Innovación del Modelo de Negocio
Oradores que cuestionan cómo las organizaciones crean, entregan y capturan valor en mercados en transformación
Speakers Associates represents 112 speakers on Innovación del Modelo de Negocio, including Purna Virji, Tom Goodwin, Daniel Trabucchi & Tommaso Buganza, Diana Verde Nieto, David S. Kidder, Dhar Mann, John Mackey, Arunjay Katakam, Tim Calkins y Joerg Niessing.
Consumer brands that prove traction in a domestic market still routinely fail to cross into institutional investment or new geographies. The constraint is rarely the product. It is the financial architecture, the investor narrative, and the operational discipline that most founders never acquire.
For two decades, the economics of distribution favoured the hit. Digital shelves, open-source tooling and cheap production have quietly inverted that logic, and most organisations still plan their assortment, pricing and manufacturing as if scarcity were the default. The unresolved question for commercial leaders is how to build a growth strategy when niche demand, zero-cost copies and distributed production are each reshaping the economics at the same time.
Most large banks know their operating model was not built for the speed of modern technology. The harder question is not whether to innovate but how: when to build, when to partner with a startup, when to buy, and how to make any of that stick inside a regulated balance sheet. Leaders need honest answers from people who have sat on both sides of that table.
Most large brands are running metaverse and avatar projects inside the same marketing teams that built their websites. The output is decorative, not commercial. Companies that want a serious return from digital worlds need to decide whether to retrofit existing functions or stand up a dedicated avatar-native business, and they need a credible view on which categories of revenue, audience, and intellectual property warrant the second route.
Successful companies are the ones least equipped to respond to disruption. Their existing business model – the source of their competitive advantage – creates structural conflicts with any new model they try to adopt. The question is not whether to respond, but which response will not destroy what already works.
Most brands now produce more content than ever and command less attention than ever. The narrative work that used to differentiate a product launch, a sales pitch or an internal change programme has collapsed into noise that customers and employees scroll past. The commercial question is how a brand becomes a story people repeat, rather than a message they forget.
Most businesses facing digital disruption respond with better law, better lobbying, or better content controls. None of those work when the underlying consumer behaviour has already shifted. The harder problem is building a business model that makes the illegal alternative redundant – and then persuading the incumbents whose economics you are disrupting to help you do it.
Established companies are being disrupted by platform businesses built on assets those companies already own. Legacy structures, customer relationships, and proprietary data are competitive advantages, but only if the organisation knows how to activate them as platforms. Most do not.
A recognisable name is not a business. Converting personal reputation into a product line that holds shelf space, survives pricing pressure, and keeps a consumer coming back is a different discipline from being famous. Most celebrity brands collapse on the second season; the ones that last are built by founders who understand fabric, margin, and distribution as well as they understand audience.
Established companies are built to run the core, not to discover the next one. The instinct under pressure is to optimise what already exists, which is exactly when a rival builds the thing that replaces you. The hard problem is not having ideas. It is installing a repeatable way to find, test, and fund new growth without breaking the business that pays the bills.
Audiences have stopped trusting brand messages and started rewarding the brands that behave like creators. Marketing budgets keep climbing while attention, retention and loyalty keep falling. The organisations winning that gap have figured out how to build their own narrative engine, at studio scale, on a creator economics base.
Most strategy fails at the point of execution. The board signs off on a commitment, the operating model does not change, and what people actually do at the frontline drifts back to whatever it was before. For luxury and consumer brands, where trust is the asset, the gap between board intent and frontline reality is where commercial value and reputational credibility are both lost.