Inclusive Leadership speakers

Why organisations work with Bonnie Greer She has sat on both sides of the table that boards rarely bridge: working artist and critic, and Deputy Chairman of the British Museum. That shapes how she reads institutional risk. Her five years as Chancellor of Kingston University give her a direct view of how younger cohorts now test the legitimacy of large institutions. As a Fellow of the Royal Society of Literature and the author of a Langston Hughes biography, she brings a historical reading of race, class and representation that resists slogan-level answers. Her BBC Question Time and Newsnight Review record means she is practised at holding a position under pressure in front of a sceptical audience, which is what most boardrooms now need to rehearse. Biography highlights OBE for services to the Arts, 2010 Birthday Honours. Fellow of the Royal Society of Literature, elected July 2022. Deputy Chairman, Board of Trustees, the British Museum, from 2009; Trustee from 2005. Chancellor, Kingston University, from 2013. Author of Langston Hughes: The Value of Contradiction (2011) and the memoir A Parallel Life (2014). Regular BBC Question Time panellist and contributor to BBC Newsnight Review. Biography Culture is no longer a soft topic on the board agenda. It is where reputational risk, workforce expectation and public trust now meet, and it is the area where leadership teams most often find they are underprepared. Bonnie Greer has spent a career at that intersection, as a working playwright and critic and as a senior governor of two of the UK’s most scrutinised public institutions. She was appointed to the British Museum’s Board of Trustees in 2005 and served as its Deputy Chairman from 2009, through a period when museums were being forced to rethink their relationship with history, acquisition and audience. She went on to serve as Chancellor of Kingston University from 2013, which gave her a sustained view of how the next generation of graduates now read institutional legitimacy. Her authorial work sharpens the same themes. Langston Hughes: The Value of Contradiction, published in 2011, is a study of a writer who refused to resolve the contradictions of American race and class into a usable slogan. Her 2014 memoir A Parallel Life traces her own route from the South Side of Chicago to British public life. The Royal Society of Literature elected her a Fellow in 2022. She is one of the most recognised commentators on BBC Question Time and was a regular contributor to Newsnight Review, including the 2009 Question Time edition opposite Nick Griffin that became a reference point for how public institutions handle hostile argument on live television. Key speaking topics Culture, representation and institutional credibility Public discourse and the management of contested argument Governance of cultural and educational institutions Race, class and history in organisational life Storytelling as a leadership tool Creativity and freedom of expression at work Ideal for Boards and executive committees of cultural, educational and public-facing institutions CHROs and Chief People Officers working on inclusion, representation and workforce voice Communications and corporate affairs leaders preparing for contested public conversations University leadership teams and professional services partners with significant public-sector exposure Audience outcomes A sharper reading of how culture and representation now shape institutional reputation Confidence to hold a position on contested social questions without defaulting to compliance language A more historical frame for current debates on race, class and public trust A clearer sense of where governance, artistic voice and public accountability intersect

Why organisations work with Brandon Farbstein He has driven actual state legislation, not just inspired audiences. Two Virginia laws exist because of his advocacy before age 18: one on bullying prevention, one requiring empathy and emotional intelligence education in every K-12 classroom in the state. That track record separates him from motivational speakers and positions him as a systemic change agent. Disability is the most consistently overlooked dimension of most DEI programs. Farbstein gives organisations a credible, lived-experience voice in exactly that space, not as a personal narrative alone, but through a framework (Elevate Empathy®) that translates into teachable, practical tools for teams. His vantage point is generational as well as personal. As a Gen Z voice on belonging, recognised by both LinkedIn and Instagram for his advocacy reach, he speaks directly to the expectations gap between younger employees and the organisations they work for: a gap that costs organisations in engagement and trust. He advises boards and senior teams, not just audiences. Farbstein regularly consults organisations on belonging and social impact strategy for the disability community, and publicly declines engagements where inclusion is performative. His presence signals genuine organisational commitment, not a checkbox. His ADL Hero Against Hate designation and UN partnership establish credibility at the highest institutional levels, making him a defensible choice for boards and leadership teams where speaker credibility is itself under scrutiny. Biography highlights Drove two pieces of Virginia state legislation before age 18: bullying prevention and mandatory empathy and emotional intelligence education across all K-12 public schools statewide Author of Ten Feet Tall: Step Into Your Truth and Change Your Freaking World and A Kids Book About Self-Love (Penguin) Delivered TEDx RVA at age 15; talk accumulated 85,000+ views LinkedIn Top Voice for disability advocacy (2022); named to TigerBeat/Instagram’s #19Under19 (2018); youngest-ever recipient of Style Weekly’s Top 40 Under 40 Anti-Defamation League Hero Against Hate award recipient Founding partner of Daniel Lubetzky’s Builders Movement; board member, Digital4Good Speaker for Meta, HP, Marriott, LVMH, and the Million Dollar Round Table; partnered with UNICEF and the United Nations on campaigns to end school violence Biography Brandon Farbstein gave his first TEDx talk at 15. By 18, he had driven two pieces of legislation through the Virginia state legislature; one on bullying prevention, the other mandating empathy and emotional intelligence education in every K-12 classroom in the state. That trajectory sets the frame for everything he brings to organisations. Farbstein was born with metatropic dysplasia, a rare form of dwarfism, and spent his high school years navigating severe cyberbullying that eventually drove him off campus. Rather than absorb that experience privately, he built a response: a registered framework, Elevate Empathy®, and a body of work spanning two books, hundreds of corporate stages, and legislative testimony. His book Ten Feet Tall and A Kids Book About Self-Love (Penguin) put the framework into accessible form for audiences ranging from Fortune 100 employees to elementary school students. Farbstein’s value for organisations sits where two problems intersect: DEI programs that systematically underweight disability, and employees with disabilities who know it. He advises boards and senior teams on belonging and social impact strategy, with a specific focus on the disability community: the largest minority group in the world. His credibility in that space is built on more than personal story: it includes legislative impact, a LinkedIn Top Voice designation for disability advocacy, and the Anti-Defamation League’s Hero Against Hate award. He has spoken for Meta, HP, Marriott, LVMH, and at the Million Dollar Round Table, and has partnered with UNICEF and the United Nations on campaigns addressing school violence. As a founding partner of Daniel Lubetzky’s Builders Movement and a board member of Digital4Good, his work operates across corporate, civic, and educational contexts – making him a distinctive voice on how empathy functions not just as a personal quality, but as an organisational practice. Key speaking topics Disability inclusion and belonging Empathy as organisational practice Diversity, equity, and inclusion strategy Resilience and mindset Social-emotional learning and anti-bullying advocacy Gen Z perspectives on workplace culture Purpose-driven leadership and social impact Ideal for Chief Diversity, Equity and Inclusion Officers and People & Culture leads with disability inclusion gaps in their DEI programs CHROs and senior HR leadership teams working on belonging, employee experience, and psychological safety Senior leadership teams and boards evaluating the credibility and reach of their DEI commitments Education sector leaders, student-facing organisations, and youth advocacy platforms addressing bullying, empathy, and social-emotional learning Audience outcomes A clear understanding of why disability inclusion is the most consistently underaddressed dimension of DEI – and what the cost of that gap looks like in employee experience and retention Practical tools from the Elevate Empathy® framework for building environments where all employees feel genuinely seen and heard A reframe of lived adversity as a source of leadership strength and authentic influence, rather than a liability to manage Increased capacity to distinguish genuine inclusion from performative inclusion – and the organisational will to act on that distinction Exposure to the specific legislative, cultural, and institutional levers that have moved the dial on disability inclusion at a systemic level

Why organisations work with Britteny Floyd-Mayo She built a recognised consumer wellness brand, Trap Yoga Bae®, that reaches audiences who feel ostracised by standard wellness content. That gives her credibility with employees who tune out the corporate version. Her work sits at the intersection of wellbeing and inclusion, two budgets that increasingly need to be defended together. She speaks to both without separating them. She delivers in formats most wellness speakers cannot: a 45-minute movement and music-led experience as comfortably as a keynote or workshop. That makes her useful for offsites, conferences, and ERG events where a talk alone would not move the room. She has been programmed alongside mainstream consumer brands (Lululemon, Eventbrite, Essence Festival), which signals she can hold a corporate stage without softening the cultural specificity that makes the work distinctive. Biography highlights Founder of Trap Yoga Bae®, a trademarked inclusive wellness brand combining yoga, hip-hop culture, and self-care. Studied Positive Psychology and Social Behavioral Studies at Dillard University and Holy Names University. Certified in Vinyasa yoga in India. Named in Forbes among the top 8 Black Wellness experts to watch. Featured in Issa Rae’s HBO Max series Sweet Life. Speaker and featured artist for Lululemon, Eventbrite, Brit + Co, Black Girls Code, Black Joy Parade, and the 25th Annual Essence Festival. Biography Most corporate wellness and inclusion programming is built for a default employee. The people it most needs to reach, those who already feel like outsiders in the room, are the ones who quietly opt out. Britteny Floyd-Mayo built her brand inside that gap. Trap Yoga Bae® started as a response to feeling unwelcome in standard yoga studios. It grew into a trademarked wellness movement that pairs yoga and meditation with hip-hop, cultural specificity, and direct language. The work is taken seriously enough that Forbes has named her among the top Black wellness experts to watch, and that Issa Rae cast her in the HBO Max series Sweet Life. The educational backbone is real. She studied Positive Psychology and Social Behavioral Studies at Dillard University and Holy Names University, and trained for Vinyasa certification in India. That foundation is why the talks travel beyond the yoga mat into burnout, boundary-setting, and the working conditions that shape mental health for women and employees of colour. For organisations, the practical question she answers is uncomfortable but useful. Why are the people your wellbeing and inclusion programmes were designed for the ones most likely to disengage from them, and what does a version look like that they would actually choose? She has built a partnership list (Lululemon, Eventbrite, Black Girls Code, Essence Festival) that suggests the answer travels. Key speaking topics Inclusive wellbeing and self-care Burnout prevention for women founders and leaders Boundary-setting at work Mental health and resilience Cultural relevance in DEI and wellness programming Entrepreneurship and personal brand-building Employee Resource Group (ERG) keynotes and experiences Ideal for Heads of DEI, ERG leads, and culture teams running inclusion or wellbeing programming for Black employees and other under-served groups. CHROs and benefits leaders looking to refresh wellbeing offerings that have stopped landing. Women’s leadership networks and founder communities focused on burnout and boundary-setting. Conference and offsite programmers needing an experiential keynote rather than a panel discussion. Audience outcomes Practical language for setting boundaries without apology, drawn from her No Is A Full Sentence framework. A different reference point for what inclusive wellbeing looks like in practice, not in policy. Specific tools from the From Pain to Paradise method for processing setback and burnout. An experience employees describe afterwards as theirs, not the company’s, which is the test most wellbeing programmes fail.

Why organisations work with Candice Brathwaite Two Sunday Times bestsellers built on different theses. I Am Not Your Baby Mother (2020) reshaped national conversations on Black British motherhood. Manifest(o) (2024) became an instant bestseller on intention and self-belief, and took her on a sold-out international tour across the UK, US and Canada. Lived authority on inclusion and representation in a moment when most DEI speakers have either lost the room or become politically performative. Her debut was the first book by a Black British woman about Black British motherhood to enter the British Library. A speaker who can hold uncomfortable conversations and keep audiences listening. Liberty London described her keynote as “the best we have ever put on in 150 years of the store.” Cross-sector keynote track record across financial services, professional services, retail and tech: NatWest, Barclays, Clifford Chance, Linklaters, Ralph Lauren, Sainsbury’s, Deliveroo, Liberty London and the Cambridge Union. The timing and craft of a working broadcaster, drawn from regular appearances on ITV’s Lorraine and Steph’s Packed Lunch, her role as Contributing Editor at Grazia, and writing across the Guardian, Harper’s Bazaar and Stylist. Biography highlights Two-time Sunday Times bestselling author: I Am Not Your Baby Mother (Quercus, 2020) and Manifest(o) (Quercus, 2024) First book by a Black British woman about Black British motherhood to enter the British Library Founder of Make Motherhood Diverse, the campaign challenging stereotyped representations of parenthood in British media Contributing Editor at Grazia and regular UK television presenter on ITV’s Lorraine and Steph’s Packed Lunch Host of Conversations with Candice (Acast, 2026), following the multi-million-download Closet Confessions Keynote clients include NatWest, Barclays, Clifford Chance, Linklaters, Ralph Lauren, Sainsbury’s, Deliveroo, Liberty London, the Royal College of Midwives and the Cambridge Union Biography Most corporate conversations about inclusion have stopped landing. The language is familiar, the speakers cautious, and the audiences switched off. The substance still matters; the form has stopped working. In 2016 a blog post asked where the Black mothers were in British parenting media, and started building an answer. The blog became Make Motherhood Diverse. The platform became a book. I Am Not Your Baby Mother (2020) was a Sunday Times bestseller and the first book written by a Black British woman about Black British motherhood to enter the British Library. A second Sunday Times bestseller followed in Manifest(o) (2024), with a sold-out international tour across the UK, US and Canada. Alongside the books came regular presenting work on ITV’s Lorraine and Steph’s Packed Lunch, a Contributing Editor role at Grazia, and two podcasts. The corporate keynote diary expanded with it: NatWest, Barclays, Clifford Chance, Linklaters, Ralph Lauren, Sainsbury’s, Deliveroo, Liberty London and the Cambridge Union. Buyers tend to book her for the same reason. Inclusion, ambition and the lived reality of working parents are subjects where most speakers either over-perform or under-deliver. Liberty London described her keynote as “the best we have ever put on in 150 years of the store.” That is the response organisations come back for. Key speaking topics Diversity, equity and inclusion Personal brand building and visibility Modern motherhood and the working parent Motivation and self-belief Manifestation and intentional living Storytelling and cultural commentary Ideal for CHROs, CPOs and DEI leads designing inclusion programming that audiences will actually engage with rather than tolerate Internal communications, ERG sponsors and culture teams running events on representation, belonging and the experience of working parents Leadership development and event teams looking for a closing keynote that drives genuine post-event conversation Brand, marketing and creative leadership teams thinking about voice, visibility and cultural authenticity Audience outcomes A direct, honest perspective on inclusion that audiences will repeat back to their colleagues A sharper sense of what genuine representation looks like in the everyday operation of a business, beyond statements and campaigns Language and permission to talk about visibility, ambition and working parenthood as serious organisational concerns The energy and confidence to act on something they have been postponing in their own careers

Why organisations work with Candice Matthews Brackeen She invests her own fund’s capital into the same founder profile most institutions struggle to reach, which makes her perspective on deal flow operational rather than advocacy-led. She built and now owns Black Tech Week, the largest US convening of Black founders, investors and corporate partners, giving her direct visibility on which company-building patterns are working at scale. She testified before the US House Financial Services Committee in 2025 on expanding capital access beyond Silicon Valley, a credibility marker few speakers on this topic hold. She translates between corporate procurement, venture capital and underrepresented founder communities, the three groups that rarely sit in the same conversation despite all needing each other. Wall Street Journal named her one of the Top 10 Women in Venture Capital in 2020, a recognition that signals investor peers, not bureau marketing, rate her work. Biography highlights General Partner, Lightship Capital, a Cincinnati venture fund backing underrepresented founders in CPG, e-commerce, sustainability, AI and healthcare. Founder and CEO, Lightship Foundation, whose accelerator alumni have raised more than $100M in follow-on funding. Co-founder, Hillman Accelerator, the first Midwest accelerator dedicated to underrepresented tech founders. Witness before the US House Financial Services Committee, March 2025, on access to capital beyond Silicon Valley. Named to the Wall Street Journal’s Top 10 Women in Venture Capital, 2020. Member of NASA’s Lunar Surface Innovation Consortium; advisory roles with the Cincinnati Innovation District and Endeavor Northwest Arkansas. Contributing author at TechCrunch. Biography Less than one percent of US venture capital goes to Black-led companies. That number has been broadly stable for years, despite every major institutional commitment to change it. The interesting question for senior leaders is no longer whether the gap exists. It is what mechanism actually closes it. Lightship Capital is one of the small number of funds built specifically to answer that question with capital rather than commentary. As General Partner, Candice Matthews Brackeen invests in early-stage companies across consumer packaged goods, e-commerce, sustainability, artificial intelligence and healthcare, with a focus on founders outside coastal networks. She also founded Lightship Foundation, whose accelerator programmes have helped portfolio companies secure more than $100M in follow-on funding. Before Lightship she co-founded Hillman Accelerator in 2016, the first Midwest programme dedicated to underrepresented tech founders, and Hello Parent, a school-safety app that became a national partner of the Brady Campaign. She has since acquired Black Tech Week and moved it to Cincinnati, anchoring it next to Fortune 500 corporate partners including Kroger and Procter and Gamble. Her authority on this subject is institutional, not rhetorical. The Wall Street Journal named her one of the Top 10 Women in Venture Capital in 2020. In March 2025 she testified before the US House Financial Services Committee on expanding capital access beyond Silicon Valley. She also serves on NASA’s Lunar Surface Innovation Consortium and writes for TechCrunch on venture and entrepreneurship. Key speaking topics Venture capital outside Silicon Valley Building inclusive innovation ecosystems Access to capital for underrepresented founders Corporate partnerships with early-stage companies Entrepreneurship and scale-up leadership Public policy and capital markets Diversity, equity and inclusion in technology Ideal for Chief investment officers, corporate venture leads and innovation heads designing pipelines into underrepresented founder markets Procurement and supplier diversity leaders building substantive routes to minority-led suppliers Boards and CEOs of large corporates with stated commitments on capital, supplier or workforce inclusion Public sector and economic development leaders working on regional innovation strategy Audience outcomes A clearer picture of where credible deal flow from underrepresented founders actually sits and how to access it. A working view of what corporate partnerships with founder communities look like when they generate revenue, not just press. Specific language for boards on why capital access is an economic question, not only an inclusion one. Direct exposure to a working venture model that has produced documented follow-on funding outcomes.

Why organisations work with Caroline Criado-Perez She built the public evidence base on the gender data gap. Invisible Women sits on the desks of regulators, engineers, and policy teams in more than thirty languages and is the default reference when the question is raised. She has won both the Royal Society Science Book Prize and the FT and McKinsey Business Book of the Year for the same work, a combination almost no other author can claim, and one that signals her rigour to both technical and commercial audiences. She translates the gender data problem into concrete operating examples: car crash test dummies, medical dosing, voice recognition, AI training data, urban infrastructure, workplace tools. Audiences leave with examples they recognise from their own organisation. She has actually changed policy. The Jane Austen banknote and the Millicent Fawcett statue are her campaigns; the credibility she brings to a corporate room is built on shifting state institutions, not commentary. Biography highlights Author, Invisible Women: Exposing Data Bias in a World Designed for Men, winner of the 2019 Royal Society Science Book Prize and the 2019 FT and McKinsey Business Book of the Year. OBE for services to equality and diversity, 2015. Author, Do It Like a Woman, profiling pioneering women globally. Founder of the campaigns that put Jane Austen on the Bank of England £10 note and Millicent Fawcett’s statue in Parliament Square. Liberty Human Rights Campaigner of the Year, 2013; Finland’s HÄN Honour, 2020; winner of the inaugural Unwin Award, 2025. Honorary doctorates from the University of Lincoln, the University of Westminster, and The Open University. Host of the Visible Women podcast with Tortoise Media; writes the Invisible Women Substack newsletter. Biography The crash test dummy used to certify most cars on the road is modelled on the body of an average male. Medical drug trials, voice recognition systems, office temperatures, and stab vests share a similar history. Invisible Women assembled this evidence into a single argument and made it impossible to ignore. Caroline Criado-Perez wrote the book that did this. It won the Royal Society Science Book Prize and the FT and McKinsey Business Book of the Year in the same year, a dual recognition that signals scientific rigour and commercial relevance at once. It has been translated into more than thirty languages and is used by policymakers, engineers, and product teams looking for a defensible account of where their data is incomplete. Her credibility with corporate audiences comes from changing institutions, not commenting on them. She ran the campaign that placed Jane Austen on the Bank of England £10 note. She campaigned for the Millicent Fawcett statue in Parliament Square, the first statue of a woman to stand there. An OBE, a Liberty Human Rights Campaigner of the Year award, and the inaugural Unwin Award are the public record of work that altered what the state chose to put in front of its citizens. Her current focus is on the operating consequences of the data gap for businesses making decisions about AI, product design, workforce policy, and customer experience. Through her Invisible Women Substack and Visible Women podcast with Tortoise Media, she continues to surface the specific cases where missing data on women becomes a material business risk. Key speaking topics The gender data gap Bias in AI training data and algorithmic systems Inclusive product and service design Workforce data and policy design Gender bias in medical and safety research Campaigning, influence, and institutional change Ideal for CHROs, chief diversity officers, and people analytics leaders auditing workforce data Heads of product, design, and data science teams in consumer-facing or safety-critical industries AI and machine learning leaders responsible for model bias and training data quality Boards and ESG committees reviewing how the organisation evidences its claims about inclusion Audience outcomes A working vocabulary for naming where the gender data gap shows up in their own products, policies, and decisions A clear view of the commercial and safety risks created by data that under-represents half the customer or workforce base Specific examples from medicine, automotive, technology, and infrastructure that translate the problem into terms their teams will recognise An understanding of how AI inherits and amplifies existing data bias, and what that means for governance A grounded sense of how institutional change actually happens, drawn from campaigns that succeeded

Why organisations work with Catherine Mayer She has reported on power at the most senior editorial level, as Europe Editor and Editor at Large of TIME, and then tried to rebuild it, by founding a national political party. Few speakers on inclusion have done both. Her book Attack of the Fifty Foot Women reframes gender equality as an economic and institutional argument, not a values statement, which makes it usable in a boardroom conversation about strategy and risk. She can talk about royal institutions, political parties and global newsrooms from the inside, which gives senior audiences a sharper read on how hierarchical organisations actually work. Her writing on ageing (Amortality) and grief (Good Grief) gives her authority on two subjects most workplaces handle badly: longer working lives and bereavement in the workforce. She is a working journalist by training, which shows in the room. Arguments are specific, sourced and willing to be challenged. Biography highlights Senior editor at TIME magazine from 2004 to 2015, serving as London Bureau Chief, Europe Editor and Editor at Large. Co-founder, with Sandi Toksvig, of the UK Women’s Equality Party in March 2015, and its President. Author of Attack of the Fifty Foot Women, Amortality, Charles: The Heart of a King and Good Grief. Winner of the Foreign Press Association «Story of the Year» award, 2010, and shortlisted for the Orwell Prize, 2011. Co-founder of the Primadonna Festival of ideas, writing and music, and advisory board member of NOON. Former President of the Foreign Press Association in London, 2003 to 2005; began her career at The Economist. Biography Gender equality inside large institutions has become a paradox. Reports, networks and policies have multiplied, yet the shape of senior power has moved far less than the paperwork suggests. Catherine Mayer has spent her career watching this pattern from two very different sides. For more than a decade at TIME magazine, she reported on presidents, prime ministers and royal courts as Europe Editor and Editor at Large, with her 2010 cover story on David Cameron’s first US visit winning the Foreign Press Association «Story of the Year» and her writing shortlisted for the Orwell Prize in 2011. Her biography Charles: The Heart of a King drew on years of access to the British royal household and generated international headlines for what it revealed about how closed institutions actually operate. In March 2015, with Sandi Toksvig, she co-founded the Women’s Equality Party and served as its President until the party was dissolved in 2024. Attack of the Fifty Foot Women grew out of that work and argues, in hard economic and political terms, that closing the gender gap is the single largest lever available to most societies. Amortality examines the other structural story reshaping workplaces: longer lives and the collapse of age-based expectations about careers. Good Grief, written with her mother Anne Mayer Bird after they were widowed within 41 days of each other at the start of the pandemic, has made her one of the more candid public voices on bereavement at work. She co-founded the Primadonna Festival in Suffolk in 2019 and sits on the advisory board of NOON. Senior teams book her when they want an argument about institutional change that has been tested against real media, real politics and real loss. Key speaking topics Gender equality as institutional and economic strategy Power, hierarchy and how closed institutions operate Media, journalism and political accountability Ageing, longevity and the multigenerational workforce Grief and bereavement in the workplace Founding and running a new political organisation Culture change inside legacy organisations Ideal for Executive teams and boards reviewing gender, inclusion and cultural change strategy CHROs and Chief People Officers looking beyond policy to institutional redesign Leadership conferences on media, politics and public trust Employee network summits and international women’s events with a senior audience Audience outcomes A sharper account of why most inclusion programmes stall, drawn from politics, media and royal institutions, not consultancy theory An economic and institutional case for gender equality that a CFO or board member can use A clearer view of how longer lives and multigenerational workforces change talent strategy Usable language for how organisations should talk to staff about grief and bereavement A journalist’s scepticism about the difference between corporate announcement and actual structural change

Why organisations work with Charlene Douglas A clinically trained therapist, not a wellbeing presenter. Diplomas in Psychodynamic Counselling and Psychosexual Studies (2018), BACP-registered, with a private practice in London behind every session she delivers. Public credibility from Channel 4’s Married at First Sight UK gives her unusual reach into employee audiences who would tune out a more traditional speaker, without diluting the substance of what she covers. Author of Come Closer (Penguin Random House / DK, 2024), a published synthesis of the communication, intimacy and self-awareness frameworks she uses with clients, available as anchor content for follow-on workshops. Talks about boundaries, communication and stress with the directness of a working therapist, which lands differently inside organisations than corporate wellbeing language usually does. Brings a Black woman entrepreneur’s lens to belonging and imposter syndrome conversations, drawn from her own practice rather than from a DEI framework deck. Biography highlights Sex and relationship therapist on Channel 4’s Married at First Sight UK since 2021. Diploma in Psychodynamic Counselling, Highgate Counselling Centre (2018). Diploma in Psychosexual Studies, Centre of Psychosexual Health (2018). Registered with the British Association for Counselling and Psychotherapy (BACP). Author of Come Closer: Everything You Ever Wanted to Ask a Sex and Relationship Therapist (Penguin Random House / DK, 2024). Founder of private practice The Intimacy Coach; broadcast and podcast credits include Good Morning Britain, Steph’s Packed Lunch, E4’s The Sex Clinic, and The Referral with Dr Karan. Biography Most workplace wellbeing programmes are built around the individual. The relationships people are inside, with managers, peers, and themselves, are where the strain actually shows. That is the territory Charlene Douglas has worked in for almost a decade as a clinically trained therapist, and it translates more directly into team performance than the wellbeing industry usually admits. Douglas qualified through the Highgate Counselling Centre in psychodynamic counselling and the Centre of Psychosexual Health in psychosexual studies, both in 2018. She is registered with the BACP and runs The Intimacy Coach, a private practice working with individuals and couples in London and online. The clinical grounding is what separates her from the broader category of relationship commentators. Channel 4 brought her onto the expert panel of Married at First Sight UK in 2021, which has given her a public platform that few therapists with comparable credentials have. She has used it to publish Come Closer with Penguin Random House in 2024, a book that captures the communication and self-awareness work she does with couples and adapts it for a general reader. For corporate audiences, she draws on the same clinical material to talk about boundaries, communication, stress, and the quiet ways relationships at work erode under pressure. Her own experience as a Black woman building a private practice and a public profile feeds directly into how she handles questions of belonging, voice, and confidence with senior audiences. Key speaking topics Communication and boundaries at work Stress, self-care and burnout prevention Resilience, wellbeing and mental health Team dynamics and psychological safety Belonging and imposter syndrome Leadership with empathy Inclusion and the lived experience of difference Ideal for HR, People and Culture leaders building wellbeing programmes that need clinical credibility Employee resource groups and women’s networks, including events centred on women of colour Internal communications and town hall events seeking a recognisable name with substantive content Leadership development cohorts working on empathy, listening and difficult conversations Audience outcomes A clearer language for what good and bad communication look like in everyday work relationships Practical boundary-setting techniques drawn from clinical practice rather than self-help Direct frameworks for managing stress and protecting personal capacity under sustained pressure A more honest conversation about belonging and confidence that does not retreat into corporate DEI vocabulary

Why organisations work with Charles Hazlewood He founded the world’s first large-scale professional ensemble of disabled and non-disabled musicians, Paraorchestra, and can speak from direct experience about building a high-performing team by designing the assumptions out, not papering over them. His TED talk “Trusting the Ensemble” has been watched by more than half a million people and is used inside leadership programmes because it demonstrates, live on stage with a string ensemble, how trust is given, withheld and rebuilt in real time. He works regularly with the Royal Concertgebouw, the Philharmonia, the London Philharmonic and the BBC Concert Orchestra, so when he talks about getting sixty independent experts to act as one organism, he is describing his day job, not a metaphor. He converts conducting into a usable language for executives: how a leader holds the room without micromanaging it, how authority sits alongside vulnerability, how a single bad cue ripples through a group for the rest of the performance. He has been recognised by Making Music with the 2023 Sir Charles Groves Prize for outstanding contribution to UK musical life and holds an honorary doctorate in Social Inclusion from Bath Spa University, which locates him credibly at the intersection of artistic excellence and inclusive leadership. Biography highlights Founder and Artistic Director of Paraorchestra, the first large-scale integrated ensemble of professional musicians with and without disabilities. Won first prize at the European Broadcasting Union Conducting Competition, Lisbon, 1995. Conducts the Royal Concertgebouw Amsterdam, the Philharmonia, the London Philharmonic, the Swedish Radio Symphony and the BBC Concert Orchestra. Delivered the TED talk “Trusting the Ensemble” in 2011, viewed more than half a million times; one of three TED and TEDx appearances. Three Sony Radio Academy Awards for BBC Radio 2 music programming; Sky Arts Ambassador for Music since 2021. Awarded the Sir Charles Groves Prize by Making Music in 2023 and an Honorary Doctorate of Social Inclusion by Bath Spa University in 2025. Biography A good orchestra looks nothing like a command hierarchy once the baton comes down. Sixty independently brilliant specialists have to act as one living thing, at speed, with no time for committee. Charles Hazlewood has spent thirty years inside that problem, and has built a second career translating what he has learned back out to people running companies. He came up through the classical mainstream. An organ scholarship to Keble College, Oxford, first prize at the European Broadcasting Union conducting competition in Lisbon in 1995, and a conducting life that now runs through the Royal Concertgebouw, the Philharmonia, the London Philharmonic and the BBC Concert Orchestra. Over 100 world premieres sit on the record. In 2011 he founded Paraorchestra with director Claire Whalley: the world’s first large-scale professional ensemble of disabled and non-disabled virtuosi. Its closing-ceremony debut at the London 2012 Paralympics, performed alongside Coldplay, reached a stated global audience of around a billion. In 2016 the ensemble became the first orchestral headliner at Glastonbury, with Philip Glass’s “Heroes” Symphony. His 2011 TED talk, “Trusting the Ensemble”, is the core of his work with organisations. He conducts a live ensemble on stage, withholds trust, restores it, and shows what each choice does to the sound. Making Music awarded him the Sir Charles Groves Prize in 2023 for outstanding contribution to UK musical life; Bath Spa University conferred an honorary doctorate in Social Inclusion in July 2025. The through-line is consistent: a room of experts does not become an ensemble by accident, and the leader’s job is to make the conditions in which it can. Key speaking topics Leadership and trust Ensemble performance Inclusive leadership and integrated teams Creativity under constraint Authenticity and vulnerability in leadership Culture change through the lens of a conductor Ideal for Executive teams and boards looking to operate as an ensemble rather than a collection of individual stars. CHROs and culture leads working on inclusive leadership, talent design, and what real integration looks like beyond policy. Leadership development programmes that want an embodied, live demonstration of trust and authority rather than a slide deck. Organisations navigating restructure or post-merger integration where the hard task is getting senior specialists to move as one. Audience outcomes A clear, tangible sense of what trust sounds like when it is present in a team, and what collapses when it is not. Language for talking about authority and vulnerability in leadership without defaulting to cliche. A reframe of inclusion grounded in a real example of professional disabled and non-disabled musicians performing at world-class level together. Specific cues for leading experts: how to hold the room without suffocating it, how to signal without scripting, how to recover from a missed entry. An unusually memorable session with a live conductor working with a live ensemble, not a talking-head keynote, that tends to be referenced back inside the business for months afterwards.

Why organisations work with Charlie Whyman A working B2B marketing operating model. The OTTER Framework gives commercial teams a five-step planning structure that ties objectives to tools, training, expectations and review, used inside her consultancy and her current managing director role. Operator credibility, not consultant theory. She runs a specialised aviation services business as managing director of TGIS Aviation, so her commercial advice lands as something already being applied at the top of a P&L. A point of view on customer curiosity as a commercial discipline. Her podcast, The Curiosity Key, and her speaker work argue that better questioning of customers is the input that most B2B marketing teams skip and most commercial strategies depend on. A direct route into the experience of women leading in male-dominated commercial sectors. She has built her career across automotive, mining, shipping and aviation, and speaks credibly to organisations trying to move that conversation past slogans. Biography highlights Managing Director, TGIS Aviation Ltd, appointed 2024 Founder, Curious B2B Marketing, 2017 Creator of the OTTER Framework, a five-step B2B marketing planning system Host, The Curiosity Key podcast Founder, Palmavera, an award-winning Sardinian olive oil business, 2006 Keynote speaker, BHBIA Annual Conference 2025 Biography Most B2B marketing functions are full of activity and short of insight. Campaigns get built before customer questions get asked. That gap is what Whyman has spent the last decade attacking, first through her consultancy Curious B2B Marketing and now through the OTTER Framework, a five-step planning structure that forces objectives, tools, training, expectations and review into one commercial conversation. She is unusual in pairing that practitioner work with an operating role. In 2024 she was appointed Managing Director of TGIS Aviation, a UK firm specialising in airworthiness management for aircraft and engine owners. The appointment came from inside the client base, after she ran the growth strategy as a consultant. It puts her on the board of a niche commercial business while she continues to teach and speak. Her career sits across sectors most marketers avoid: automotive, mining, shipping and aviation. She founded an award-winning Sardinian olive oil business in 2006, weathered redundancy twice, and built Curious B2B Marketing in 2017. She hosts The Curiosity Key podcast, where the recurring argument is that intentional curiosity about customers is the cheapest, most under-used commercial input available to B2B leaders. For organisations, the value is direct. She is a serving managing director with a structured method, a clear position on what marketing is for, and the lived experience of a woman leading in industries that do not naturally make space for her. She talks to commercial teams as one of them, and to leadership audiences as someone who has just come from the P&L. Key speaking topics B2B marketing strategy and operating systems Customer curiosity as a commercial discipline Sales and marketing alignment for commercial leaders Courage and action in career and commercial decisions Women leading in male-dominated industries Growth strategy in specialist B2B firms Ideal for CMOs, marketing directors and B2B commercial leaders CEOs and managing directors of specialist or technical SMEs Sales and marketing leadership teams under pressure to prove pipeline impact Industry conferences in engineering, manufacturing, life sciences and aviation Audience outcomes A clear test for whether a current marketing plan is built on customer insight or assumption The OTTER Framework as a working structure for B2B marketing planning A sharper position on how curiosity, questioning and customer research feed commercial strategy Practical language for talking about courage and action when career or commercial decisions stall A perspective on visibility and influence for women operating in male-dominated commercial environments

Why organisations work with Charlotte Richardson She works live on national radio and television every week, including TalkSport, BBC Final Score, Times Radio Breakfast and Charlton TV, which is the same craft that internal conferences and awards evenings need on stage. She is TalkSport’s first female commentator and the first woman to commentate for TalkSport at a Women’s World Cup, which gives a content keynote on inclusion in male-dominated industries genuine first-person material rather than a borrowed argument. She moves between formats inside a single booking: opening host, panel moderator, on-stage interviewer of a senior leader, awards announcer, after-dinner host. For organisations programming a women in sport or inclusion strand alongside an event, she can host the day and deliver the keynote, which removes a second booking and keeps tone consistent. Biography highlights TalkSport’s first female commentator, covering the men’s football pyramid, the Women’s Super League and the Women’s Championship across TalkSport and TalkSport 2. Reporter on BBC Final Score, the BBC’s prime-time Saturday afternoon football results programme. Sports analyst and contributor on Times Radio Breakfast. Co-host of In The Box, the England Football podcast produced with the FA’s grassroots football team. Pitch-side presenter and live broadcast host for Charlton Athletic’s Charlton TV at The Valley. Began her career on the operator side of the industry in sports marketing and communications before moving into broadcasting via BBC local radio. Biography Live football radio is unforgiving. The match does not pause for a missed cue, the crowd noise does not let a commentator catch a breath, and the audience can tell within thirty seconds whether the voice on air knows the game. Charlotte Richardson commentates on it weekly for TalkSport, the UK’s largest commercial sports network, and was the first woman the station put in that chair. Her broadcasting career started in BBC local radio and progressed to Final Score, the BBC’s Saturday afternoon football programme, before TalkSport. She now covers the full men’s pyramid, the Women’s Super League and the Women’s Championship across TalkSport and TalkSport 2, reports on Times Radio Breakfast, and hosts pitch-side and live coverage for Charlton Athletic’s Charlton TV. With Tom Lee she co-presents In The Box, the FA’s England Football podcast on grassroots football. That mix of live commentary, pitch-side presenting and studio analysis is the relevant credential for corporate work. Awards evenings, customer conferences and internal events run on the same skills: pace, recovery, the right question to a senior leader on stage, the ability to cover a gap in the running order without showing it. Richardson does that work in front of national audiences every week. She also has a content keynote that most hosts do not. Becoming the first woman to commentate for TalkSport at a Women’s World Cup, and on the men’s football pyramid more broadly, gives her a first-person account of inclusion in a male-dominated industry that an organisation programming a women’s network event, an International Women’s Day moment, or a sports-themed internal day can build a session around. Key speaking topics Conference and awards hosting Panel moderation and on-stage interviewing Women in sport Inclusion in male-dominated industries Sports broadcasting and live event craft Ideal for Internal women’s network events and International Women’s Day programmes Annual customer and partner conferences requiring a host and moderator Internal awards and recognition evenings Sponsor and hospitality events around football and major sporting fixtures Audience outcomes A live event that holds pace, recovers cleanly when something slips, and lands its recognition moments. Panels and senior leader interviews that produce direct answers rather than rehearsed lines. A first-person account of breaking into a male-dominated industry that an inclusion strand can be built around.

Why organisations work with Charlotte Storey She trains leaders in the craft of presence using the same technical toolkit she used on stage: voice, physicality, and mindset under observation. Most executive coaching talks about presence. Hers drills it. She has coached the Royal Marines Band through two of the most scrutinised live performances in recent British history: the funeral of Queen Elizabeth II and the coronation of King Charles III. The stakes reference is not theoretical. Her work on disability inclusion is grounded in her own route into a commercial pilot’s seat with one arm, which gives her a specific, operational view on how hiring and development systems overlook non-standard candidates. Her method is concrete and demonstrable in the room: accent work, physical embodiment, vocal control, and anxiety regulation. Audiences leave with techniques they can rehearse, not concepts they have to translate. She bridges two audiences that rarely share a speaker: performance-anxious specialists (musicians, surgeons, pilots, public-facing executives) and HR and inclusion leaders working on disability at senior levels. Biography highlights Former West End actor and professional saxophonist, now working as a performance and communication coach to senior leaders. Gained a UK pilot’s licence in 2021 and flies a light aircraft as pilot in command, having lost the use of her right arm in 2008. Coached HM Royal Marines Band through the funeral of Queen Elizabeth II and the coronation of King Charles III. Delivered a 2023 keynote at the Lockheed Martin UK Leader Conference, described by CEO Paul Livingston as the most impactful presentation seen at the annual conference. Client roster includes the BBC, Disney, Nickelodeon, the Bank of England, NatWest, the European Business Aviation Association, Warburtons, and Homebase. Lives with Ehlers-Danlos Hypermobility Syndrome and speaks from direct experience on the practical mechanics of disability in high-performance careers. Biography The Royal Marines Band rehearsed for months before the funeral of Queen Elizabeth II and the coronation of King Charles III. Charlotte Storey was the performance coach they brought in to handle the part of the job that does not show up in a music score: staying composed when the eyes of the world are on the ensemble and there is no room for a wrong note. That commission captures the work. Storey started in the West End as an actor and professional saxophonist, then moved into elite voice and acting coaching in UK conservatoires before her current career as a speaker and executive coach. Her specialism is what happens to people technically and physically when the pressure rises: voice tightens, breath shortens, attention collapses inward. She trains it out of them. The second strand of her work comes from lived experience. In 2008 she lost the use of her right arm following complications of Ehlers-Danlos Hypermobility Syndrome. In 2021, afraid of heights and working with a disability that grounds most pilots, she gained her licence and now flies as pilot in command. That route into the cockpit informs her work on disability inclusion, which she treats as an operational question about how organisations find and promote non-standard talent, not a values statement. Her keynote list runs from Lockheed Martin UK’s Leader Conference to the BBC, Disney, Nickelodeon, the Bank of England, NatWest, and the European Business Aviation Association. The through-line is the same: a practitioner teaching senior people how to perform, in the craft sense of the word, when it matters most. Key speaking topics Executive presence and the craft of performing under pressure Performance anxiety in high-stakes professional settings Non-verbal communication and vocal authority for senior leaders Disability inclusion in senior hiring and promotion Self-mastery and composure for client-facing and public-facing roles Audacious leadership and risk tolerance in technical careers Team dynamics in elite ensembles and high-performance units Ideal for CHROs, heads of leadership development, and DEI leaders working on presence, progression, and disability inclusion at senior levels. Executive teams preparing for high-stakes external appearances: investor days, regulatory hearings, media, large-scale town halls. Specialist professional communities where composure under scrutiny is part of the job: aviation, defence, surgery, financial services, broadcasting. Conferences seeking an inspirational keynote that has craft content underneath, not only a personal story. Audience outcomes A working vocabulary for what presence is made of, with specific techniques for voice, breath, and physical positioning. Practical tools for regulating performance anxiety before high-stakes appearances. A sharper view of how hiring and promotion systems filter out disabled and non-standard candidates, and what changes that. A reset on the role of rehearsal and craft in senior leadership, drawn from performing arts practice. A direct experience of the techniques in the room, delivered by a speaker trained to hold the space.