Innovation & Disruption

Why organisations work with David McCandless He built the language of modern editorial data visualisation through Information is Beautiful, the blog and three books that defined the form for a generation of journalists and designers. He co-founded the Information is Beautiful Awards in 2012 with Kantar’s Aziz Cami, the global benchmark prize for data visualisation, giving him a panoramic view of what works across thousands of submissions. His work has been published by The Guardian, Wired, and Die Zeit and exhibited at MoMA, Tate Britain, and the Wellcome Trust gallery, evidence that the craft holds up to both editorial and curatorial scrutiny. His TEDGlobal 2010 talk, “The beauty of data visualization”, remains one of the most-watched introductions to the field and shapes how senior audiences think about visual storytelling. Biography highlights Author of Information is Beautiful (2009), Knowledge is Beautiful (2014), and Beautiful News (2023), published by HarperCollins. Founder of the Information is Beautiful blog and co-founder of the Kantar Information is Beautiful Awards (2012). TEDGlobal 2010 speaker: “The beauty of data visualization”. Information design featured in The Guardian, Wired, and Die Zeit. Work exhibited at the Museum of Modern Art (New York), Tate Britain, and the Wellcome Trust gallery (London). Began his career as a journalist writing for The Guardian and Wired before building Information is Beautiful into a publishing platform. Biography The hardest problem in modern communication is not gathering data. It is making the data mean something to a reader who has eight seconds and a phone. That is the territory David McCandless has worked for nearly two decades, first as a journalist at The Guardian and Wired, then as the founder of Information is Beautiful. The blog became a publishing programme. Information is Beautiful (2009), Knowledge is Beautiful (2014), and Beautiful News (2023) collect more than 1,500 graphics that take subjects ranging from drug deaths to global wealth and turn them into images a non-specialist can read. The craft sits in the choices: what to compare, what to leave out, what visual metaphor lets a number argue with itself. In 2012 he co-founded what became the Kantar Information is Beautiful Awards with Aziz Cami, then Creative Director at Kantar. Through that platform McCandless has spent more than a decade looking at the best data visualisation work in the world, which gives him an unusually wide reference set when advising teams on what separates a chart that lands from one that does not. His work has been exhibited at the Museum of Modern Art, Tate Britain, and the Wellcome Trust gallery, and his TEDGlobal 2010 talk on the beauty of data visualisation introduced the field to a mainstream audience. For organisations sitting on data they cannot translate into action, he offers the rarer skill: editorial judgement on what is worth showing, and how. Key speaking topics Data visualisation Information design Data storytelling Data journalism Visual communication Creativity and pattern recognition Infographics in business communication Ideal for CMOs, brand and marketing leaders rethinking how data shapes customer narratives Communications, internal comms, and corporate affairs leads briefing senior audiences Heads of data, analytics, and insight whose dashboards are not changing decisions Innovation and design leaders building visual literacy across the organisation Audience outcomes A working vocabulary for what makes a data visualisation land with a non-specialist audience Sharper editorial judgement on which numbers in a dataset are worth showing and which are noise Concrete examples from across journalism, design, and the IIB Awards archive of what good looks like A clearer view of how to brief designers, agencies, and internal teams on data-led communication

Why organisations work with Deborah Nas Her book Design Things That Make Sense sets out a codified methodology: 24 strategies to strengthen what technology offers users and 13 to reduce the resistance that causes adoption to fail. It gives innovation teams a structured diagnostic rather than a set of principles to interpret on their own. She founded the Centre for Quantum and Society at QuantumDelta NL – making her one of very few people who can address quantum technology’s ethical, legal, and organisational implications in terms senior teams can act on before the technology reaches commercial scale. Her position leading multidisciplinary research teams at TU Delft – on mobility futures, quantum societal readiness, and energy transition – means her perspective is shaped by live scientific frontier work, not commentary on published trends. She is on the investment committee of InnovationQuarter Capital, a €143 million deep tech fund, and on the supervisory board of Hardt Hyperloop – direct sight lines into where deep tech investment is moving, not just where it currently stands. Her starting point is the psychology of technology resistance – the reason most implementation initiatives stall – which is the question most organisations have not structured an answer to and the one that most directly explains expensive innovation failures. Biography highlights Professor of Strategic Design for Technology-based Innovation, Faculty of Industrial Design Engineering, TU Delft Initiative Lead and founder, Centre for Quantum and Society, QuantumDelta NL Author, Design Things That Make Sense (BIS Publishers) – a practitioner framework of 37 named design strategies for technology-based product innovation Visiting professor, Politecnico di Milano Investment committee member, InnovationQuarter Capital (€143 million deep tech fund); supervisory board member, Hardt Hyperloop MSc Industrial Design Engineering with honours, TU Delft; 16 years co-founding and running a strategic innovation agency Biography Technology that works and technology that people will actually use are two different achievements. Deborah Nas, Professor of Strategic Design for Technology-based Innovation at TU Delft’s Faculty of Industrial Design Engineering, has spent 25 years studying the gap between them. She began at Philips and KPN, then spent 16 years co-founding and running a strategic innovation agency before anchoring her work in research and teaching at TU Delft. Her core contribution is a codified methodology: 24 design strategies to strengthen what a technology product offers and 13 to reduce the user resistance that causes adoption to fail. Published in Design Things That Make Sense (BIS Publishers), the framework draws on consumer psychology and is structured for direct use by product teams and innovation managers. She also teaches it as a visiting professor at Politecnico di Milano. She has extended this work into the next generation of technology adoption challenges. As founder and Innovation Lead of the Centre for Quantum and Society at QuantumDelta NL, she is developing the ethical, legal, and societal frameworks organisations will need before quantum technology reaches commercial scale. She is also on the supervisory board of Hardt Hyperloop and on the investment committee of InnovationQuarter Capital, a €143 million deep tech fund. Organisations that work with her are not typically looking for enthusiasm about what emerging technology can do. They want a structured answer to why technology investments fail at the point of adoption – and a methodology that gives their teams a way to act on it. Key speaking topics Technology adoption and consumer resistance Human-centred design for technology-based innovation AI strategy and organisational readiness Quantum technology and societal implications Deep tech ecosystem and investment landscape Future of work and intelligent systems Innovation strategy for established organisations Ideal for Chief Innovation Officers, R&D leads, and product strategy teams working with emerging technologies Boards and senior leadership teams making investment decisions on AI, quantum, or deep tech Corporate innovation functions examining why technology projects stall or fail at adoption Government and public sector bodies engaging with the organisational and societal implications of advanced technologies Audience outcomes A clear framework for understanding why technology-based products fail at adoption – and what design decisions change that outcome Working familiarity with the Tech Design Strategies methodology: 24 strategies to strengthen product benefits and 13 to reduce user resistance Practical orientation to how AI and quantum technologies will affect their specific industry or sector Ability to separate technological capability from technology adoption as distinct strategic problems requiring different organisational responses Insight into how organisations and investors at the deep tech frontier are currently making decisions about technology bets

Why organisations work with Brett King He built one of the first mobile-only banks. Bank 4.0 is grounded in operating experience at Moven, not theory borrowed from outside the industry. He has briefed governments and regulators, including advising the Obama administration on fintech policy, and continues to advise central banks and regulators on technology transformation. Two of his books, Augmented and Bank 4.0, became sustained international bestsellers, with Bank 4.0 recognised as Top Book by a Foreign Author in Russia in 2019 under a PwC-audited process. Breaking Banks and The Futurists give him a continuous, current read on what fintech operators, regulators and technologists are actually doing, week by week, in more than 180 countries. His thesis stretches beyond banking. The Rise of Technosocialism, co-authored with Richard Petty, sets out four scenarios for an economy reshaped by AI, automation, inequality and climate, which makes him a useful voice for boards thinking beyond their own sector. Biography highlights Founder of Moven, an early mobile-only banking startup launched in New York in 2011. Author of Bank 4.0, Augmented: Life in the Smart Lane, Bank 2.0, Bank 3.0, Breaking Banks and The Rise of Technosocialism (with Dr. Richard Petty). Inducted into the Fintech Hall of Fame by CB Insights in 2020. Host of Breaking Banks on VoiceAmerica and co-host of The Futurists podcast. Advised the Obama administration on fintech policy; advises bank boards and regulators internationally. Keynote stages include TED, Web Summit, The Economist events, SIBOS, Singularity University, IBM World of Watson and CES. Biography Most large banks were designed around branches, products and quarterly earnings. The industry now competes with software companies, payments networks, embedded-finance providers and increasingly with AI agents that sit between customers and money. The question for boards is no longer whether to digitise. It is what kind of institution they want on the other side of the next decade. Brett King has been close to that question for fifteen years. He founded Moven in New York in 2011, one of the first mobile-only banks, and used the experience as the basis for Bank 4.0: Banking Everywhere, Never at a Bank, which mapped how value, distribution and trust move when the branch is no longer the unit of banking. The book was named Top Book by a Foreign Author in Russia in 2019, under a PwC-audited award process, and remains widely cited inside the industry. His range stretches further than banking. Augmented: Life in the Smart Lane tracked how AI, sensors, biotechnology and smart infrastructure compound into a different operating environment for business and society. The Rise of Technosocialism, co-written with Richard Petty, takes the argument forward, setting out four scenarios for a world in which automation, inequality and climate force political economies to rewire. That body of work is why central banks, regulators and global financial institutions invite him into rooms where the question is structural, not tactical. Two podcasts keep his perspective current. Breaking Banks, which he hosts on VoiceAmerica, has become a reference point for fintech operators worldwide. The Futurists, which he co-hosts, gives him a regular working dialogue with technologists and researchers across AI, space, biotech and energy. His induction into the Fintech Hall of Fame in 2020 reflects the operating record, not the podcast catalogue. Key speaking topics The future of banking and financial services Embedded finance and the platform economics of money Artificial intelligence and the automated economy Fintech, regulation and the role of central banks AI, inequality and climate as forces reshaping political economy Long-range technology foresight for boards and regulators Ideal for Bank, insurer and asset-manager boards and executive committees setting digital and AI strategy Central bankers, financial regulators and policy bodies working on payments, digital assets and AI governance Large enterprises whose business model is exposed to fintech, embedded payments or AI-driven disintermediation Conferences and summits in financial services, technology and futures-of-industry programmes Audience outcomes A sharper read on where banking, payments and customer trust are moving over the next decade. A grounded view, from an operator, of what works and what fails when incumbents try to digitise. Named scenarios for how AI, automation and climate may reshape labour markets, capital and policy. A practical agenda for board-level discussions on AI deployment, fintech partnerships and regulatory exposure.

Why organisations work with will.i.am He builds at the frontier rather than commenting on it. FYI.AI, the AI collaboration platform he founded and runs as CEO, has shipped consumer products including RAiDiO.FYI and an in-car integration with Mercedes-AMG. An operator’s understanding of how technology firms commercialise consumer experiences. He was a founding equity partner in Beats Electronics, sold to Apple for USD 3 billion, and Intel’s Director of Creative Innovation across a multi-year run on devices. A serious counter-argument to AI maximalism, grounded in artistic practice. His core thesis is that AI must be a catalyst for human imagination, not a substitute, a line that lands credibly with leadership teams under board pressure to deploy AI everywhere. Cultural reach few technology speakers command. The Black Eyed Peas have sold over 75 million records, and his keynote work has been picked up by Accenture, IBM, JPMorgan Chase, Salesforce, and the World Economic Forum. A philanthropic record that gives the AI argument substance. The i.am Angel Foundation funds STEAM education for over 12,000 students in Los Angeles, in partnership with the Smithsonian Science Education Center and FIRST Robotics. Biography highlights Founder and CEO of FYI.AI, an AI-powered creative collaboration platform launched in 2023. Founding member of the Black Eyed Peas; nine Grammy Awards, one Latin Grammy, one Emmy, one CLIO. Founding equity partner in Beats Electronics, acquired by Apple in 2014 for USD 3 billion. Director of Creative Innovation at Intel from 2011, working across consumer compute devices. Recipient of the World Economic Forum’s Crystal Award and an Honorary Fellowship from the Institution of Engineering and Technology (UK). Goodwill Ambassador for the United Nations ITU AI Skills Coalition; Professor of Practice in the GAME School at Arizona State University. Biography Most senior teams are still arguing about whether to treat AI as a tool, a colleague, or a threat. will.i.am has spent the last decade building products that force a decision. FYI.AI, the creative collaboration platform he founded and runs, treats AI as a working partner inside the production workflow rather than a feature bolted onto it. RAiDiO.FYI, its consumer-facing radio product, now ships inside Mercedes-AMG vehicles. The pattern is older than the current AI cycle. He was a founding equity partner in Beats Electronics before Apple acquired it in 2014 for USD 3 billion, and Intel’s Director of Creative Innovation from 2011 across laptops, tablets, and smartphones. In each case the contribution was the same: a working view of how consumer technology actually becomes culture, and what that means for the companies trying to ship it. The Black Eyed Peas, which he co-founded, have sold more than 75 million records and won nine Grammys. That cultural reach gives the AI argument a different kind of credibility with boards. He has been recognised with the World Economic Forum’s Crystal Award and an Honorary Fellowship from the Institution of Engineering and Technology in the UK, and serves as a UN ITU Goodwill Ambassador for the AI Skills Coalition. His argument to leadership teams is direct. AI should accelerate human imagination, not replace it, and the organisations that get this wrong will spend the next decade producing work nobody wants to consume. He grounds the point through the i.am Angel Foundation, which funds STEAM education for over 12,000 students in Los Angeles, including a Smithsonian Science Education Center partnership and a FIRST Robotics programme run with founder Dean Kamen. Key speaking topics Artificial intelligence and creativity AI in consumer products and brand The future of music and media in an AI economy Technology, education, and access Innovation at the intersection of culture and engineering Building consumer technology platforms Ideal for Boards and CEOs setting the corporate position on generative AI Chief marketing and brand officers reframing creative production around AI Innovation and R&D leads exploring AI applications in consumer products Conference programmes that need a credible artist-technologist voice on AI Audience outcomes A sharper view of where AI multiplies human creative work and where it erodes it Working examples of AI inside shipped consumer products, from a founder who built them An understanding of how to commercialise technology through culture, not in spite of it A reframing of the AI conversation away from compliance fear and towards creative leverage

Why organisations work with Taryn Southern She produced the first solo-artist pop album composed with AI in 2018, when most organisations were still asking whether generative tools could ship anything usable. The lessons on creative workflow integration are now several years ahead of most enterprise practice. She runs storytelling and external communications at Blackrock Neurotech, an implantable BCI company, which gives her a working view of the next technology layer beyond generative AI. Her documentary work, including «I AM HUMAN» at the 2019 Tribeca Film Festival, gives her a rare ability to translate frontier neurotechnology into language a non-technical board can use. She has keynoted SXSW, Web Summit, the World AI Summit, and NY Times Future of Work, and has been booked by Google, Salesforce, Deloitte, and Gartner. Senior tech audiences treat her as a peer, not a populariser. Biography highlights Chief Storytelling Officer at Blackrock Neurotech since 2021, leading story strategy for funding rounds totalling over $230M led by Thiel Capital, Apeiron, and Tether Released «I AM AI» in 2018, the first solo-artist pop album composed and produced with AI tools including Amper, IBM Watson Beat, Google Magenta, and AIVA Directed and produced «I AM HUMAN,» premiered at the 2019 Tribeca Film Festival; subsequent awards include Best Director at Oslo Film Fest Three-time Streamy Awards nominee; 2018 Geena Davis Award recipient for innovative female filmmaking Keynote speaker at SXSW, Web Summit, World AI Summit, Google’s AI Summit, VidCon, The Next Web, NY Times Future of Work Featured in Vanity Fair, Billboard, Fast Company, Wired, Forbes, Psychology Today, and Harvard Business Review Biography The first solo-artist pop album composed with AI was released in September 2018, before most enterprises had finished their first ChatGPT briefing note. «I AM AI» used Amper, IBM Watson Beat, Google Magenta, and AIVA, with the lead single «Break Free» reaching the Top 100 radio charts. The interest, for a serious audience, is not the novelty. It is what the project showed about how a working creative integrates these tools into a production workflow that ships. That production credibility is the spine of the work Taryn Southern now does with senior teams. She has produced more than 1,500 videos across more than a decade of digital media, advised early product teams at YouTube, Google VR, and Snapchat, and directed an award-winning Google VR series. The vantage point is unusual: she has built original commercial product with generative tools at every stage of their maturity. Since 2021 she has been Chief Storytelling Officer at Blackrock Neurotech, the implantable brain-computer interface company. She launched what the company describes as the world’s first BCI museum, oversaw a corporate rebrand and the formation of a BCI Ethics Advisory board, and led communications strategy for funding rounds totalling over $230M, with investors including Thiel Capital, Apeiron, and Tether. The role gives her a working view of the technology layer that arrives after generative AI, and the regulatory and ethical questions a board will be asked to take a position on within the next decade. Her directorial debut, «I AM HUMAN,» premiered at the 2019 Tribeca Film Festival and followed three of the first patients to receive implantable brain-computer interfaces. The film is the practical bridge in her work with corporate audiences: it shows what the next frontier of human-machine technology looks like in a hospital, in a home, and in the conversations a serious organisation will need to have about it well before the technology becomes commonplace. Key speaking topics Generative AI in creative production AI-augmented workflows and creative practice Brain-computer interfaces and human-machine integration Frontier neurotechnology and ethics Storytelling for emerging technology companies The future of human and artificial intelligence Ideal for Boards and leadership teams setting AI strategy beyond initial pilots Chief Marketing Officers, Chief Communications Officers, and creative leadership integrating generative tools into production Innovation, R&D, and strategy leaders tracking neurotech and the post-AI technology stack Senior leadership conferences in technology, media, healthcare, and life sciences Audience outcomes A working understanding of how generative AI tools function inside a real production workflow, drawn from a practitioner who has shipped commercial product A grounded view of brain-computer interface technology, what it currently does, where it is going, and the questions boards will face A sharper sense of which categories of creative and knowledge work are most exposed to generative AI, and which remain durably human An informed perspective on the ethical and governance terrain emerging at the intersection of AI and neurotechnology

Why organisations work with Morten Toft Two decades of repeat innovation facilitation work for Grundfos, Danfoss and other large Danish manufacturers, which is unusual longevity for a process consultant. Author of Innovationsrecepten (The Innovation Recipe), Jyllands-Postens Forlag, a text used as a teaching reference on Danish innovation and entrepreneurship programmes, giving his methodology a documented, teachable form. Operating background as sales and marketing director at Photo Experten across 146 stores, so the co-creation work is grounded in line-management experience, not pure consultancy. Initiator of Danske Hospitalsklovne and the MAD House Denmark Innovation Centre, which gives him a track record of building functioning organisations from a standing start, not only advising existing ones. Sessions are designed for engagement and recall, with humour and physical staging used deliberately to lock in concepts that pure presentation tends to lose. Biography highlights Author of Innovationsrecepten (The Innovation Recipe), Jyllands-Postens Forlag, 2007, with Ole Vestergaard Poulsen, used as a teaching text on Danish innovation and entrepreneurship programmes. Author of To Be Perfectly Honest (Aschehoug, 2001) on authentic leadership, and Changemakers (2020, with Rachel Rouncefield). Co-developer with Rachel Rouncefield (De Montfort University) of the Changemakers youth empowerment programme, building on the Butterfly Project in Peterborough. Long-running innovation facilitator for Grundfos and Danfoss. Initiator of Danske Hospitalsklovne (Danish Hospital Clowns), founded after working with Patch Adams at the Gesundheit Institute in West Virginia. Co-initiator of the MAD House Denmark Innovation Centre in Middelfart. Former sales and marketing director at Photo Experten across 146 Danish stores; earlier consultant at GREY. Biography Innovation in large industrial businesses tends to fail in a specific way. Ideas accumulate in the central team. Adoption stalls at the operating units. The work that reaches customers is a thin version of what was originally proposed. Morten Toft has spent over twenty years working inside that gap, mainly with Danish manufacturing groups including Grundfos and Danfoss, designing co-creation processes that bring stakeholders into the work early enough to own it. His methodology is documented in Innovationsrecepten (The Innovation Recipe), co-authored with Ole Vestergaard Poulsen and published by Politikens Forlag. The book is used as required reading on Danish innovation and entrepreneurship programmes, which gives his approach a teachable structure rather than the personality dependence common to facilitator-consultants. The work draws on a line operating background. Before consultancy, Toft was sales and marketing director at Photo Experten, with responsibility across 146 retail stores in Denmark. That experience, alongside earlier work at GREY, shapes a facilitation style oriented to commercial outcomes and to the practical question of who actually executes the change. He is also the initiator of Danske Hospitalsklovne, founded after a period with Patch Adams at the Gesundheit Institute in West Virginia, and a co-initiator of the MAD House Denmark Innovation Centre. Alongside the innovation work, Toft has written on authentic leadership and personal development, including a forthcoming memoir, Journey Out to Find Home (Danish edition August 2026, English edition planned). He also runs Changemakers, a youth empowerment programme co-developed with Rachel Rouncefield of De Montfort University and grounded in the Butterfly Project in Peterborough, which involved several thousand young people over eight years. The connecting argument across his output is straightforward: organisations get more from their people, and societies more from their young people, when those involved feel they built the answer themselves. Key speaking topics Co-creation and stakeholder-led innovation Innovation process design in industrial organisations Authentic leadership Personal development and purpose at work Building healthy organisational cultures Youth empowerment and the changemaker concept Ideal for Innovation, R&D and product directors in industrial and manufacturing businesses HR and learning leaders running leadership development programmes C-suite and senior teams setting direction for cultural change Founders and entrepreneurial leaders running participation-led organisations Audience outcomes A working model for designing innovation processes that build adoption alongside ideas. Specific tools for involving operating-unit stakeholders before, not after, decisions are made. A clearer view of the link between authentic leadership behaviour and commercial culture. Practical examples drawn from long-running work with Grundfos, Danfoss and Danish retail.

Why organisations work with Tom Cheesewright The Intersections methodology maps incoming macro trends against the specific stress points inside an organisation or sector; producing prioritised decision-points with the analysis behind them, not a generic forecast that leadership teams have to interpret themselves. The framework is teachable and licensable. Organisations leave with a repeatable process they can run internally, not a dependency on a single advisor. His published credentials – Future-Proof Your Business (Penguin; FT business book of the month) and High Frequency Change (Business Book Awards shortlist, 2020) – mean audiences arrive already oriented to his thinking. He does not need to spend the first third of a session building the intellectual case. A decade-plus of broadcast experience across BBC, Channel 4, and national press makes him unusually effective at translating complex AI and technology change for non-technical board audiences without losing analytical precision. Named clients across sectors – Google, Barclays, NASA, HMRC, BMW, Virgin Media, Visa – give procurement teams confidence in sector-agnostic credibility. This is not a speaker whose framework only works in one industry. Biography highlights Creator of the Intersections foresight methodology, now licensed and delivered to third-party organisations Author of High Frequency Change (LID Publishing, 2019) shortlisted, Business Book Awards 2020, ‘Leadership for the Future’ category Author of Future-Proof Your Business (Penguin Business Experts, 2020), Financial Times business book of the month Clients include Google, Barclays, NASA, HMRC, BMW, Visa, HSBC, Accenture, and Virgin Media and more than 30 Global 500 companies Regular contributor and broadcaster: BBC Breakfast, BBC Radio 4, Channel 4 Sunday Brunch, The Guardian, The Times, Evening Standard, The Daily Telegraph BEng in Mechatronics, Lancaster University; established as a full-time applied futurist in 2012 Biography Most organisations know they need to anticipate change. Very few have a structured way to do it. The annual strategic planning cycle and the technology roadmap were not designed to connect incoming macro trends to the specific decisions a leadership team faces this quarter. Tom Cheesewright built the Intersections methodology to close that gap. It maps macro trends, from AI capability shifts to demographic and regulatory change, against the existing pressures inside an organisation or sector, identifying the points where disruption will hit hardest and where meaningful opportunity sits. More than 30 Global 500 companies and government bodies, including NASA, HMRC, Google, and Barclays, have put the framework to work. His two business books establish the intellectual foundation. High Frequency Change (LID Publishing, 2019; shortlisted for the Business Book Awards 2020) sets out why organisations feel overwhelmed by the pace of change and what structural responses actually work. Future-Proof Your Business (Penguin Business Experts, 2020; Financial Times business book of the month) translates the methodology into practical tools for strategy teams. His sustained media presence – BBC Breakfast, Radio 4, Channel 4, The Guardian, The Times – means he is not an unknown quantity when he walks on stage. A mechatronics engineer by training, Cheesewright spent years in technology marketing and digital business before establishing himself as a futurist in 2012. That background – engineering logic, commercial experience, years of public communication about technology – is what keeps the Intersections work grounded. The output is not prediction. It is a structured process for stress-testing an organisation’s assumptions against what is actually coming. Key speaking topics AI and automation in strategic decision-making Scenario planning and applied foresight methodology Organisational agility and adaptive strategy Technology-driven disruption and competitive positioning The future of consumer behaviour and business models Change management in high-frequency environments Long-range strategic planning under uncertainty Ideal for Executive leadership teams and boards preparing long-range or scenario-based strategy Chief Strategy Officers and Chief Technology Officers navigating AI investment decisions Industry associations and sector bodies facing structural disruption from technology or regulation Conference audiences drawn from finance, technology, retail, government, or professional services sectors Audience outcomes A working understanding of the Intersections methodology and how to apply it to their own organisation’s planning process Clarity on which AI and technology developments are commercially significant in their sector, and which can be deprioritised A revised set of strategic questions, not just better answers to the existing ones Stronger language and frameworks for briefing boards and senior stakeholders on emerging technology risk and opportunity A clearer view of where their organisation is most exposed to macro-level disruption over the next three to five years

Why organisations work with Stephen Shapiro He treats innovation as a portfolio of small, structured bets rather than a culture programme, which is why his work lands with CFOs and operating leaders, not just innovation teams. His 25 Lenses framework, set out in Invisible Solutions, gives leadership teams a working tool for reframing the questions behind a stalled initiative, rather than another model to admire and shelve. He built and ran Accenture’s 20,000-person process and innovation practice, so the advice is grounded in operating a function at scale, not in observing one. Senior corporate audiences trust him with active programmes: 3M, P&G, Nike, Marriott, NASA, Microsoft, Capital One, and Johnson and Johnson are among the organisations that have brought him in to work on real innovation problems. The 2015 Speaker Hall of Fame induction and Senior Fellow appointment at The Conference Board signal that the speaking craft and the underlying research both meet a serious institutional bar. Biography highlights Senior Fellow, The Conference Board. 15-year career at Accenture, where he built the firm’s 20,000-person process and innovation practice. Inducted into the Speaker Hall of Fame (CPAE) by the National Speakers Association in 2015. Author of seven books, including Best Practices Are Stupid, named 800-CEO-READ’s best innovation and creativity book of the year, and Invisible Solutions, an INDIE Award winner. Industrial Engineering, Cornell University; Certified Speaking Professional (CSP) designation; six-year term on the NSA Board of Directors. Has worked with leadership teams in over 50 countries, including 3M, P&G, Marriott, Nike, NASA, Microsoft, Capital One, Honda, and Johnson and Johnson. Biography Most corporate innovation programmes fail in the same place. They generate ideas faster than the operating model can absorb them, and the executive committee eventually quietens down because the cost is visible and the return is not. The problem is rarely a shortage of creativity. It is a missing discipline for choosing which questions to spend money on. That is the problem Stephen Shapiro has spent twenty-five years working on. At Accenture he co-led the business process reengineering practice, then built the firm’s 20,000-person process and innovation practice. The shift from efficiency work to growth work shaped the argument that runs through his books: innovation is an operating capability, not a culture, and it can be managed with the same rigour as any other portfolio. His seven books trace that argument. Best Practices Are Stupid, named 800-CEO-READ’s best innovation and creativity book of the year, makes the case for small structured bets over large transformational programmes. Invisible Solutions sets out 25 Lenses for reframing the questions behind a stalled initiative. Pivotal, published in 2024, takes the same discipline into how organisations create stability while continuing to change. The recurring thesis is that better questions are cheaper and more useful than more answers. The institutional credentials reinforce the work. He is a Senior Fellow at The Conference Board, was inducted into the Speaker Hall of Fame (CPAE) in 2015, and holds the Certified Speaking Professional designation. Clients including 3M, P&G, Nike, Marriott, NASA, and Microsoft have brought him in for active innovation programmes rather than thought-leadership set pieces, which is the more useful test of where his work actually lands. Key speaking topics Innovation as a managed corporate discipline Question reframing and problem definition Portfolio approaches to innovation investment Culture and team composition for innovation Stability and adaptability in uncertain markets Growth strategy beyond best-practice benchmarking Ideal for CINOs, heads of innovation, and R&D leaders running enterprise programmes CEOs and strategy leaders trying to convert innovation activity into commercial results Transformation sponsors and operating committees rebuilding the innovation function after a stalled programme Large industrials, financial services, consumer goods, and healthcare organisations with complex internal innovation portfolios Audience outcomes A working method for reframing the strategic question behind a stalled initiative, drawn from the 25 Lenses framework A clear case for replacing large transformational bets with structured small ones, and the financial logic to defend it internally A diagnostic for which innovation activities are producing learning and which are producing motion Specific examples of how named Fortune 500 clients have restructured innovation portfolios, with the trade-offs made visible Language a senior leader can use the next morning to challenge their own innovation roadmap

Why organisations work with Shameen Prashantham Owns a defined intellectual territory, corporate-and-startup partnering, that almost no other senior strategy academic has built a 15-year body of fieldwork around. Wrote the practitioner book on the subject. Gorillas Can Dance (Wiley, 2021) sets out a tested framework of synergy, interface and exemplar drawn from work with Microsoft, SAP, Bayer, Bosch, BMW, Cisco, Ford, IBM, Intel, Unilever, Walmart and others. Brings genuinely first-hand China and emerging-market perspective to Western boards. Based at CEIBS in Shanghai, with active fieldwork across Bangalore, Lagos, Nairobi, Accra, Tel Aviv and Silicon Valley, he can discuss what Chinese firms actually do, not what Western analysts assume. Writes for the audience he speaks to. Recent contributions to Harvard Business Review, including a June 2024 piece on safe engagement with China, give a buyer confidence the keynote will land at board level rather than in academic register. As CEIBS Associate Dean (Africa) and former MBA Director, he is one of a small group of strategy academics with substantive operating insight into both China and Africa, the two markets large corporations most often handle badly. Biography highlights Professor of International Business and Strategy, China Europe International Business School (CEIBS), Shanghai. Associate Dean (Africa), CEIBS. Previously Associate Dean and MBA Director, 2020 to 2024. Author of Gorillas Can Dance: Lessons from Microsoft and Other Corporations on Partnering with Startups (Wiley, 2021). Author of Born Globals, Networks, and the Large Multinational Enterprise (Routledge). Research published in Journal of International Business Studies, Journal of Business Venturing, Journal of Management Studies, Entrepreneurship Theory and Practice, and Organization Studies. Contributor to Harvard Business Review, Financial Times and the Brightline-Thinkers50 volume Strategy@Work. Biography Microsoft, SAP, Bayer, BMW, Walmart and Unilever have all built programmes to partner with startups. Few of those programmes work as designed. The reason is rarely strategy. It is the operating asymmetry between a $200 billion balance sheet and a 30-person company, and almost no one has studied that asymmetry as carefully or for as long as the author of Gorillas Can Dance. Based at CEIBS in Shanghai, Shameen Prashantham has spent more than fifteen years inside this question. His fieldwork runs across Silicon Valley, Bangalore, Tel Aviv, Beijing, Berlin, Lagos, Nairobi and Accra. The book sets out three pillars, synergy, interface and exemplar, that distinguish corporate partnership programmes that produce real innovation from those that produce press releases. His academic credibility is straightforward. PhD from the University of Strathclyde. Research in the Journal of International Business Studies, the Journal of Business Venturing, the Journal of Management Studies, Entrepreneurship Theory and Practice, and Organization Studies. The work translates into Harvard Business Review, where his June 2024 piece on safe engagement with China ran in the print edition. What buyers tend to value most is the geography. He sits in Shanghai, runs CEIBS engagement in Africa, and has serious working knowledge of Indian and Israeli innovation ecosystems. For a Western board trying to decide whether and how to partner in or from emerging markets, that combination is rare and expensive to replicate. Key speaking topics Corporate-startup partnerships Innovation strategy in large corporations Doing business in and with China Emerging-market growth strategy Africa as a strategic market Corporate entrepreneurship Sustainable Development Goals partnerships Ideal for CEOs, chief strategy officers and chief innovation officers running corporate venturing or startup-engagement programmes. Boards reassessing China exposure or considering operating commitments in Africa or India. Heads of M&A, partnerships and corporate development designing the next phase of inorganic growth. Executive audiences inside multinationals where emerging-market strategy is on the agenda. Audience outcomes A clear test for whether an existing corporate-startup partnership programme is structurally set up to produce results. Three operating levers, synergy, interface and exemplar, to apply to live partnership decisions. A grounded read on what is actually happening inside Chinese firms and Chinese innovation, beyond Western commentary. A working frame for sequencing entry, partnership and growth decisions in emerging markets. Concrete examples drawn from named programmes at Microsoft, SAP, Bayer, Unilever, Walmart and others.

Why organisations work with Maria Santacaterina A published Wiley thesis (Adaptive Resilience) that gives boards a structured way to integrate AI and frontier technology without dismantling the human capability the enterprise still runs on. A formal AI ethics and risk role at ForHumanity, which means her view on governance is grounded in audit standards, not opinion. A humanities-and-international-relations frame that translates directly into how regulators, customers, and employees actually experience AI decisions, useful in rooms where the technology team cannot read the political weather. Recognised in Computer Weekly’s Most Influential Women in UK Tech longlist, with a profile across HBR-adjacent and AI research podcasts (MLST, Love & Philosophy) that signals credibility to technical audiences as well as commercial ones. Working language fluency in English, French, Italian, and Spanish, which matters for European boards running AI programmes across jurisdictions with diverging regulatory regimes. Biography highlights Author of Adaptive Resilience: How to Thrive in a Digital Era, Wiley, 2023. ForHumanity Fellow, Ethics and Risk, contributing to AI audit and governance standards. Founder and CEO of Santacaterina, a UK board advisory firm focused on strategic leadership and digital transformation. Named in Computer Weekly’s Most Influential Women in UK Tech longlist. Featured on Machine Learning Street Talk (MLST) and Love & Philosophy on the human-AI relationship. M.A. in International Relations, with prior study in modern languages, philosophy, and political sociology. Biography AI deployment has run ahead of AI governance. Boards have signed off on programmes whose failure modes, regulatory exposure, and human consequences they would struggle to articulate under questioning. Santacaterina’s argument starts there: technology is a means, the operating model is the constraint, and human judgement is the asset most easily eroded in the rush to automate. Her book Adaptive Resilience: How to Thrive in a Digital Era (Wiley, 2023) sets out how to integrate frontier technology into the enterprise without hollowing out the people, ethics, and oversight that make it defensible. The argument draws on her humanities training, an M.A. in International Relations, and twenty-five years advising senior leaders through digital transformation programmes. That position is reinforced institutionally. As a ForHumanity Fellow in Ethics and Risk, she works on the audit standards that AI systems are now being assessed against. As founder and CEO of Santacaterina, she advises boards on strategy, transformation, and the governance posture that follows. Computer Weekly has named her among the most influential women in UK tech. What she brings into a room is the connection most AI conversations miss: between the technical decision, the governance frame, and the human cost of getting either wrong. She has been a featured voice on Machine Learning Street Talk, where the audience is technical, and on board-facing platforms, where it is not. The same argument holds in both rooms. Key speaking topics AI strategy, ethics, and board oversight Adaptive resilience in the digital enterprise Human-AI complementarity and the future of work Responsible innovation and AI governance frameworks Digital transformation and operating-model redesign Sustainable value creation in a frontier-technology era Ideal for Boards and audit committees commissioning AI governance and assurance CEOs and CTOs moving AI from pilot to operational deployment CHROs and transformation leads redesigning the workforce around AI capability Risk, ethics, and compliance leaders building defensible AI policy Audience outcomes A board-level vocabulary for governing AI decisions that stand up to regulatory and stakeholder scrutiny A clearer view of where human judgement remains the binding constraint on AI deployment, and where it does not Specific reference points from Adaptive Resilience for stress-testing the organisation’s digital strategy A grounded sense of how European AI regulation and ethics standards translate into operating choices

Why organisations work with Dror Gill Coaches leadership teams through the practical decisions of generative AI adoption: tool selection across ChatGPT, Copilot, Gemini, and Claude, prompt design, hallucination control, and workflow redesign for real business processes. Brings engineering credibility most generative AI speakers cannot match: 37 granted patents, a 2021 Technology and Engineering Emmy for perceptual video encoding at Beamr, and three decades inside companies shipping production technology. Runs hands-on workshops, not lecture sets. Executives leave with prompts, chatbots, and analyses they built themselves during the session. Demonstrates what is possible at the frontier with live builds, including a signature session in which he creates a startup from scratch using ChatGPT alone, covering ideation, business model, investor deck, and go-to-market. Updates his material continuously. The pace of model and tooling change makes most static keynote decks stale within months; he rebuilds against the current state of the field. Biography highlights 2021 Technology and Engineering Emmy Award (National Academy of Television Arts and Sciences) for content-adaptive video encoding at Beamr. Co-inventor on 37 granted patents in video and image processing. First employee and long-serving CTO, VP Product, and VP Marketing at Beamr (NASDAQ: BMR). IBM Research Lab in the mid-1990s, pioneering media streaming and voice-over-IP, including collaboration with Sun Microsystems on the Java Media Framework. Founder of Gamdala, a generative AI consultancy advising executives on adoption, prompt engineering, and workflow integration. B.Sc. Electrical Engineering, Technion – Israel Institute of Technology. Speaking engagements at DLD Munich, AI Global Summit Italy, IBM, Samsung, Microsoft for Startups, and Amdocs. Biography The current generative AI conversation inside most companies sits between two failure modes. Either the technology is treated as a productivity gimmick to be tolerated, or it is over-promised as a strategy in itself. Neither produces operating advantage. The work of turning general-purpose models into specific, repeatable improvements in how a business actually functions sits in between. That work needs someone fluent in both the underlying technology and the practical question of what executives can do on Monday. Dror Gill is that profile. He spent three decades inside companies shipping production technology, most recently as the long-serving CTO of Beamr (NASDAQ: BMR), where he led the development of the perceptual video encoding technology that won the 2021 Technology and Engineering Emmy. He is a co-inventor on 37 granted patents. Earlier, he was at IBM Research in the mid-1990s pioneering streaming over IP and voice-over-IP, and at Emblaze Semiconductor chairing the Wireless Multimedia Forum. Today he runs Gamdala, a generative AI consultancy. The shift is consistent: he is again working at the frontier of a general-purpose technology, only now the audience is executives rather than engineers. His sessions are workshop-led. Participants leave having built prompts, chatbots, and analyses themselves. His signature live build creates a startup from scratch using ChatGPT alone, covering ideation, business model, investor deck, and go-to-market inside a single session. What makes his keynote work uncommon is the engineering pedigree behind the executive coaching. He has shipped the kind of technology he now teaches leaders to deploy. The Technion degree, the Emmy, and the patent record are not credentials worn for show. They are the reason the operating advice translates. Key speaking topics Generative AI adoption for executives Prompt engineering and hallucination control ChatGPT, Copilot, Gemini, and Claude in business workflows Generative AI for product, marketing, and operations AI in education and corporate learning Live demonstrations of generative AI for business creation Workflow redesign around large language models Ideal for CEOs, COOs, and executive committees seeking to move generative AI from pilots to operating use. CHROs and learning and development leaders designing AI fluency programmes for senior managers. Product and engineering leadership teams evaluating where to embed generative AI in customer-facing and internal workflows. Founders, investors, and innovation teams who want a working understanding of the current state of the tools, not last year’s. Audience outcomes A clearer view of which generative AI tools fit which business problems, and where each one breaks. Practical prompt patterns participants use in their own work the same week. A working sense of how to control hallucination, including chain-of-thought prompting and verification techniques. Awareness of what is now possible end-to-end with generative AI, demonstrated live rather than described in slides. Confidence to lead an organisational conversation on generative AI adoption without needing a translator.

Why organisations work with Philip Sheppard He has actually built and runs an AI creative business. LifeScore, the generative music platform he co-founded with Siri creator Tom Gruber, has raised £11m and ships to Warner Music Group and Octopus Ventures-backed commercial partners. The argument is grounded in a working company, not a slide on disruption. He brings a working composer’s view of human-AI collaboration. Most AI commentary is by analysts. His comes from sitting at the boundary where a human writes the musical raw materials and the machine selects, layers and mixes them in real time, which is the same architectural question now facing design, copy, video and brand teams. The credentials carry weight in a creative-leadership audience. A Fellowship of the Royal Academy of Music, an Academy of Motion Picture Arts and Sciences Music Branch membership, and conducting all 205 national anthems for the London 2012 Olympics with the London Philharmonic Orchestra at Abbey Road are not transferable credentials. He has a track record of speaking to technology buyers, not music audiences. Keynotes for Ernst & Young, Deloitte, Google, Facebook, YouTube and Kyu Collective, and on stages including C2MTL, TTI Vanguard and Business Innovation Factory. He turns an abstract debate into a live demonstration. He performs and composes on stage using a six-string electric cello, which makes the argument about generative systems and human craft visible rather than theoretical. Biography highlights Founder and CEO of LifeScore, an AI adaptive music platform co-founded with Tom Gruber, co-creator of Siri at Apple; backed by Warner Music Group and Octopus Ventures. Fellow of the Royal Academy of Music, awarded as a lifetime recognition of services to music and education. Composer of more than 65 scores for film, television, gaming and theatre, including Detroit: Become Human (Sony), the Star Wars: The Force Awakens Comic Con trailer, Mercury 13 (Netflix), In the Shadow of the Moon and Meru. Conducted and arranged all 205 national anthems for the London 2012 Olympic winners’ ceremonies, recorded with the London Philharmonic Orchestra at Abbey Road Studios. Music director for the London handover at the 2008 Beijing Olympics closing ceremony; music producer for the Tour de France, Rugby World Cup and the COP21 Paris climate summit. Member of the Academy of Motion Picture Arts and Sciences, Music Branch (2017) and the Television Academy; author of Music Makes Your Child Smarter (Schirmer Trade Books). Biography LifeScore was incubated inside Abbey Road Studios for a reason. The company was set up to answer a question that now matters far beyond music. If a machine can generate plausible creative output on demand, what exactly is the human still meant to do? Philip Sheppard, a composer and Fellow of the Royal Academy of Music, co-founded the platform with Tom Gruber, co-creator of Siri at Apple, and now runs it as CEO. Warner Music Group and Octopus Ventures have backed it through an £11m funding round. The architecture of LifeScore is, in effect, the architecture of any serious human-AI creative system. Composers and musicians build the raw musical materials. The machine selects, layers, sequences and mixes them in real time around the listener’s environment. The output is generated, but the judgement, taste and craft that make it sound human are not. That is the model Sheppard now describes to technology and creative leaders trying to industrialise generative AI without losing what made their work recognisable in the first place. The credentials behind the argument are concrete. Sheppard has composed more than 65 scores for film, television and gaming, including Detroit: Become Human, the Mercury 13 documentary for Netflix and In the Shadow of the Moon. He conducted and arranged all 205 national anthems for the London 2012 Olympics with the London Philharmonic Orchestra at Abbey Road, and was music director for the London handover at the Beijing 2008 closing ceremony. He sits as a voting member of the Academy of Motion Picture Arts and Sciences and the Television Academy, and wrote Music Makes Your Child Smarter for Schirmer Trade Books. His keynote audiences are mostly outside the music industry. Ernst & Young, Deloitte, Google, Facebook, YouTube and Kyu Collective have all booked him, alongside stages such as C2MTL, TTI Vanguard and Business Innovation Factory. The reason is the same in each case. He is one of the few people who can speak about generative AI and creative work from the position of having shipped a company that does it, and a body of work that depends on it being done well. Key speaking topics Human-AI collaboration in creative work Generative AI and the future of creative industries Building an AI venture from inside a creative practice Music, data and adaptive systems Innovation and creativity as a managed discipline The role of craft in machine-augmented teams Ideal for Chief technology, AI and digital officers shaping how generative AI is deployed across creative, brand and design functions Chief marketing, brand and customer-experience leaders whose teams now produce content with generative tools Innovation, R&D and product leadership at media, entertainment, consumer and platform businesses Leadership offsites at technology, consulting and professional services firms looking for a credible voice on creativity and AI Audience outcomes A clearer account of what generative AI changes about creative production, and what it does not A working mental model for dividing labour between human judgement and machine generation in creative workflows Named examples of how an AI creative venture is actually built, funded and run, drawn from LifeScore’s own history A sharper sense of where craft and taste still differentiate a brand or product in a generative environment A live demonstration of human-machine creative collaboration through performance, not slides