Cultural Intelligence

Why organisations work with Tom Turcich His credibility is not analogical: it is verifiable. The world walk is ranked in a finite historical list of ten people, documented in a published memoir, and covered by CNN, BBC, Good Morning America, The Guardian, and The Today Show. Seven continuous years of forward motion without a salary, fixed team, or guaranteed outcome offers a model of value-driven decision-making that is directly applicable to organisations sustaining long-term transformation. His Circle of Possibility framework reframes constraints as inputs to problem-solving rather than barriers to progress, making his content directly usable by teams operating under resource pressure or strategic uncertainty. The journey was values-led from day one: Turcich navigated every decision – including years of solitude, a global pandemic, and active conflict zones – by a clear internal compass. That makes his framework credible for organisations focused on purpose-driven culture rather than performance management alone. Biography highlights Tenth person in recorded history to complete a circumnavigation of the globe on foot Seven-year, 28,000-mile journey across six continents and 38 countries, beginning April 2015 His rescue dog Savannah became the first dog ever to walk around the world Author of The World Walk (Skyhorse Publishing, 2024), a full-length memoir of the expedition Featured by CNN, BBC, Good Morning America, The Guardian, and The Today Show Author of the Savannah’s World of Adventure children’s book series Biography Most people’s resilience is tested in months. Tom Turcich spent seven years walking 28,000 miles across six continents and 38 countries; a journey that placed him in the historically small group of ten people ever recorded to have circled the globe on foot. That context is not incidental to his work with organisations. It is the evidence. The walk began the day before his 26th birthday, prompted by the death of a close friend that forced a reckoning with how a life should be spent. It ended in May 2022. Along the way, Turcich navigated deserts, conflict zones, a global pandemic, and sustained solitude; guided not by a fixed itinerary but by a set of core values he had articulated before he left. His memoir, The World Walk (Skyhorse Publishing, 2024), documents both the physical journey and the decision-making architecture that sustained it. For organisations, the relevance lies not in the spectacle of the achievement but in its mechanics. His talks, built around the Circle of Possibility framework, address the specific tension between ambitious long-term goals and the daily reality of setback, discomfort, and unclear progress. The same principles that kept him moving across the Andes and through Central Asia translate directly to teams operating under sustained strategic pressure. His story has been covered by CNN, BBC, Good Morning America, The Guardian, and The Today Show. The World Walk received endorsements from two New York Times bestselling authors. A second non-fiction book, applying the lessons of the walk to organisational and professional life, is in progress. Key speaking topics Long-term resilience and sustained commitment Values-driven decision-making Goal-setting under uncertainty Reframing constraints as catalysts Purpose and personal accountability Endurance mindset in professional contexts Ideal for Leadership and executive teams navigating multi-year change programmes Sales and commercial conferences requiring a credible performance and resilience narrative Employee engagement and offsite events where purpose and motivation are central themes HR and people leaders building resilience culture within the workforce Audience outcomes A practical framework (Circle of Possibility) for sustaining commitment when progress is slow or unclear A more granular understanding of what resilience looks like in practice over an extended timeframe: not as a trait but as a set of daily decisions Sharper thinking about how personal values can function as a decision-making tool under pressure Perspective on the relationship between constraints and creative problem-solving A reframe of long-term ambition: from an abstract goal to a sequence of deliberate, manageable steps

Why organisations work with Elliot Barnes-Worrell A first-hand account of how inclusion plays out inside institutions known for being difficult to enter: the RSC, the National Theatre, the Almeida, and the BBC. Academic standing alongside the performance career. Guest lecturer at Oxford, Cambridge, Durham, Brown and Howard, with a published interest in race and representation in Shakespeare. A writer-director’s view of how creative cultures actually commission and back new voices, drawn from his own films The Works (BBC) and DIGGING (Film4). Range across keynote, masterclass and panel formats, with a tone that works for senior corporate audiences and for early-career and graduate populations inside the same organisation. Biography highlights Royal Shakespeare Company company member, 2013 to 2014, with roles in Henry IV, Richard II and The Two Gentlemen of Verona. Horatio in Hamlet at the Almeida Theatre; Henry Straker in Man and Superman at the National Theatre. Screen credits include ITV’s Jericho and Van der Valk, Soon Gone: A Windrush Chronicle, Dolittle, and Black Mirror: Hotel Reverie. Writer and director of The Works (BBC, 2016) with Ralph Fiennes, and DIGGING for Film4, premiered at the London Film Festival. Guest lecturer at Oxford, Cambridge, Durham, Brown and Howard universities. Alan Bates Award (Actors Centre); Sir John Gielgud Award (Royal Central School of Speech and Drama). Biography Most institutional inclusion work fails on the same question. Once a new voice is in the room, does the institution actually let it shape the work, or does it ask the voice to fit in quietly? Barnes-Worrell has spent his career inside the institutions where that question is hardest to dodge: the Royal Shakespeare Company, the National Theatre, the Almeida and the BBC. He trained at the BRIT School and at the Royal Central School of Speech and Drama, where he graduated with the Sir John Gielgud Award, and went on to win the Alan Bates Award at the Actors Centre. As an actor his stage work includes Horatio in Hamlet at the Almeida and Henry Straker in Man and Superman at the National Theatre, alongside an RSC company year covering Henry IV, Richard II and The Two Gentlemen of Verona. On screen he has appeared in ITV’s Jericho and Van der Valk, in Soon Gone: A Windrush Chronicle, in Dolittle, and in Black Mirror: Hotel Reverie. In 2016 he moved into writing and directing with The Works for the BBC, featuring Ralph Fiennes, and later wrote and directed DIGGING for Film4, which premiered at the London Film Festival. That second body of work gives him a working view of how creative organisations decide which voices to back, and on what terms. He also lectures inside the universities most associated with the canon he interrogates: Oxford, Cambridge, Durham, Brown and Howard, with a particular line of work on race and representation in Shakespeare. For corporate audiences, that combination of practitioner credibility and academic standing lets him discuss inclusion as a question of craft and culture, not slogans, in front of senior leaders who have become wary of both. Key speaking topics Inclusion as a cultural and creative discipline Race and representation in Shakespeare Storytelling and business communication Confidence and composure in high-scrutiny settings Talent development and emerging voices Mental health and wellbeing for performers and creative teams Ideal for Chief People Officers and Heads of DEI rebuilding inclusion programmes after a period of fatigue or political pressure Early-careers, graduate and apprenticeship leads designing development programmes for new entrants Internal communications and leadership development teams using storytelling as a working skill Universities, business schools and arts institutions running cross-disciplinary events on culture and representation Audience outcomes A clearer view of where institutional inclusion efforts stall, drawn from someone who has worked inside the institutions most cited as case studies. Specific language for talking about race and representation without resorting to either compliance script or political signalling. A practitioner’s account of how creative confidence is built, tested and sustained under public scrutiny. A storytelling vocabulary that internal communicators and leaders can use in their own work.

Why organisations work with Padma Lakshmi Her seven-year documentary project across immigrant and Indigenous communities in America (the foundation of both Taste the Nation and the 2025 Knopf cookbook Padma’s All American) gives her argument about diversity and belonging an evidential weight that most cultural voices cannot offer. Her DEI perspective is not theoretical: she co-founded an organisation that passed state legislation and helped establish the first interdisciplinary gynepathology research centre in the US, at MIT, demonstrating what sustained, policy-level advocacy actually produces. As UNDP Goodwill Ambassador and ACLU Artist Ambassador, she operates at a level of formal institutional credibility that separates her from celebrity advocates; she has testified, lobbied, and built coalitions, not just spoken. She offers one of the few genuinely non-confrontational pathways into difficult conversations about immigration, identity, and women’s health – using food as the entry point makes these subjects accessible in rooms where they are otherwise contested. Named to TIME’s 100 Most Influential People and recipient of the UNCA Advocate of the Year Award, she brings independent, multi-sector validation that extends well beyond the entertainment industry. Biography highlights Host and executive producer of Bravo’s Top Chef for 19 seasons; four-time Emmy nominee as Outstanding Host for a Reality or Reality-Competition Program Creator, host, and executive producer of Hulu’s Taste the Nation; James Beard Foundation Award winner, Visual Media – Long Form (2022) Author of Padma’s All American (Knopf, 2025), named a Best Cookbook of 2025 by the Washington Post and Boston Globe; New York Times bestselling author of memoir Love, Loss, and What We Ate and children’s book Tomatoes for Neela Co-founder, EndoFound; instrumental in establishing the first US interdisciplinary gynepathology research facility (Harvard Medical School and MIT joint project) and passing New York State Senate legislation on teen health education Visiting scholar, MIT Center for Gynepathology research UNDP Goodwill Ambassador; ACLU Artist Ambassador; TIME 100 Most Influential People (2023); UNCA Advocate of the Year (2021) Biography When organisations talk about inclusion, the conversation often stalls at the data. Padma Lakshmi has spent two decades building a different kind of argument; one that begins at the dinner table. As creator and host of Hulu’s Taste the Nation, she spent seven years embedded in immigrant and Indigenous communities across America, documenting how culinary traditions carry identity, history, and a sense of belonging that policy language rarely captures. The 2025 Knopf cookbook Padma’s All American, named a Best Cookbook of the year by the Washington Post and Boston Globe, extends that fieldwork into a mainstream cultural and business conversation: that diversity is not a management challenge to be solved but a generative force that shapes every aspect of how people live and work. Her advocacy has produced verifiable institutional outcomes. In 2009 she co-founded EndoFound, which helped establish the first interdisciplinary gynepathology research facility in the US – a joint Harvard Medical School and MIT project – and successfully drove legislation through the New York State Senate on teenage health education. She holds a visiting scholar appointment at MIT’s Center for Gynepathology Research. As UNDP Goodwill Ambassador and ACLU Artist Ambassador, she operates at the intersection of cultural influence and formal policy rather than occupying the softer territory of celebrity activism. For leadership teams where DEI initiatives have plateaued, or where women’s health and workplace wellbeing require a more credible and personal voice, Lakshmi’s combination of documentary rigour, scientific partnership, policy track record, and media reach offers something genuinely difficult to replicate. Key speaking topics Cultural identity and immigrant experience in America Diversity, equity, and inclusion through lived narrative Women’s health advocacy and public health policy Food, storytelling, and cross-cultural connection Using platform and media for social and civic impact Representation and belonging in public life Ideal for CHROs and people leaders seeking a non-confrontational, narrative-led entry into DEI at company-wide events Boards and executive teams navigating the political and cultural dimensions of workforce diversity Consumer, hospitality, or media brands whose audiences span diverse cultural communities Organisations with active women’s health or workplace wellbeing commitments seeking credible, policy-informed voices Audience outcomes A reframing of diversity from institutional obligation to cultural asset – grounded in specific, documented community experience rather than theory Deeper understanding of how immigrant and Indigenous communities shape the cultural contexts organisations operate in Practical perspective on what sustained advocacy – from grassroots education to legislative success – actually requires Greater awareness of women’s health as a workplace issue with measurable productivity and retention implications A model for using storytelling and platform to make complex social arguments land with mainstream audiences

Why organisations work with Kevin Olusola He performs the argument rather than narrating it. The “Foundation +1” idea (start with one simple element, add one layer at a time) is built live on stage through cello and beatbox, so the audience sees the method before they hear the framing. Three Grammys with Pentatonix and a Sony recording contract give him a credibility profile most innovation speakers cannot match, particularly with audiences sceptical of corporate creativity content. His route into music sits next to a Yale East Asian Studies degree and extended fellowship time in Beijing, which gives the cross-cultural innovation material genuine personal weight rather than a borrowed example. Opened TED2014 in Vancouver and was hand-picked by Quincy Jones for the 2012 Montreux Jazz Festival, alongside Bobby McFerrin and Chick Corea. He has worked at the level of stage where corporate audiences notice. Biography highlights Three-time Grammy winner with Pentatonix: Best Arrangement, Instrumental or A Cappella (2015 and 2016) and Best Country Duo/Group Performance (2017 with Dolly Parton). Won NBC’s The Sing-Off season three with Pentatonix, leading to a Sony Music Entertainment contract. Opened TED2014 in Vancouver with a celloboxing performance. Selected by Quincy Jones to represent him at the 2012 Montreux Jazz Festival, on a programme with Bobby McFerrin and Chick Corea. Yale University, East Asian Studies, with pre-med coursework. Spent extended fellowship time in Beijing and became fluent in Mandarin. Pioneered celloboxing, the simultaneous playing of cello and beatboxing; his viral 2011 video of Mark Summer’s “Julie-O” led directly to his Pentatonix recruitment. Biography The first time most audiences see Olusola on stage they are watching a method, not a performance. A single scale on the cello, a single percussive sound, then another, then another, until a Daft Punk medley or a Pharrell track is built in front of them out of parts that were obviously small a minute ago. He calls the underlying idea “Foundation +1”, and it is the spine of his corporate keynote work. The performance credentials sit behind the method. Pentatonix have won three Grammys, signed with Sony Music Entertainment after winning NBC’s The Sing-Off in 2011, and built one of the largest a cappella audiences on YouTube. Olusola opened TED2014 in Vancouver and was selected by Quincy Jones to represent him at the 2012 Montreux Jazz Festival, on a programme with Bobby McFerrin and Chick Corea. The cross-cultural material runs in parallel. Olusola read East Asian Studies at Yale with pre-med coursework, and spent extended fellowship time in Beijing where he became fluent in Mandarin. The idea of “celloboxing” itself came from a teacher in China, who asked him whether he had ever considered playing cello and beatboxing at the same time. The biographical detail is doing real work in the keynote: it gives a specific story for how stepping into an unrelated domain produced an original artistic form. For senior teams, Olusola is closer to a performing keynote than to a conventional management speaker. The intellectual content is light, the demonstration is heavy, and the value sits in how an audience leaves thinking about creative method and ambition. He suits openings, closings, and offsite moments where the brief is to shift the room rather than to teach a framework. Key speaking topics Creativity as a working method Cross-disciplinary innovation Ambitious goal-setting and execution Cross-cultural perspective and collaboration Team dynamics in creative work Performance keynote and corporate entertainment Ideal for Annual kick-off and conference opening or closing slots Leadership offsites focused on creativity, innovation, or culture Awards dinners and high-profile client events Internal events where a sceptical senior audience needs a non-standard creative input Audience outcomes A shared, memorable reference point for breaking ambitious goals into a starting move A concrete example of how cross-disciplinary thinking produces original output A genuine performance moment that anchors the rest of the agenda A reframing of creativity as practice rather than personality

Why organisations work with Eloïne Barry She runs the infrastructure, not just the advice. African Media Agency’s wire service was the first of its kind built for the continent, and it gives any organisation she works with direct distribution into hundreds of African newsrooms rather than a slide deck about how to reach them. Her client record is the proof point buyers care about: campaigns delivered for the African Development Bank, IFC, the Bill and Melinda Gates Foundation, Mastercard, Western Union and Merck, not a pitch deck of hypothetical case studies. She translates between the European and North American boardroom and the African newsroom. That crossover, learned at PR Newswire across France, Germany and the EMEA region before she moved the operation south, is rare at a senior level. She has been recognised by the industry on its own terms: SABRE Africa, ASCOM Grand Prix Excellence, New African Magazine’s 100 Most Influential, and Bizcommunity’s PR personalities to watch list for 2026. Biography highlights Founder and CEO, African Media Agency (AMA), Abidjan, with operations across 30+ African countries and hubs in Abidjan, Johannesburg and Durban. Built the first pan-African press-release wire distribution service. Clients include the African Development Bank, IFC, Bill and Melinda Gates Foundation, Mastercard, Western Union and Merck. Winner, SABRE Africa Western Africa award 2026 (Bluemind Foundation “Heal by Hair” campaign); African SABRE Certificate of Excellence in Media Relations 2021; Grand Prix Excellence, ASCOM Abidjan 2019. Named in New African Magazine’s 100 Most Influential Africans 2022; recognised by MIPAD (Most Influential People of African Descent) in 2018. Tony Elumelu Foundation mentor; board member, Africa Communications Week and Africa No Filter. Biography Most multinationals that try to reach African audiences at scale run into the same problem. A campaign built for London or New York lands in Lagos, Nairobi or Abidjan and does not move. The media maps are different, the gatekeepers are different, and the ground truth changes by country. African Media Agency was built to close that gap, and Eloine Barry built African Media Agency. AMA is the Abidjan-headquartered firm behind the first pan-African press-release wire distribution service. It now reaches hundreds of newsrooms across more than 30 African countries, with operational hubs in Abidjan, Johannesburg and Durban. Clients include the African Development Bank, IFC, the Bill and Melinda Gates Foundation, Mastercard, Western Union and Merck, alongside governments and African-founded organisations. The agency’s work sits across three arms: AMA Wire for distribution, AMA PR for campaigns and advisory, and AMA Academy for journalist and communications training. Her own route into the work matters. Born in Lyon to a Senegalese mother and a Guinea-Bissauan father, she began her career at PR Newswire, running media relations across France, Germany, and later the wider EMEA and India region. That trajectory is why she is effective with European and American boards and with African newsrooms in the same week; she has sat on both sides of the brief. The industry has recognised the operating record. AMA won a SABRE Africa Western Africa award in 2026 for its Bluemind Foundation “Heal by Hair” mental health campaign, which scaled a Cameroonian-founded initiative into a partnership network spanning health ministries in Togo and Cote d’Ivoire and research groups at Paris Saclay and Santa Clara. Barry herself sits on the boards of Africa Communications Week and Africa No Filter, mentors on the Tony Elumelu Foundation programme, and was named by Bizcommunity among the ten PR personalities to watch in 2026. Key speaking topics Growth strategy for African markets Pan-African media and communications Government and public-sector communications in Africa African diaspora and return-to-Africa strategy Cross-cultural leadership between European, North American and African organisations Building and scaling media infrastructure in emerging markets Ideal for CMOs and heads of corporate affairs at multinationals planning or expanding African operations. CEOs and country leads of development institutions, foundations and NGOs running continent-wide campaigns. Government communications directors and ministries engaging African diaspora audiences. Founders and boards of African-built companies preparing for international visibility. Audience outcomes A clear read on why standard global PR playbooks fail in African markets and what replaces them. A grounded view of the African media landscape across anglophone, francophone and lusophone regions. Practical starting points for building credibility with African newsrooms, diaspora audiences and local regulators. A sharper sense of how communications strategy sits inside a broader market-entry or growth plan for the continent.

Why organisations work with Marlo Clarke He gives employees a working language for purpose and fulfilment that is concrete enough to use on a Monday morning, built around named frameworks like the Cycle of Success through Intentional Action and the Spectrum of Joy. He treats setbacks as feedback to be evaluated, not motivation to be hyped past, which makes his content usable for teams under real pressure rather than after-dinner inspiration. His range is unusually wide for the format: the same content has landed with corporate audiences in the United States and United Kingdom and with rural community programmes in South Africa, which forces the ideas to be portable rather than context-dependent. Two TEDx talks at the University of Chester and the University of York give a public, watchable proof of how his material plays to a serious audience. Biography highlights Two-time TEDx speaker: TEDxUniversityofChester and TEDxUniversityofYork Former international rugby player for Barbados Has worked as a strategic and programme director across the United States, United Kingdom and South Africa Led U.S. federally funded youth and community development programmes in the American Midwest Conducted a year-long research project across 13 European countries on fulfilment and career meaning Currently runs volunteer development programmes in rural South Africa Biography Most workplace conversations about purpose end up too abstract to act on. Clarke’s work starts in the opposite place. He teaches people to answer one specific question at the end of a working day, then builds outward from that into how individuals define success, evaluate feedback, and decide what to do next. The material is shaped by an unusual working life. Born in Barbados, Clarke played international rugby for the country, then spent years running development programmes in the American Midwest funded by U.S. federal grants, working as a strategic director in the United States and United Kingdom, and leading volunteer programmes in rural South Africa. A year-long research project took him through 13 European countries interviewing people about what made their lives and careers feel worthwhile. Out of that came a small set of named frameworks: Define, Strive, Achieve, Share as the broad arc; the Cycle of Success through Intentional Action for the day-to-day; the Spectrum of Joy for what to do with achievement once it arrives. The frameworks are the spine of two TEDx talks, “What Now? What Next?” at the University of Chester and “How was your day today?” at the University of York. For an organisation, the value is practical. Clarke gives employees and leaders a way to talk about intention, setbacks and fulfilment that sits inside the working day rather than alongside it, and a vocabulary that holds up whether the audience is a corporate summit in the United States or a rural classroom in South Africa. Key speaking topics Self-defined success Intentional action Navigating uncertainty Feedback evaluation Personal fulfilment at work Cultural competency and cross-context storytelling Purpose and engagement Ideal for HR, learning and development leaders designing engagement and purpose programmes Internal conferences and leadership offsites focused on resilience and renewal Early- and mid-career talent populations being invested in by their employer Mission-driven organisations and NGOs working across cultural contexts Audience outcomes A short, repeatable daily checklist for evaluating progress against self-defined goals A working method for treating setbacks as feedback rather than failure Language for distinguishing between bliss, happiness and contentment, and why that matters at work A framework, Define / Strive / Achieve / Share, that maps onto how employees actually move through goals Renewed intent to act, grounded in two equations Clarke teaches: Passion plus Intention equals Purpose; Time plus Energy plus Money equals Purpose

Why organisations work with Mayara Magri A first-hand account of operating at the top of one of the most ranked, publicly scrutinised performance institutions in the world, where every promotion is earned in front of an audience and a critical press. A decade-plus inside a single company, from corps to Principal, gives her unusual authority on what sustained high performance actually requires of an individual inside a team that does not change around them. Career story carries credentials that buyers recognise without explanation: Youth America Grand Prix Senior Gold, Prix de Lausanne, Principal at The Royal Ballet. The proof points do the work of the bio for her. Brings the Brazilian-trained, London-based performer perspective on adapting to a different culture, language, and working method without losing identity, useful for global mobility, integration, and inclusion conversations. Biography highlights Principal Dancer, The Royal Ballet, since 2021 Trained at The Royal Ballet School after early scholarship training in Rio de Janeiro Senior Age Division Gold Medal, Youth America Grand Prix Prix de Lausanne Scholarship and Audience Prize, 2011 Created the role of Rosaura in Christopher Wheeldon’s Like Water for Chocolate Ambassador for The Fonteyn 2025 Brazil, Royal Academy of Dance Biography The Royal Ballet promotes from inside its own ranks. A dancer who joins the Company at seventeen and reaches Principal a decade later has done so while performing publicly several nights a week, in front of the same critics, alongside the same colleagues, with no role hidden from view. Mayara Magri made that journey between 2012 and 2021. She arrived in London from Rio de Janeiro on the back of two of the strongest results in the international ballet competition circuit: the Senior Age Division at the Youth America Grand Prix and the Prix de Lausanne Scholarship and Audience Prize in 2011. The Royal Ballet School then a Company contract followed. Promotions to First Artist, Soloist, First Soloist and Principal came in 2015, 2016, 2018 and 2021. Her repertoire covers most of the senior classical canon, from Odette/Odile and Juliet to Aurora, Kitri and Cinderella, with created roles including Rosaura in Christopher Wheeldon’s Like Water for Chocolate. Outside the company she has taken on ambassador work, including for the Royal Academy of Dance’s Fonteyn 2025 Brazil. For organisations, the relevant material is the working life behind the credits. Sustained performance inside a ranked institution, the discipline of preparing roles that will be judged the same night they are danced, and the long arc of building a career inside a single company rather than across many. Key speaking topics Sustained performance inside elite institutions Composure and preparation under public scrutiny Long-career discipline and reinvention Cross-cultural adaptation in global organisations Inclusion and representation in high-performance environments Resilience as a working practice Ideal for Leadership offsites and senior team gatherings looking for a credible high-performance voice outside the standard sport-speaker pool HR, talent and L&D programmes on resilience, sustained performance and career-long development Diversity and inclusion programmes seeking authentic perspectives on representation inside elite, traditional institutions Brand, marketing and CSR audiences working with arts, culture or sustainability narratives Audience outcomes A working performer’s view of what sustained high performance asks of an individual over a decade, not a single peak moment A concrete picture of how elite institutions absorb new talent, and what that demands of the person joining A reference point for resilience that is grounded in a working career, not a recovery story A perspective on representation and adaptation drawn from a Brazilian dancer’s path into one of Britain’s oldest cultural institutions

Why organisations work with Jose Ucar A structured methodology for cross-cultural influence, set out in Global Influence, shortlisted by The Institute of Leadership for its 2024 Leadership Book of the Year. Direct experience operating across four continents and two working languages, with delivery for Procter & Gamble, Amazon, SEAT-CUPRA, DAF Trucks, Hyundai, and Chiesi Pharmaceuticals. A practical lens on the gap between what senior leaders intend to communicate and what their international counterparts actually receive. Material that travels: the same frameworks land with a UK board, a Spanish-speaking sales team, and a multinational engineering function. Biography highlights Author of Global Influence: How business leaders can simplify, improve, and amplify their international impact, shortlisted for The Institute of Leadership’s Leadership Book of the Year 2024. TEDx speaker and host, including talks at TEDxSheffieldHallamUniversity and TEDxUniversityofSalford. Founder of Jose Ucar Ltd and the World-Class Communicator online programme. Delivered to Procter & Gamble, Amazon, SEAT-CUPRA, DAF Trucks, Hyundai, Chiesi Pharmaceuticals, Oral-B, UK Research and Innovation, the NHS, and the European Bank for Reconstruction and Development. Featured in LA Weekly, Yahoo Finance, Thrive Global, and Authority Magazine. Works fluently in English and Spanish; has lived, studied, and worked across Venezuela, Sweden, the UK, and beyond. Biography Most senior leaders are competent communicators in their home market and surprisingly ineffective the moment the room shifts language, culture, or hierarchy. Global Influence, Ucar’s book, is built around that gap. The Institute of Leadership shortlisted it for its 2024 Leadership Book of the Year, a recognition specifically tied to leadership practice rather than communications craft. His starting point is that international influence is a learnable discipline, not a personality trait. The frameworks set out in the book and on stage are designed to be portable across countries and functions, so a UK executive can use the same approach with a Spanish sales team, a German engineering function, and a US investor without re-engineering their style each time. That portability shows up in the client list. Procter & Gamble, Amazon, SEAT-CUPRA, DAF Trucks, Hyundai, Chiesi Pharmaceuticals, UK Research and Innovation, and the European Bank for Reconstruction and Development have all booked him to work with leaders who carry international remits. The common brief is consistent: senior people whose technical authority is established and whose cross-border influence is not yet where it needs to be. His own background sits behind the work. Born in Venezuela, schooled in Sweden from sixteen, based in the UK, fluent in English and Spanish, with delivery experience across four continents. He uses that lived experience as evidence rather than ornament, which is what separates the material from generic communication training. Key speaking topics Cross-cultural communication and influence International leadership and global business Executive presence across cultures Communication and storytelling for senior leaders Personal brand and authentic leadership Resilience and mindset in international roles Ideal for CEOs, MDs, and country leaders with multi-market remits Senior commercial, sales, and partnership leaders working across borders HR, talent, and L&D leaders investing in international leadership capability Global teams in regulated, technical, or engineering-led industries where communication failure carries commercial cost Audience outcomes A clearer reading of how their current communication style lands in unfamiliar cultural contexts A working framework for adapting message, delivery, and presence without losing authenticity Specific language for the cross-cultural moments that most often derail senior conversations Renewed confidence to lead difficult conversations across markets, languages, and hierarchies

Why organisations work with Barjis Chohan A 25-year operator’s view of brand discipline. She has run a designer label long enough to have seen the failure modes of growth, dilution, and trend-chasing, and to speak credibly about the cost of each. Hard-won sustainability substance. Seven years rebuilding supply chains, materials, and product lifecycles inside a working business, not a sustainability practice attached to a marketing function. A bicultural commercial perspective most boards do not have access to. She has financed and sold into the GCC, manufactured in the UK, and served Muslim, Western, and luxury hospitality clients inside one operating model. Verifiable entrepreneurial credentials, including Designer in International Trade from the Financial Mail on Sunday, Entrepreneur of the Year (London), and the Global MSME Champion Award from the Global Council for the Promotion of International Trade. Inclusion content with a practitioner’s edge. Her work on gender and cultural difference is shaped by running a multicultural business, not by a corporate DEI mandate. Biography highlights Founder and CEO of BARJIS London, established 1999, with bespoke luxury rugs preceding the womenswear line launched in 2011. BA Fashion Design, London College of Fashion, 1995; further study at Central Saint Martins. Worked under Vivienne Westwood and with a French fashion house in Monte Carlo before founding her business. Award record includes Designer in International Trade (Financial Mail on Sunday), Entrepreneur of the Year (London), Fashion Brand of the Year, and the Global MSME Champion Award from the Global Council for the Promotion of International Trade. Founder of The Barjis Initiative (2018), supporting creative entrepreneurship and enterprise education in schools. Speaking engagements include JP Morgan, the London School of Economics, Fonterra, Aston University, University of Surrey Students Union, and the Ministry of Culture of Colombia. Biography Most fashion businesses that survive their first decade do not survive their second with the same ethos intact. BARJIS London is an exception. Founded in 1999 with bespoke luxury rugs, the brand extended into womenswear in 2011 and has operated continuously across UK manufacturing, GCC investment, and luxury hospitality clients, with a sustainability programme rebuilt inside the business rather than added to its marketing. Chohan trained at London College of Fashion, graduating in 1995, and studied at Central Saint Martins. She interned with Vivienne Westwood and worked with a French fashion house in Monte Carlo before founding her own label. The Guardian described her as a Westwood prodigy. Her early commercial decisions, including writing to oil companies for investment at seventeen and travelling to the Middle East with a young family, set the bicultural pattern her business has followed since. Recognition has come from credible bodies. She holds the Financial Mail on Sunday Designer in International Trade award, Entrepreneur of the Year (London), Fashion Brand of the Year, and the Global MSME Champion Award from the Global Council for the Promotion of International Trade. The Barjis Initiative, launched in 2018, supports creative entrepreneurs and enterprise education in schools. Boards and leadership audiences book her for the operator’s lens, not the celebrity-founder presentation. Her talks examine brand erosion under growth pressure, creativity as a managed discipline rather than a slogan, and the specific commercial value of cultural fluency in markets where most British brands struggle to operate. Audiences at JP Morgan, the London School of Economics, Fonterra, and the Ministry of Culture of Colombia have heard versions of the same argument: ethos is a commercial asset, but only if it is defended structurally as the business scales. Key speaking topics Brand integrity and ethos at scale Creativity as a growth discipline Sustainability in product, supply chain, and operations Founder-led entrepreneurship and scale-up Cultural fluency in international markets Gender equity and inclusive workplaces Modest fashion and bicultural consumer markets Ideal for Founders, CEOs, and senior brand leaders in consumer-facing businesses CMOs and creative directors managing brand dilution risk under growth Heads of sustainability, procurement, and product development in fashion, retail, and luxury DEI and people leaders looking for practitioner-led content on gender and cultural inclusion Audience outcomes A working definition of brand ethos that holds up under commercial pressure A founder’s view of where sustainability programmes succeed and where they stall Practical reference points for entering GCC and modest-fashion markets without misreading them A reframing of gender and cultural inclusion as commercial capability rather than compliance Confidence to interrogate where their own organisation is trading long-term brand value for short-term growth

Why organisations work with Naomi Sesay She has run inclusion from inside the commissioning machine of a major UK broadcaster, not as an external consultant, so her advice carries the weight of decisions she has actually had to make and defend. Her training portfolio inside FTSE 100 clients and at Google, YouTube, NBC Universal, Deloitte and Lloyds Bank means she has tested her approach against the realities of regulated, scaled corporate environments. She frames inclusion as a leadership capability tied to commercial output, drawing on a 30-year broadcasting career where audience, talent and brand decisions were never separable. She brings a builder’s perspective on equity through her Sierra Leone smart-city project, which gives keynotes a concrete reference point beyond the standard DEI canon. Biography highlights Head of Creative Diversity, Channel 4, 2022 to 2025; previously On Screen Diversity Executive and Interim Head of Diversity & Inclusion at the broadcaster. Earlier television career as Producer, Director and Presenter at MTV News, and among the early producers on Channel 4’s Big Brother. Former Head of Innovation and Diversity, Media Trust. Senior Lead Trainer in Race Fluency and Inclusive Leadership with APS Intelligence, delivering programmes inside FTSE 100 organisations. Training and keynote work for Google, YouTube, NBC Universal, Amazon, Deloitte, Lloyds Bank, Warner Bros, Viacom, UN Women, Harvard Medical School and the Met Police. Fellow of the Royal Society of Arts; author of The Human Upgrade: The Power to Create Your Future; leads a female-centric sustainable smart-city project in Sierra Leone. Biography Most diversity work in large organisations is built by people who have never had to make a commissioning decision, hire a senior leader, or sign off a brand campaign. The view from inside those rooms is different. It is harder to be theoretical when the choice is in front of you and the budget is real. Naomi Sesay spent three years as Head of Creative Diversity at Channel 4, with two earlier spells at the broadcaster as On Screen Diversity Executive and Interim Head of Diversity & Inclusion. Her remit covered commissioning, training, talent and the broadcaster’s relationships with culturally and ethnically diverse creative communities across the UK. Before Channel 4 she ran innovation and diversity at Media Trust, and worked at APS Intelligence as a senior trainer in race fluency and inclusive leadership for FTSE 100 clients. Her television career started at MTV News during the channel’s European peak as a producer, director and presenter, and continued through one of the original production teams on Channel 4’s Big Brother. That broadcasting grounding shapes the way she talks to corporate audiences. Inclusion is not framed as a values statement; it is framed as an editorial, hiring and commercial discipline that decides which work gets made and which people get heard. Outside the broadcaster she is a Fellow of the Royal Society of Arts, author of The Human Upgrade: The Power to Create Your Future, and leads a network of architects and investors developing a female-centric sustainable smart city in Sierra Leone. The combination gives her keynotes for Google, Deloitte, UN Women, Harvard Medical School and others a practical edge: she has built things, not only advised on them. Key speaking topics Inclusive leadership Diversity, equity and inclusion in practice Cultural intelligence Creative industries and representation Emotional intelligence for senior teams Storytelling and human connection Social enterprise and equitable city design Ideal for CHROs, chief people officers and heads of DEI under pressure to show operating impact, not statements. Boards and ExCos reassessing inclusion strategy after political shifts and ESG scrutiny. Commissioning, editorial and creative leaders in media, entertainment, publishing and advertising. Senior leadership programmes inside FTSE 100 and equivalent corporates rebuilding inclusive leadership capability. Audience outcomes A clearer test for distinguishing inclusion that changes decisions from inclusion that performs them. Specific language for talking to senior leaders about race, identity and culture without retreating into either jargon or platitude. Working examples from broadcasting, FTSE 100 corporates and global brand environments that translate into the audience’s own commissioning, hiring and team practices. A way to connect inclusive leadership to commercial output, audience reach and talent retention rather than to compliance reporting.

Why organisations work with Rose Cartolari Operator-grade credibility with senior leaders: she co-founded and ran the operations of Scharper Pharmaceuticals through to a 2011 sale, then turned that experience into a coaching practice. She has sat in the chair the room is talking about. A board-level lens on inclusion as leadership capability, built through her Executive Committee role at European Women on Boards and the Board Readiness Programme she launched there. Cross-cultural fluency that holds up in genuinely complex settings, drawn from senior roles at American Express and UNICEF and on-the-ground postings in India, Indonesia and Somalia. A coaching toolkit grounded in neuroleadership, emotional intelligence and social styles, applied to specific senior problems: influence across the C-suite, executive presence, succession readiness. Teaches the material as well as practises it, through executive programmes at Columbia Business School, SDA Bocconi and the University of Milan-Bicocca. Biography highlights Founder and Managing Director, RC Consulting, advising C-suite leaders and their teams on leadership, influence and inclusion. Executive Committee member, European Women on Boards; launched the EWOB Board Readiness Programme. Co-founder and former COO, Scharper Pharmaceuticals SpA, exited in 2011. Senior corporate roles at American Express and UNICEF, with field postings across India, Indonesia and Somalia. Executive education faculty at Columbia Business School, SDA Bocconi and the University of Milan-Bicocca. MBA, Columbia Business School. BA, Brown University. Forbes Coaches Council member. TEDx speaker (TEDxArona). Co-author, Winning Mindset: Elite Strategies for Peak Performance (Erik Seversen, ed., 2021). Biography Senior leadership rarely fails on technical knowledge. It fails on composure, influence and the ability to hold a team together when conditions stop being stable. That is the territory Rose Cartolari works in, and she works in it from the position of someone who has held an operating role at scale and then chosen to coach the people who hold those roles now. Cartolari is Founder and Managing Director of RC Consulting, a leadership advisory and executive coaching practice for the C-suite and their teams. Before founding RC, she co-founded and served as COO of Scharper Pharmaceuticals SpA, a European pharmaceuticals business sold in 2011, after senior roles at American Express and UNICEF, including field assignments in India, Indonesia and Somalia. That operator history is the reason her conversations with senior leaders sound like conversations between peers, not between a leader and an outside expert. Her work sits at the point where leadership behaviour meets inclusion practice. On the European Women on Boards Executive Committee she launched the Board Readiness Programme, which prepares senior women for credible non-executive roles. She holds an MBA from Columbia Business School and a BA from Brown, sits on the Forbes Coaches Council, and teaches executive programmes at Columbia Business School, SDA Bocconi and the University of Milan-Bicocca. She is co-author of Winning Mindset: Elite Strategies for Peak Performance and a TEDx speaker (TEDxArona). The throughline of the work is practical: senior leaders, under pressure, learning to influence other senior people, hold their own counsel under ambiguity and turn inclusion from a value statement into a leadership behaviour. Key speaking topics Executive presence and influence across the C-suite Inclusive leadership as a senior capability Leading senior teams through change and ambiguity Board readiness and the path to non-executive roles Personal leadership and self-awareness for senior roles Cross-cultural leadership in multinational organisations Emotional intelligence applied to executive performance Ideal for C-suite executives and their direct reports working through ambiguity, restructure or succession Senior women preparing for non-executive director or board positions Heads of executive development, talent and inclusion building senior leadership pipelines Multinational leadership teams operating across multiple cultures and geographies Audience outcomes A sharper read on how senior influence works and where their own influence is leaking Language and practices for inclusive leadership that hold up in front of other senior leaders A specific view of board readiness, what selectors actually look for and how to close the gap Tools from neuroleadership, emotional intelligence and social styles applied to live senior dilemmas A working definition of executive presence that is behavioural, not stylistic

Why organisations work with Sarah Culberson A first-person story that does the work belonging-themed talks usually fail at: foster care, transracial adoption, and the discovery at 28 that her father was a Mende prince in Sierra Leone. Audiences disengage from abstract DEI framing; this is concrete. Co-author of A Princess Found (St. Martin’s Press, 2009), in development as a Disney live-action film with producer Stephanie Allain. The story has cultural reach beyond the corporate room. President and co-founder of Sierra Leone Rising, an operating nonprofit running water, sanitation, education and coding programmes in the Bumpe Chiefdom. Allyship is something she builds, not theorises. Recipient of the Impact Award at Bounce TV’s 30th Trumpet Awards (2022), with sustained media coverage on CNN, Good Morning America, BBC and The New York Times. Pairs the inspirational keynote with practical content on assumptions, uncomfortable conversations and inclusive team-building, drawn from over 15 years presenting in schools, universities and corporations. Biography highlights Co-author, A Princess Found: An American Family, an African Chiefdom, and the Daughter Who Connected Them All (St. Martin’s Press, 2009) President and co-founder, Sierra Leone Rising (founded 2006, formerly the Kposowa Foundation) Mahaloi (granddaughter of the Paramount Chief) of the Bumpe-Gao Chiefdom, Sierra Leone Disney development deal (2019) for a live-action film adaptation of her memoir, with Stephanie Allain as producer Impact Award, Bounce TV 30th Trumpet Awards (2022) BFA, West Virginia University; MFA, American Conservatory Theater, San Francisco Featured on CNN, Good Morning America, BBC, NPR, The New York Times, People and Newsweek Biography In 2004, an adopted theatre student in San Francisco hired a private investigator to trace her birth family. The trail led from West Virginia to a chiefdom in Sierra Leone still recovering from a brutal civil war. Sarah Culberson’s father was a Mende prince. Her grandfather had been Paramount Chief. The discovery rewrote her sense of identity and gave her a public platform she has been working with ever since. That platform produced a memoir, A Princess Found, co-written with Tracy Trivas and published by St. Martin’s Press in 2009. Disney signed a development deal in 2019 to adapt the book into a live-action film, with Stephanie Allain producing and Culberson serving as executive producer. The story has been covered on CNN, Good Morning America, BBC and The New York Times. The substantive work, though, sits inside Sierra Leone Rising, the nonprofit she co-founded in 2006. It runs sanitation, clean water, education and coding programmes in the Bumpe Chiefdom. The nonprofit is what gives her belonging keynote its weight. She is not asking organisations to consider allyship as a concept; she has spent two decades building it across two cultures. For corporate audiences she translates that experience into the practical content of belonging: how assumptions form, how uncomfortable conversations are conducted, how cross-cultural teams move past politeness into trust. In 2022 she received the Impact Award at Bounce TV’s 30th Trumpet Awards, recognition for a body of work that joins a personal story to operating institutions on two continents. Key speaking topics Belonging and allyship in the workplace Cross-cultural identity and biracial experience Inclusive team-building Diversity, equity and inclusion Personal transformation and purpose Humanitarian leadership and social impact Ideal for CHROs, heads of DEI and culture leads commissioning belonging or inclusion programmes Employee resource groups and women’s leadership networks Annual company conferences and kick-offs seeking an inspirational anchor with substantive content Education and nonprofit sector audiences working on equity and social impact Audience outcomes A vivid, memorable narrative that grounds inclusion conversations in lived experience rather than policy language A working vocabulary for assumptions, allyship and cross-cultural difference inside teams Concrete examples of how a Western-educated outsider built trust and impact in a post-conflict community in Sierra Leone Renewed commitment to belonging as a daily leadership practice, not a programme