCOM Abidjan 2019. Named in New African Magazine’s 100 Most Influential Africans 2022; recognised by MIPAD (Most Influential People of African Descent) in 2018. Tony Elumelu Foundation mentor; board member, Africa Communications Week and Africa No Filter. Biography Most multinationals that try to reach African audiences at scale run into the same problem. A campaign built for London or New York lands in Lagos, Nairobi or Abidjan and does not move. The media maps are different, the gatekeepers are different, and the ground truth changes by country. African Media Agency was built to close that gap, and Eloine Barry built African Media Agency. AMA is the Abidjan-headquartered firm behind the first pan-African press-release wire distribution service. It now reaches hundreds of newsrooms across more than 30 African countries, with operational hubs in Abidjan, Johannesburg and Durban. Clients include the African Development Bank, IFC, the Bill and Melinda Gates Foundation, Mastercard, Western Union and Merck, alongside governments and African-founded organisations. The agency’s work sits across three arms: AMA Wire for distribution, AMA PR for campaigns and advisory, and AMA Academy for journalist and communications training. Her own route into the work matters. Born in Lyon to a Senegalese mother and a Guinea-Bissauan father, she began her career at PR Newswire, running media relations across France, Germany, and later the wider EMEA and India region. That trajectory is why she is effective with European and American boards and with African newsrooms in the same week; she has sat on both sides of the brief. The industry has recognised the operating record. AMA won a SABRE Africa Western Africa award in 2026 for its Bluemind Foundation “Heal by Hair” mental health campaign, which scaled a Cameroonian-founded initiative into a partnership network spanning health ministries in Togo and Cote d’Ivoire and research groups at Paris Saclay and Santa Clara. Barry herself sits on the boards of Africa Communications Week and Africa No Filter, mentors on the Tony Elumelu Foundation programme, and was named by Bizcommunity among the ten PR personalities to watch in 2026. Key speaking topics Growth strategy for African markets Pan-African media and communications Government and public-sector communications in Africa African diaspora and return-to-Africa strategy Cross-cultural leadership between European, North American and African organisations Building and scaling media infrastructure in emerging markets Ideal for CMOs and heads of corporate affairs at multinationals planning or expanding African operations. CEOs and country leads of development institutions, foundations and NGOs running continent-wide campaigns. Government communications directors and ministries engaging African diaspora audiences. Founders and boards of African-built companies preparing for international visibility. Audience outcomes A clear read on why standard global PR playbooks fail in African markets and what replaces them. A grounded view of the African media landscape across anglophone, francophone and lusophone regions. Practical starting points for building credibility with African newsrooms, diaspora audiences and local regulators. A sharper sense of how communications strategy sits inside a broader market-entry or growth plan for the continent.

Why organisations work with Manisha Tank Five years hosting the Singapore Fintech Festival, the largest fintech gathering in Asia, gives her live editorial command of a 7,000-seat stage and a working knowledge of the sector’s senior players. A 25-year anchoring career across Reuters Television, BBC News and CNN International means she interviews from a position of subject fluency, not a script. She has put questions to CEOs, founders, policymakers and heads of state on live broadcast television. She moderates the Milken Institute Asia Summit and hosted Earthshot+ during The Earthshot Prize week in Singapore in 2023. Both events demand a host who can move between climate finance, technology and policy in the same panel without losing the room. She produces and hosts long-form branded podcast series for Standard Chartered CCIB and Accenture, so corporate communications teams are buying a known editorial product, not an unknown. Based in Singapore. A buyer running a regional summit in Asia gets a host who understands the regulatory, political and capital context their senior speakers actually operate in. Biography highlights 25-plus years as an international broadcast journalist for Reuters Television, BBC News and CNN International. Former anchor of CNN’s News Stream from Hong Kong (Asian TV Awards, Best TV News Programme) and Talk Asia. Host of the Singapore Fintech Festival for five consecutive years. Moderator at the Milken Institute Asia Summit and host of Earthshot+ at The Earthshot Prize Singapore 2023. Host of the podcast Tank Talks Asia, and producer of corporate podcast series for Standard Chartered CCIB and Accenture. Winner, Summerson Goodacre and Daily Telegraph Wealth Management Award for Best Industry Commentator, 2007. Read Philosophy, Politics and Economics at the University of Oxford. Biography Running a senior conference stage is a different craft from delivering a keynote on it. The host sets the editorial pace, frames the question the panel is actually there to answer, and decides when to press a CEO and when to move on. Get it wrong and a marquee event reads as flat. Get it right and the room produces the material that gets quoted for the rest of the year. That is the work Manisha Tank has done for two and a half decades. She spent the formative part of her career as a financial news reporter for Reuters Television, posted to New York to cover the Nasdaq and the NYSE in the late 1990s, then anchored business and main news bulletins for BBC News in London. She joined CNN International in the mid 2000s and fronted News Stream from Hong Kong, which won Best TV News Programme at the Asian TV Awards, and the long-form interview series Talk Asia. Now based in Singapore, she has built a second career as the editorial host of the region’s most senior business stages. Five consecutive years at the Singapore Fintech Festival. Recurring moderation work at the Milken Institute Asia Summit. Host of Earthshot+ at The Earthshot Prize week in Singapore in November 2023, the investor-facing day of Prince William’s climate prize. She produces and hosts long-form branded podcast series for Standard Chartered CCIB and Accenture, and her own podcast, Tank Talks Asia, interviews senior figures from across the region. Her subject anchors are fintech, financial inclusion, sustainability and digital transformation. Her award for Best Industry Commentator from the Daily Telegraph and Summerson Goodacre dates back to 2007. The continuity is the craft itself: she remains one of the few hosts in Asia who can hold a CEO panel, a head-of-state interview and a climate finance session in the same programme without losing the room. Key speaking topics Conference hosting and main-stage moderation Panel moderation for senior leadership audiences Fintech and financial inclusion in Asia Net zero transition finance and sustainability Digital transformation and emerging technologies Corporate podcast hosting and branded audio Ideal for Senior business and finance summits in Asia that need an experienced editorial host on the main stage. CEO-level panel sessions on fintech, sustainability or digital transformation where the moderator needs to push without breaking the room. Corporate communications and marketing leads commissioning long-form branded podcast series with a recognisable broadcaster. Investor days, awards nights and after-dinner programmes that require an emcee with broadcast pedigree. Audience outcomes A programme that runs to time, with sessions that end on the question the audience came to hear answered. Panels that get past prepared talking points, because the moderator knows the subject and the speakers. A senior audience that stays in the room for the second half of the day. A set of session clips and quotes the marketing team can use long after the event.

Why organisations work with Dominic O’Connell He chairs financial services flagship events at the level institutions trust with their reputation, including two editions of TISA’s Annual Flagship Conference. He interviews executives the way a working business journalist does, with the framing of someone who has spent twenty years inside UK corporate stories at The Sunday Times, the BBC and The Times. He won the Wincott Award in 2017, the most credible signal in UK business journalism, which buyers in financial services and the City recognise on sight. He moves between hosting, on-stage interviewing, and panel moderating without flattening any of them, which is what complex multi-stream conferences need. Biography highlights Business presenter, Times Radio (from November 2021, the station’s first business correspondent). Saturday business columnist, The Times. Business presenter on BBC Radio 4’s Today programme for five years from 2016, with regular appearances across BBC television. Business Editor, The Sunday Times, 2010 to 2016; joined the paper in 2001. Wincott Award winner, 2017. Contributing author on “Grit, Rigour & Humour: The INEOS Story” (Penguin, 2023), appraising the INEOS business alongside contributors including Sebastian Coe and Andrew Likierman. Biography UK business journalism has produced a small group of people who can chair a flagship financial services conference, interview a sitting CEO live on national radio, and write a Saturday newspaper column on the same week. Dominic O’Connell is one of them. He currently anchors business coverage on Times Radio and writes the Saturday business column for The Times. Before Times Radio he spent five years as business presenter on BBC Radio 4’s Today programme, where corporate Britain went on the record before breakfast and where preparation and composure are the price of entry. He joined the BBC in 2016 from The Sunday Times, where he was business editor for six years and a senior writer on the paper from 2001. The Wincott Award in 2017, UK business journalism’s premier prize, sits behind the work. So does a longer body of corporate reporting recognised inside the City and Westminster. In 2023 he was the journalist Penguin commissioned to appraise INEOS at twenty-five in “Grit, Rigour & Humour”, alongside contributors including Sebastian Coe and Andrew Likierman. That track record is why financial services institutions hire him to chair the rooms where their boards, regulators and clients are watching. He has twice chaired TISA’s Annual Flagship Conference and has worked with firms including RSMR. The product is not a keynote thesis. It is a working business journalist running the room and keeping the agenda honest. Key speaking topics UK and global business news Financial services and investment Equity markets and corporate strategy Macroeconomics and policy Corporate leadership and CEO interviews The City of London and UK plc Ideal for Annual flagship conferences hosted by financial services trade bodies and asset managers Investor days, AGMs and capital markets events Corporate leadership summits, board offsites and CEO panels Industry awards, gala dinners and after-dinner business audiences Audience outcomes A conference programme that holds together as one editorial narrative across the day Panels that go past the prepared statements and produce something quotable A chair who can press a CEO without losing the room or the speaker Coverage that lands cleanly with a business-literate audience, on stage and in any subsequent write-up

Why organisations work with Julian Placino Practitioner credibility: nearly two decades inside corporate recruiting, including seven years leading talent acquisition at Bottle Rocket, a Dallas mobile development firm with an outsized reputation for hiring quality. Operating-level content. His recruiting talks address the working mechanics buyers ask about: employer value proposition, candidate pipeline, referral systems, hiring manager discipline. Not HR theory. Doubles as a host. With 220+ episodes of The Pathways to Success podcast under his belt, he is comfortable interviewing leaders on stage and moderating panels, useful when an event needs both a keynote and a host. Personal-brand and resilience material that translates for sales, recruiting, and frontline audiences who need a motivational anchor rather than a leadership framework. Biography highlights Former Head of Recruiting, Bottle Rocket (seven-year tenure) Earlier recruiting leadership at ReachLocal (Gannett) Founder, Pathways Media and the Recruitment Masterclass training programme Host and creator, The Pathways to Success podcast (220+ episodes, Apple Podcasts and Spotify) BBA, University of North Texas Commercial actor and voice-over artist with named campaigns including Microsoft, Indeed, Ford, AT&T, and the NFL Biography Most companies treat recruiting as an administrative function until a critical hire stalls. Then it becomes a board-level problem. Placino built his career inside that gap. As Head of Recruiting at Bottle Rocket, he spent seven years scaling a hiring operation at a Dallas mobile development firm whose product work for Fortune 500 clients depended on the quality of its engineering bench. That operating background is what he brings to the stage. His core keynote, Mastering the Talent Puzzle, treats employer brand and recruiting strategy as a system that can be deliberately built, not a function of headcount or agency spend. The argument is grounded in what worked inside a high-pressure tech recruiting environment, including how to design an employment value proposition, how to mobilise existing employees as a pipeline, and how to make hiring managers accountable for the people they bring in. Beyond the recruiting material, Placino runs The Pathways to Success podcast, where he has interviewed more than 220 leaders across business, sport, and the creative industries. The format gives him a working interviewer’s craft, which he extends into event hosting and panel moderation. He also delivers talks on personal branding, resilience, and stewardship, drawn from his own path as a first-generation Filipino American who built a recruiting career, a media company, and a parallel commercial acting line that includes Microsoft, Indeed, Ford, AT&T, and NFL campaigns. He is based in Dallas and holds a BBA from the University of North Texas. He is represented by multiple bureaus across the US in addition to Speakers Associates internationally. Key speaking topics Recruitment strategy and employer brand Talent acquisition operating models Personal branding and reputation Resilience and adaptability Stewardship-based leadership Event hosting and interview-format moderation Ideal for CHROs and Heads of Talent Acquisition rebuilding in-house recruiting capability Talent and recruiting team offsites Sales and revenue kickoffs that need a personal-brand or motivation anchor Conferences requiring a keynote speaker who can also host or moderate Audience outcomes A working model for designing an employer value proposition that survives contact with the labour market A specific approach to turning current employees into a recruiting pipeline Language for separating personal brand from job title, useful for sales and client-facing roles A reframing model for adversity and change drawn from the speaker’s own career history

Why organisations work with Toni Kent She makes social mobility a concrete operating question rather than a values statement, drawing on a decade running major UK partner relationships at Microsoft and a personal history that maps directly onto the barriers her audience is trying to remove. She is one of a small number of UK speakers who can carry both the hosting craft of a large awards night and the substantive keynote inside it, evidenced by twice hosting the UK Social Mobility Awards. Audiences get an unusual combination of stand-up comic timing and corporate fluency, which makes uncomfortable conversations about class, education and access land without defensiveness. The Common Good Network gives her keynote a follow-through mechanism: a directory of UK organisations that the audience can actually route their employee resource groups, CSR teams and emerging-talent programmes towards. Biography highlights Ten years at Microsoft UK, managing several of the company’s largest partner relationships. Founder of The Common Good Network, an interactive directory of UK social mobility organisations. Twice host of the UK Social Mobility Awards (2021, 2023). Author of four books, including Reasons to be Cheerful, Part One. Host of the Challenging University podcast; co-host of KAYBE Talks and The Partnership Path Podcast. Keynote and hosting clients include AWS, KPMG, PwC, Direct Line Group, Baker Hughes, ForHousing, Smart Works Reading and the University of East London. Biography Most large UK employers now have a social mobility position. Far fewer can show what it has changed inside their recruitment funnel, their early-careers programme, or their promotion patterns. The work of turning a stated commitment into an operating change is where Toni Kent has spent the last decade. She came to the question through a decade at Microsoft UK, where she ran several of the company’s largest partner relationships. Before that, a council-estate upbringing in Basingstoke, a father who died when she was fourteen, a family on state benefits, no university route. The combination matters commercially because she can speak with equal fluency to the chief people officer and to the apprentice in the second row. The Common Good Network is the operating layer underneath the keynote: an interactive directory of UK organisations working on socioeconomic barriers, designed to give corporate audiences a route from intention to partnership. Her hosting of the UK Social Mobility Awards in 2021 and 2023 sits in the same body of work, as do her four published books and her podcasts Challenging University, KAYBE Talks and The Partnership Path. The reason organisations book her for the room and not only for the content is that she is also a working stand-up comedian. The craft shows in how she handles a difficult brief: she can name class, access and education without making the audience flinch, and she can host an awards night for two thousand people without losing the thread of why it matters. Key speaking topics Social mobility in the workplace Inclusive hiring and early-careers access Storytelling and authentic personal narrative Imposter syndrome and confidence in corporate environments Mindset and decision-making under change Event hosting and panel moderation Women in technology Ideal for CHROs, heads of DEI and emerging-talent leads who need a credible voice on social mobility as an operating discipline. Employee resource group chairs and ERG sponsors briefing senior leadership on socioeconomic inclusion. Awards programmes, internal recognition events and large all-hands meetings requiring a confident, comic-timed host. Technology, professional services and financial services audiences engaging with inclusion content for the first time. Audience outcomes A working definition of social mobility that distinguishes class-based access from broader DEI categories. A clear sense of where the typical corporate social mobility commitment breaks down between policy and practice. Specific organisational entry points: ERG design, early careers, mentoring, supplier diversity and procurement. A directory of UK partner organisations, via The Common Good Network, to route follow-through activity through. Permission to discuss class openly inside the organisation without defensiveness.

Why organisations work with Rachel Brown-Finnis A first-person account of a workforce professionalising in real time. She joined the England set-up before central contracts existed and was still playing when the FA introduced them in 2009; few speakers can describe an industry rebuilding itself from inside the dressing room. Lead-level broadcast craft. She co-commentated the BBC’s Euro 2025 final between England and Spain alongside Robyn Cowen, on top of long-standing punditry on Football Focus, The Women’s Football Show, BBC 5 Live and BT Sport, which transfers directly to corporate hosting, panels and fireside interviews. The goalkeeper’s perspective on team pressure. The position carries a particular discipline around isolation, recovery from visible error, and the cost of a single mistake; that is useful content for high-stakes corporate teams, not a metaphor. A practitioner voice on women entering male-coded industries, drawn from a 17-year senior international career, two World Cups, three European Championships, and an Olympic Games, not from secondary research. Biography highlights 82 senior England caps from a debut at 16 against Germany in 1997 through to international retirement in 2014. First-choice England goalkeeper at the 2007 FIFA Women’s World Cup and UEFA Women’s Euro 2009; Team GB squad member at the London 2012 Olympics. FA Women’s Cup winner with Everton in 2010; FA Women’s Cup finalist with Liverpool in 1996 at the age of 15. One of the first female players awarded a central contract by The Football Association in 2009. Co-commentator on the BBC’s Euro 2025 final coverage and long-standing pundit across BBC Sport, BT Sport and BBC 5 Live. Sports Science degree, University of Pittsburgh, where she held the Panthers’ single-season record for fewest goals conceded; subsequent PE teaching qualification at Liverpool John Moores University. Biography Women’s football was an amateur sport when Rachel Brown-Finnis made her senior England debut at 16 against Germany in 1997. It was a professional, broadcast-funded industry by the time she retired from international football in 2014. She played through every stage of that transition: 82 caps, two World Cups, three European Championships, the 2012 Olympics, and the introduction of the first FA central contracts for women in 2009, which she was part of. The playing career was built on a goalkeeping discipline familiar to anyone who has worked in a high-visibility role. The position rewards composure, an honest read of risk, and recovery from public error. She held the first-choice England jersey through the 2007 FIFA Women’s World Cup and UEFA Women’s Euro 2009. At club level she won the FA Women’s Cup with Everton in 2010 after reaching her first final at 15 with Liverpool. The broadcast career has tracked the commercial expansion of the women’s game. She is a fixture on BBC Football Focus, The Women’s Football Show, BBC 5 Live and BT Sport, wrote a weekly Guardian column through the 2019/20 WSL season, and co-commentated the BBC’s coverage of the Euro 2025 final between England and Spain. The skill set is live broadcast craft: read the room, structure the conversation, manage the interview, hold the line under pressure. When she speaks from the stage, the material is grounded in that experience rather than imported from a framework. Team culture inside elite environments. The texture of being one of very few women in a high-performance system that was not designed for her. The economics and identity of a workforce that has had to build itself in public. The story is specific, recent, and difficult to outsource. Key speaking topics Team culture and trust in high-performance environments Women in male-coded industries Resilience and composure under public pressure The economics and evolution of women’s professional sport Live broadcast hosting, interview craft and on-stage moderation Lessons from a goalkeeping career: isolation, error recovery, and the cost of a single moment Ideal for Leadership teams in financial services, engineering, energy and other historically male-coded sectors running inclusion or women-in-leadership programmes. Sponsors and partners of the Premier League, The FA, WSL and the wider football ecosystem programming hospitality, conferences and awards. Corporate event organisers commissioning a broadcast-trained host or panel moderator rather than a celebrity name. High-performance organisations using sport as a credible reference point for team culture, recovery from error, and pressure management. Audience outcomes A first-person account of a workforce professionalising in real time, with the structural and cultural detail intact. Working language for women in male-coded industries that resists slogan and connects to operational reality. A goalkeeper’s mental model for high-visibility error: how teams should treat the person who carries the moment. Live interview and hosting craft when she takes the stage rather than the keynote slot, applied to panels, fireside conversations and awards.

Why organisations work with Hugh Woozencroft Daily live broadcasting on talkSPORT and The Times’ The Game podcast keeps his interview muscle in regular use, so executives, athletes and panellists get a host who can move a conversation without losing the room. ITV’s EFL Show, Women’s Football coverage and Rugby World Cup work give him the kind of cross-sport credibility that suits sponsor events, sports business gatherings and brand activations around major tournaments. BBC News reporting from Wimbledon, Champions League finals, the Ashes and the Boat Race built a habit of distilling complex live events for general audiences. The same instinct works for plenary moderation. A real specialism in diversity in sports media, anchored in his time on the BCOMS board and a 2018 BBC piece on representation, gives him a defensible angle when the brief touches inclusion, talent pipelines or culture inside sport. Biography highlights Host of talkSPORT’s Kick Off show, Tuesday to Thursday primetime. Host of The Game, The Times’ football podcast. Presenter for ITV’s EFL Show, ITV Women’s Football, and ITV’s Rugby World Cup coverage. Former BBC Radio 5Live and BBC News presenter, including Sportsweek, Test Match Special and the 2012 London Olympics. Former presenter on BBC Two’s Victoria Derbyshire Show. Former board member, The Black Collective of Media in Sport (BCOMS); MA Sports Journalism, St Mary’s University. Biography Live sport on radio is one of the harder briefs in broadcasting. The picture is invisible, the action is fast, and the audience will leave the moment the presenter loses the thread. Hugh Woozencroft anchors talkSPORT’s Kick Off, three weeknights a week, across Champions League, Europa League, Premier League, Carabao Cup and FA Cup coverage. The same discipline carries into corporate hosting work. His route in was unfussy. A master’s in Sports Journalism at St Mary’s, a broadcast assistant role at BBC Radio 5Live, and on-air work from 2013 onwards. From there: Sportsweek, Test Match Special, the 2012 London Olympics, BBC News reporting from Wimbledon, the Ashes, Champions League finals and the Boat Race, and presenting shifts on BBC Two’s Victoria Derbyshire Show. Now he combines talkSPORT with hosting The Times’ The Game podcast and ITV’s EFL Show, Women’s Football and Rugby World Cup coverage. The second strand is diversity in sports media. In 2018, Woozencroft wrote a BBC piece on the absence of Black and minority ethnic journalists in senior sports newsrooms. He joined the board of The Black Collective of Media in Sport that year, chaired sessions at the D Word 2 conference, and stepped off the board in 2023. That work gives him a specific, evidenced position on representation inside an industry he reports on daily, useful when a brief touches inclusion in sport, talent pipelines or media culture. For corporate audiences, the offer is honest. A working broadcaster who hosts elite live sport every week, with a credible secondary line on inclusion in his industry, available for moderation, panel chairing, awards hosting and after-dinner conversation. Key speaking topics Event hosting and moderation Panel chairing Awards and after-dinner hosting Sports business and sponsorship events Diversity in sports media Media training and presentation craft Ideal for Sponsor activations and hospitality programmes around major football and rugby tournaments Sports business conferences, governing body events and federation gatherings Corporate awards evenings, annual gatherings and internal town halls needing a confident host DEI events in media or sport where the brief calls for a credible insider voice Audience outcomes A panel that stays on time and on point, with senior speakers drawn into specifics rather than left to read prepared lines A room that feels held, particularly across long-form programmes mixing keynote, panel and audience Q&A For diversity briefs in sport or media, a first-hand account of where progress has been real and where it has stalled A measured, journalistic interview style suited to executive guests, athletes and public figures